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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Welcome to the first episode of The Culture Influential

E. Nina Rothe April 22, 2025

Starting right here, right now, I’m kicking off a podcast that brings together film and fashion in a brand new way, where you'll find yourself sitting in the room with celebrities and artists, for some cozy conversations. Cultural events and world affairs decoded, from Cannes to Venice to London and across the pond, to NYC. 

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In Cinema, Fashion, Festival, Interviews, Television, Art Tags The Culture Influential, Podcast, Qumra, Doha Film Institute, Qatar, Walter Salles, Lav Diaz, Darius Khondji, Cannes, Venice, London, fashion weeks, film festivals, DFI, Apple podcasts, Spotify
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Cannes' sidebars -- Critics' Week, Directors' Fortnight and ACID selections announced

E. Nina Rothe April 15, 2025

Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!

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In Cinema, Festival Tags Critics week, Cannes Film Festival, festival de Cannes, Quinzaine de Cineastes, Directors' Fortnight, ACID, Cannes, Harmony Korine, The President’s Cake, Hasan Hadi, Leah Chen Baker, Qumra, DFI, Doha Film Institute, Barry Jenkins, Dangerous Animals, Sean Byrne, Kokuho, Lee Sang-il, Eva Victor, Sorry Baby, Daniel Kaluuya, Guillermo Galoe, Sleepless City, Ciudad Sin Sueño, Spain, Iraq, Madrid, Kaouther Ben Hania, Sylvain George, Life After Siham, Namir Abdel Messeeh, Put Your Soul on Your Hand and Walk, Sepideh Farsi
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The 5th Amman International Film Festival kicks off with style and a somber tone

E. Nina Rothe July 4, 2024

Respectful of the ongoing Gaza tragedy and in tune with the mood of the Region in general, the Jordanian film festival still managed to celebrate its theme for this edition — “Our Stories, Our Narratives”.

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In Cinema, Festival, The Diaries Tags Amman International Film Festival, Awal Film, Amman, Jordan, Bye Bye Tiberias, No, Palestine, Palestinian stories, Lina Soualem, Hiam Abbass, Gaza, Hanaa Awad, From Ground Zero, Rashid Masharawi, Film, Cannes, Queen Rania, Princess Rym Ali, Prince Ali Bin Al Hussein, Dhafer L'Abidine, Bushra Rozza, Alana Hadid, Mounir Atallah, Watermelon Pictures, Asghar Farhadi, Oscar winner, Mahdi Fleifel, Ameen Nayfeh
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This year’s Palm Dog winner Kodi with his director and co-star Laetitia Dosch

The Cannes Diaries: The day the festival went to the dogs!

E. Nina Rothe May 25, 2024

The Palm Dog winners, that is…

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In Cinema, Festival, The Diaries Tags Palm Dog, Cannes, festival de Cannes, Cannes Film Festival, dogs, Messi, Anatomy of a Fall, Woopets, France, Knauf Jewels, Soho Poms, Wendy Mitchell, Kinds of Kindness, Yorgos Lanthimos, Emma Stone, Willem Dafoe, Bird, Andrea Arnold, Megalopolis, Francis Ford Coppola, Mutt Moment, Black Dog, Eddie Peng, Taiwan, Little Xin, Hu Guan, Toby Rose, Snoop, Palme D'Or, Kodi, Laetitia Dosch, Dog on Trial, Un Certain Regard, Kaleem Aftab, Peter Bradshaw, Rita Di Santo, Juliette Binoche, Meryl Streep
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Poster by Takeshi Kitano, titled, appropriately by the Japanese actor, writer, comedian, painter and director “Takeshi”

Cannes' Quinzaine and Semaine announce line ups

E. Nina Rothe April 18, 2024

And there are some must-watch films in there which cannot be missed.

