Among the new additions, Nadav Lapid’s absurdist tale, focusing on a struggling jazz musician tasked with reinventing the Israeli national anthem, taking place in the aftermath of October 7th, but also Lynne Ramsay’s latest, Kristen Stewart’s directorial debut and Lav Diaz’s ‘Magellan’ starring Gael Garcia Bernál as the Portuguese explorer.
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Angelina Jolie as Maria Callas, photographed by Pablo Larraín, used with permission
'Maria': the power of great women's stories told by extraordinary men & why I needed to watch the film again
Turns out once was not enough for the cinematic tale of Maria Callas’ last week, as told by Chilean auteur Pablo Larraín and interpreted with courage and beauty by Hollywood icon Angelina Jolie.
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A still from Ginevra Elkann’s ‘I Told You So’ which will screen at this year’s Cinema Made in Italy
"That's Amore!" Cinema Made in Italy lands at Ciné Lumière in London
Organized by Cinecittà, the French Institute in London and The Italian Cultural Institute, this audience favorite annual film festival highlights the best Italian cinema from the past year.
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Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'
The last of the Cannes Diaries 2018: When all else fails, you can find me at the movies
It was the best of times, it was the worst of times. Actually, this edition of the Festival de Cannes turned out to be a missed opportunity, for media and juries alike to truly take charge of the #TimesUp movement and make of it a lasting course instead of a passing trend. Yes, there were stairs filled with women in pretty dresses, there were hotlines that we could call if we felt threatened or harassed, but ultimately the big prizes went to the big boys. As they have for every edition of the festival, except once, in 1993 when Jane Campion made history as the first and only woman to win the Palme d’Or.
Yet personally, I loved Cannes more than ever this year. I had a soft place to fall, in the form of a wonderful group of friends I spent my free time with, eating dinners we cooked together and drinking our morning coffee back at our cozy apartment with one breathtaking view. I mean, just look at the Disney fireworks for 'SOLO: A Star Wars Story' display from our terrace!
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The Cannes Diaries 2018: 'Lucia's Grace' ('Troppa Grazia') is a miracle of a film!
One of the freshest and most romantic films I watched in Cannes was Gianni Zanasi’s ‘Lucia’s Grace’ which screened in the Directors’ Fortnight section. On Thursday night it was awarded the Label Europa Cinema prize and personally, I was elated. Zanasi’s film is another one of those modern Italian cinematic gems that have brought me home. Quite literally.
I moved back to my birth country five years ago because its newest wave of movies and filmmakers made me once again proud of being Italian. And Zanasi’s film also features as Lucia one of the most exciting young actresses in indie cinema today, Alba Rohrwacher, whom we can definitely claim as Italian but who is so much bigger and better than that label alone. Her wit, the way she can take the most basic of characters and build around them grand nuances and subtle mannerisms make her so cool that she may as well read the phone book on the big screen. And I’ll pay to watch that.
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Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'
The Cannes Diaries 2018: The inimitable Adriano Tardiolo in Alice Rohrwacher's 'Happy as Lazzaro'
In the midst of the screening of Alice Rohrwacher's latest 'Happy as Lazzaro' ('Lazzaro Felice') I was overcome by a nearly unbearable sense of pride at being Italian. It's something I've come across one or two times before and I believe it is due to this new wave of fellow compatriot filmmakers who have brought back the idea of magic to Italian cinema.
As I sobbed in my seat, I realized that all the inspiration that lacked in our movies from about the late Seventies to now, has surged powerfully into a movement that has infiltrating the old status quo and created a brand new tsunami of talent in the process. And that simply takes my breath away.
When I sat with Rohrwacher a day later, she admitted that while in the past there existed a competition between Italian filmmakers as to who would be named the best one, now there is a stronger sense of community among the younger talents and that has made for better cinema.
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Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'
© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films
The Berlinale Diaries: Elia Suleiman talks Qumra plus Laura Bispuri's 'Daughter of Mine'
From the fabulous women of 'Daughter of Mine' to a wondrous man, my early Sunday morning at Berlinale was spent in the company of Elia Suleiman, the Palestinian filmmaker extraordinaire and Artistic Advisor of the Doha Film Institute.
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