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In Cinema, Festival, The Diaries Tags Directors' Fortnight, Critics' Week, Cannes, Festival de Cannes, Takeshi Kitano, This Life of Mine, Agnes Jaoui, Sophie Fillières, Christmas Eve In Miller’s Point, Michael Cera, Elsie Fisher, Maria Dizzia, Francesca Scorsese, Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Tyler Taormina, India Donaldson, Good One, Universal Language (Une Langue Universelle), Matthew Rankin, Tehran, Mahdi Fleifel, To a Land Unknown, Hala Elkoussy, East of Noon (Sharq 12), Locust, KEFF, Qumra, Doha Film Institute, Saïd Hamich Benlarbi, La mer au loin (Across the Sea), Adam Bessa, Ghose Trail, Jonathan Millet
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A still from Ginevra Elkann’s ‘I Told You So’ which will screen at this year’s Cinema Made in Italy

"That's Amore!" Cinema Made in Italy lands at Ciné Lumière in London

E. Nina Rothe March 14, 2024

Organized by Cinecittà, the French Institute in London and The Italian Cultural Institute, this audience favorite annual film festival highlights the best Italian cinema from the past year.

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In Cinema, Festival, The Diaries Tags Cinema Made in Italy, Cine Lumiere, London, French Institute Alliance Francaise, Italian Cultural Institute, Cinecittà, South Kensington, Adrian Wootton OBE, Alice Rohrwacher, La Chimera, Josh O'Connor, Carol Duarte, Alba Rohrwacher, Isabella Rossellini, Cannes, Comandante, Edoardo De Angelis, Pierfrancesco Favino, WWII, Paola Cortellesi, There is Still Tomorrow, Tommaso Santambrogio, Oceans Are The Real Continents, Venice Film Festival, Ginevra Elkann, I Told You So, Valeria Golino, Valeria Bruni Tedeschi, Greta Scacchi, Chicken For Linda!, Sébastien Laudenbach, Chiara Malta, Nicola Maccanico, Danny Huston
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Hala Matar's 'Electra' world premieres, at this year's Santa Barbara IFF

E. Nina Rothe February 9, 2024

And is worth a watch.

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In Festival, Cinema, Fashion Tags Electra, Hala Matar, Daryl Wein, Santa Barbara International Film Festival, Bradley Cooper, Mark Ruffalo, Maria Bakalova, Jack Farthing, Chloë Sevigny, Jack Farthing Rome, Valentino, Netflix, Soudade Kaadan, Nezouh, Syria, Venice, Annemarie Jacir, Palestine, Salt of This Sea, Arab women filmmakers, Bahrain, Cannes, Berlinale
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Julianne Moore in ‘The Staggering Girl’ by Luca Guadagnino

Julianne Moore in ‘The Staggering Girl’ by Luca Guadagnino

The Cannes 2019 Diaries: Films that broke my heart and Luca Guadagnino's Valentino project

E. Nina Rothe May 18, 2019

There has been a certain je ne sais quoi in the air here in Cannes, and I wasn’t able to quite put my finger on it. It bothered me, someone always good at defining a moment, person or place, that I couldn’t put that feeling into words. Then I attended the press conference for Luca Guadagnino’s ‘The Staggering Girl’ and I had a ‘EUREKA!” moment. So bear with me for a moment while I get to that…

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In Cinema, Fashion, Festival, The Diaries Tags Luca Guadagnino, Valentino, Pier Paolo Piccioli, Pier Paolo Pasolini, Cannes Film Festival, Festival de cannes, Cannes, Venice Film Festival, Alberto Barbera, Oscars, Majestic hotel, Medea, The Staggering Girl, Marriott hotel, ryuichi sakamoto, Thrive Global, ICS, Litigante, Franco Lolli, Cancion Sin Nombre, Melina Leon, Doha Film Institute, The Unknown Saint, Alaa Eddine Aljem, Julianne Moore, Kyle MacLachlan, Marthe Keller Alba Rohrwacher, Dan Krauss, 5B, AIDS, Film, Fashion
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Critics' Week Cannes poster

Leading up to Cannes, here are the line-ups for Directors' Fortnight and Critics' Week

E. Nina Rothe May 9, 2019

I know, most critics go to the Festival de Cannes looking forward to the Competition titles and maybe will grant themselves the joy of viewing the Un Certain Regard selection. But I’ll admit I’m more of a sidebar person, and while I will view a few great titles in the main lineups, my craves lay more in the Quinzaine (Directors’ Fortnight) and Semaine de la Critique.

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In Cinema, Festival, The Diaries Tags Critics Week, Cannes, festival de Cannes, Cannes Film Festival, Quinzaine de realizateurs, Directors' Fortnight, La Semaine de la Critique, Film, fashion, Luca Guadagnino, The Unknown Saint, Vivarium, Abou Leila, Robert Rodriguez, Zombi Child, The Staggering Girl, Valentino, Wounds, The Orphanage, First Love, Deerskin, Alice and the Mayor
Alain Delon, photo courtesy of the Festival de Cannes

Alain Delon, photo courtesy of the Festival de Cannes

Cannes Film Festival announces Competition, Un Certain Regard titles and an honorary Palme d'or to Alain Delon

E. Nina Rothe April 18, 2019

As a young girl, I remember watching anything that had Alain Delon in it. I had a super crush on him and, lucky me, no film of his was deemed inappropriate by my parents. So along with Luchino Visconti’s ‘The Leopard’ and ‘Rocco and his Brothers’, I also caught Delon in films like ‘The Swimming Pool’, ‘Zorro’ and yes, even ‘The Concorde… Airport ‘79’. In fact, from the latter I required that a friend of the family who knew how to knit make me a royal blue crew neck wool sweater that looked just like his. I would find you a photo but I would have to watch that entire film all over again and well, I’ve moved on from my pre-pubescent crush. And my taste in film has highly improved.

But Alain Delon remains the fascinating man, the sultry sex symbol that could even steal women away from Mick Jagger. And this year’s he’s the Festival de Cannes honorary Palme d’Or recipient. Kudos to the festival for finally getting the reclusive actor to accept their coveted lifetime award.

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In Cinema, Festival, The Diaries Tags Cannes Film Festival, Festival de Cannes, Cannes, Competition, Un Certain Regard, Werner Herzog, Diego Maradona, Asif Kapadia, Alain Delon, Elia Suleiman, Doha Film Institute, Abel Ferrara, Nicolas Winding Refn, Claude Lelouch, Maryan Touzani, Mounia Meddour, Bruno Dumont, Karim Ainouz, Papicha, Ira Sachs, Terrence Malick, Ken Loach, Xavier Dolan, Mati Diop, Atlantique, Arnaud Desplechin, Bong Joon-ho, Marco Bellocchio, Pedro Almadovar, Pain and Glory, Parasite, Young Ahmed, Dardenne Brothers
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La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

The Cannes Film Festival unveils its poster which pays tribute to the late, great Agnès Varda

E. Nina Rothe April 15, 2019

As I learned at this year’s Qumra, held by the Doha Film Institute, the grand dame of French New Wave cinema Agnès Varda was all about finding the stories, the viewpoints that no one else would bother with. The Festival de Cannes, in its poster just unveiled for the 72nd edition of the festival, pays homage to La Varda but also to her indomitable spirit by showing the filmmaker on her first cinematic venture perched high up on a platform, atop the shoulders of a crew technician. She’s is looking to capture that image, that viewpoint which no one else would have even thought about. She is Varda, in all her perfectly humble and adventurous attitude. The same Varda who asked me, to my utter disbelief, if I’d liked her “little film” a few years ago in Cannes.

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Cannes Film Festival, Agnes Varda, Qumra, Doha Film Institute, Cannes, French cinema, Jacques Demy, filmmakers, women filmmakers, Philippe Noiret, La Pointe Courte, Flore Maquin, Facebook, Twitter, Dailymotion, YouTube
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Bill Murray and Adam Driver in a still from ‘The Dead Don’t Die’

Bill Murray and Adam Driver in a still from ‘The Dead Don’t Die’

This year's Cannes Film Festival opens with Jim Jarmusch's zombie extravaganza 'The Dead Don't Die'

E. Nina Rothe April 10, 2019

I tweeted about this beauty a couple of weeks ago and stand by my word. I’m typically not a zombie kinda girl but utter Jim Jarmusch’s name and I can’t watch it fast enough. So the buzz was deafening around ‘The Dead Don’t Die’ from the time the first images of the film were released, building up to a cacophony of joy when the trailer was first shown. And don’t even get me started on Adam Driver. I mean, the man is taller than Bill Murray, which is saying a lot, and all the handsome of a young Keanu Reeves, plus acting talents to boot.

Then, this morning Cannes announced it will open its 72nd edition of the festival with the Jarmusch film, in Competition no less. On Tuesday May 14th, on the screen of the Grand Théâtre Lumière, the film by the American director and screenwriter will be this year’s first Palme d'Or competition screening.

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In Cinema, Festival, The Diaries Tags Jim Jarmusch, Festival de Cannes, The Dead Don't Die, Adam Driver, Bill Murray, Cannes, American filmmaker, Grand Théâtre Lumière, opening selection, zombies, Keanu Reeves, Palme d'Or, Centerville, Down by Law, Roberto Benigni, John Lurie, Tom Waits, Richard Lormand, E. Nina Rothe
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
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Carlo Chatrian, artistic director of the Locarno Festival and Ted Hope

Carlo Chatrian, artistic director of the Locarno Festival and Ted Hope

The Locarno Diaries: Ted Hope, Bruno Dumont's vision and the luxury of pressing "pause"

E. Nina Rothe August 3, 2018

A great film festival for me is defined not only by the quality of films I get to watch but also the meetings and chance encounters that happen along the way. In a queue waiting for a film to start, sitting in the lobby of a hotel waiting for an interview and sometimes, just stopping for a whole hour or two in the midst of the hectic festival schedule makes all the sense in the world.

I tried this yesterday afternoon and went to visit a friend in the restaurant of The Belvedere hotel, a good while after lunch and as interview junkets were being conducted all around me. It turned out to be the best decision of the day.

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In Cinema, Festival, The Diaries Tags Locarno Festival, Locarno 71, Ted Hope, Bruno Dumont, Cannes, Amazon, Alejandro González Iñárritu, 21 Grams, Luca Guadagnino, Harvey Pekar, Suspiria, American Splendor, Ang Lee, The Wedding Banquet, Coincoin et les z'inhumains, Pardo d'Onore Manor, Jérémie Renier, Hotel Belvedere, film festivals, Coincoin And The Extra-humans, Alane Delhaye, Venice Film Festival, La Biennale di Venezia
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Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

The last of the Cannes Diaries 2018: When all else fails, you can find me at the movies

E. Nina Rothe May 28, 2018

It was the best of times, it was the worst of times. Actually, this edition of the Festival de Cannes turned out to be a missed opportunity, for media and juries alike to truly take charge of the #TimesUp movement and make of it a lasting course instead of a passing trend. Yes, there were stairs filled with women in pretty dresses, there were hotlines that we could call if we felt threatened or harassed, but ultimately the big prizes went to the big boys. As they have for every edition of the festival, except once, in 1993 when Jane Campion made history as the first and only woman to win the Palme d’Or. 

Yet personally, I loved Cannes more than ever this year. I had a soft place to fall, in the form of a wonderful group of friends I spent my free time with, eating dinners we cooked together and drinking our morning coffee back at our cozy apartment with one breathtaking view. I mean, just look at the Disney fireworks for 'SOLO: A Star Wars Story' display from our terrace!

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In Cinema, Festival, The Diaries Tags Cannes, Festival de cannes, Cannes Film Festival, Jane Campion, TimesUp, Palme d'Or, SOLO: A Star Wars Story, Nadine Labaki, DPA gift lounge, Nathalie Dubois Sissoko, Nandita Das, The National, Capharnaum, caramel, refugees, Amir Naderi, selfies, Asghar Farhadi, Marriott Hotel, Carlton Hotel, Jafar Panahi, 3 Faces, Iranian cinema, Arab cinema, Iran, Abu Dhabi Film Festival, Dubai International Film Festival, UAE Pavilion, DIFF, CNN, Inside the Middle East, Saudi Arabia, Italian cinema, Italy, Marco Bellocchio, Gianni Zanasi, La Lotta, Troppa Grazia, Lucia's Grace, Alba Rohrwacher, La Strada dei Samouni, Stefano Savona, Euforia, Valeria Golino, Dogman, Matteo Garrone, Alice Rohrwacher, Happy as Lazzaro, Lazzaro Felice, Italian politics
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Nadine Labaki on the set of 'Capharnaum', photo by Fares Sokhon

Nadine Labaki on the set of 'Capharnaum', photo by Fares Sokhon

My thoughts on women's rights, Nadine Labaki's 'Capharnaum' and the Saudi presence at this year's Cannes Film Festival

E. Nina Rothe May 22, 2018

The winner of the Palme d'Or has been announced and predictably, it's still a male-directed project. There are too few opportunities for us women around and when one of us seizes the chance, we must deal with men (boys?) putting up passive aggressive resistance all the way, and other women trying to take us down.

So, in my humble opinion this "5050X2020" movement which culminated as a red carpet moment may be fun to say and bound to light up with feminine glamour the famous staircase in Cannes, but it is not going anywhere until we aggressively and definitely take up our rightful place.

And yes, call me angry, go ahead. Make my day.

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In Cinema, Festival, The Diaries Tags Cannes Film Festival, Festival de cannes, Cannes, 5050X2020, Nadine Labaki, Capharnaum, Saudi Film Council, Saudi Arabian pavilion, Saudi Arabia, arab cinema, John Travolta, Saudi Film Collection, Short Film Corner, Don't Go Too Far, Film School Musical, Haifaa Al Mansour, Maha Dakhil, Maram Taibah, Ahmad Al-Maziad, driving ban in Saudi, Maan and Talha B., Happy as Lazzaro, Alice Rohrwacher, women filmmakers, Fares Sokhon, Palme d'Or
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Lucia's Grace poster

The Cannes Diaries 2018: 'Lucia's Grace' ('Troppa Grazia') is a miracle of a film!

E. Nina Rothe May 19, 2018

One of the freshest and most romantic films I watched in Cannes was Gianni Zanasi’s ‘Lucia’s Grace’ which screened in the Directors’ Fortnight section. On Thursday night it was awarded the Label Europa Cinema prize and personally, I was elated. Zanasi’s film is another one of those modern Italian cinematic gems that have brought me home. Quite literally. 

I moved back to my birth country five years ago because its newest wave of movies and filmmakers made me once again proud of being Italian. And Zanasi’s film also features as Lucia one of the most exciting young actresses in indie cinema today, Alba Rohrwacher, whom we can definitely claim as Italian but who is so much bigger and better than that label alone. Her wit, the way she can take the most basic of characters and build around them grand nuances and subtle mannerisms make her so cool that she may as well read the phone book on the big screen. And I’ll pay to watch that.

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In Cinema, Festival, Interviews, The Diaries Tags Lucia's Grace, Troppa Grazia, Cannes, Cannes Diaries, Cannes Film Festival, Festival de cannes, Label Europa Cinema prize, Gianni Zanasi, Italy, Italian cinema, Alba Rohrwacher, Madonna, Virgin Mary, Elio Germano, Hadas Yaron, Japan, Last Shadow Puppets
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Dylan Roberts and Kenza Fortas in Jean-Bernard Marlin's 'Sheherazade'

Dylan Roberts and Kenza Fortas in Jean-Bernard Marlin's 'Sheherazade'

The Cannes Diaries 2018: Jean-Bernard Marlin's 'Shéhérazade' is a "luminous love story"

E. Nina Rothe May 16, 2018

From the black and white stock image reels that kick off the titles of Jean-Bernard Marlin's 'Shéhérazade', the viewer knows they'll be experiencing something different. Even though the film could at first glance appear to be yet another Romeo and Juliet type romance between star crossed lovers, it quickly unfolds into something much more unique and spellbindingly truthful. 

Seventeen year old Zach (played by Dylan Roberts) comes out of jail in his native Marseille, only to find that his mother isn't picking him up, she seems to have forsaken him. He is thus taken to a group home and quickly escapes only to try and reconnect with the life that sent him to prison in the first place. But one day, his friends take him to find a prostitute, and there he meets a girl, Shéhérazade (played by Kenza Fortas) whom he remembers from school. Their encounter isn't romance perfect at first, though their "meet cute", the moment in which their stars cross in cinematic terms is perfect. And perfectly human.

Will they make it despite the entire world seemingly being against them?

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In Cinema, Festival, Interviews, The Diaries Tags Jean-Bernard Marlin, Sheherazade, Critics Week, Cannes, Festival de cannes, Dylan Roberts, Kenza Fortas, La Semaine de la Critique, love stories
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Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'

Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'

The Cannes Diaries 2018: The inimitable Adriano Tardiolo in Alice Rohrwacher's 'Happy as Lazzaro'

E. Nina Rothe May 15, 2018

In the midst of the screening of Alice Rohrwacher's latest 'Happy as Lazzaro' ('Lazzaro Felice') I was overcome by a nearly unbearable sense of pride at being Italian. It's something I've come across one or two times before and I believe it is due to this new wave of fellow compatriot filmmakers who have brought back the idea of magic to Italian cinema.

As I sobbed in my seat, I realized that all the inspiration that lacked in our movies from about the late Seventies to now, has surged powerfully into a movement that has infiltrating the old status quo and created a brand new tsunami of talent in the process. And that simply takes my breath away.

When I sat with Rohrwacher a day later, she admitted that while in the past there existed a competition between Italian filmmakers as to who would be named the best one, now there is a stronger sense of community among the younger talents and that has made for better cinema. 

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In Cinema, Festival, Interviews, The Diaries Tags Lazzaro Felice, Happy as Lazzaro, Alice Rohrwacher, Alba Rohrwacher, Adriano Tradiolo, Cannes, Festival de Cannes, Cannes Film Festival, Cannes Diaries, Orvieto, Inviolata, Palme d'Or, Competition, Lazzaro, religion, faith
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Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'

© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

The Berlinale Diaries: Elia Suleiman talks Qumra plus Laura Bispuri's 'Daughter of Mine'

E. Nina Rothe February 19, 2018

From the fabulous women of 'Daughter of Mine' to a wondrous man, my early Sunday morning at Berlinale was spent in the company of Elia Suleiman, the Palestinian filmmaker extraordinaire and Artistic Advisor of the Doha Film Institute. 

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In Cinema, Festival, The Diaries Tags Doha Film Institute, Qumra, Daughter of Mine, Figlia Mia, Valeria Golino, Alba Rohrwacher, Laura Bispuri, Berlinale, Berlin, Berlin Film Festival, Hanna Issa, Elia Suleiman, Mohamed Ben Attia, Palestine, Amal Al-Muftah, Sh'hab, Basil Khalil, Ave Maria, Dora Bouchoucha, Weldi, Gianfranco Rosi, Cannes, Oscars, Sandy Powell, Bennett Miller, Apichatpong Weerasethakul, Andrey Zvyagintsev, Sara Casu, Italian cinema, Arab cinema, Qatar, Doha
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