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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

© Les Films 13 - ‘A Man and a Woman’ by Claude Lelouch (1966) / Graphic design © Hartland Villa

Two posters, a first film's cool Jury President and Alain Chabat at the Fortnight

E. Nina Rothe April 23, 2025

If the Festival de Cannes is approaching, then it’s time for this journo to check her inbox at least a hundred times a day. News include the announcement of the Caméra d'or for first works Jury President and two posters for ‘A Man and a Woman’ as the image of the Croisette for this 2025 edition.

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Tags festival de Cannes, Cannes Film Festival, Alain Chabat, Quinzaine de Cineastes, Directors' Fortnight, Theatre Croisette, JW Marriott, Alice Rohrwacher, Caméra d'or, Anouk Aimée, Jean-Louis Trintignant, Claude Lelouch', A Man and a Woman, Cannes official poster 2025
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A still from Tan Chui Mui’s film, courtesy of the Prada Group

Malaysian Tan Chui Mui and Argentinian Laura Citarella are 2024 Miu Miu Women's Tales directors

E. Nina Rothe August 2, 2024

A yearly appointment at the Venice Film Festival, fashion brand Miu Miu, also a Creative Partner of Giornate degli Autori, has once again sponsored two women filmmakers in the creation of a short film each, about women and their world; the shorts will screened during the upcoming festival, with their directors and casts in attendance.

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In Cinema, Fashion, Festival, The Diaries Tags Tan Chui Mui, Miu Miu Women's Tales, Prada Group, films, shorts, Miu Miu, Giornate degli Autori, Venice International Film Festival, Laura Citarella, Barbarian Invasion, Trenque Lauquen, Hotel Excelsior, Veneto Region, Liliana Cavani, Mira Nair, Alice Rohrwacher, Kate Mara, Sia, Hailee Steinfeld, Agnes Varda, Dakota Fanning, Juno Temple, Kate Bosworth, Zosia Mamet, Chloë Sevigny, Tessa Thompson, Brigitte Lacombe, Vanessa Kirby, Nathalie Emmanuel, Carla Simón, Maggie Gyllenhaal, Antoneta Alamat Kusijanović, Stane, I Am the Beauty of Your Beauty, I Am the Fear of Your Fear, Jo Kukathas, Sdanny Lee, Zhiny Ooi, Jean Seizure, Da Huang Pictures, HiProduction, El Affair Miu Miu, Elisa Carricajo, Verónica Llinás, Juliana Muras, Laura Paredes, Ezequiel Pierri, Cecilia Rainero, Rafael Spregelburd, Guillermina Villa Simon, El Pampero Cine
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A still from Ginevra Elkann’s ‘I Told You So’ which will screen at this year’s Cinema Made in Italy

"That's Amore!" Cinema Made in Italy lands at Ciné Lumière in London

E. Nina Rothe March 14, 2024

Organized by Cinecittà, the French Institute in London and The Italian Cultural Institute, this audience favorite annual film festival highlights the best Italian cinema from the past year.

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In Cinema, Festival, The Diaries Tags Cinema Made in Italy, Cine Lumiere, London, French Institute Alliance Francaise, Italian Cultural Institute, Cinecittà, South Kensington, Adrian Wootton OBE, Alice Rohrwacher, La Chimera, Josh O'Connor, Carol Duarte, Alba Rohrwacher, Isabella Rossellini, Cannes, Comandante, Edoardo De Angelis, Pierfrancesco Favino, WWII, Paola Cortellesi, There is Still Tomorrow, Tommaso Santambrogio, Oceans Are The Real Continents, Venice Film Festival, Ginevra Elkann, I Told You So, Valeria Golino, Valeria Bruni Tedeschi, Greta Scacchi, Chicken For Linda!, Sébastien Laudenbach, Chiara Malta, Nicola Maccanico, Danny Huston
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Mostafa Farooki, Pedro Almodóvar and Bradley Cooper titles announced for upcoming Jio MAMI Mumbai Film Festival

E. Nina Rothe October 10, 2023

The festival released its program announcement on Monday, which will feature 250 plus films in more than 70 languages, over 70 countries, 20 screens, 8 venues, a state-of-the-art festival hub (NMACC), and a great number of women directors, with over 70 films. Mira Nair will head the South Asia Competition jury.

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In Cinema, Festival, The Diaries Tags Jio MAMI Mumbai Film Festival, Mostafa Farooki, Pedro Almadovar, Pedro Almodóvar, Bradley Cooper, Mumbai, India, South Asian cinema, Riteish Deshmukh, Stolen, Anurag Kashyap, Kennedy, Jaya Bachchan, Deepti DCunha, Justine Trier, Alice Rohrwacher, Anu Rangchar, Anupama Chopra, Claire Denis, Maitreyee Dasgupta, Nita Mukesh Ambani Cultural Centre, Bandra
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
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Hanaa Issa with filmmaker Elia Suleiman at a DFI event

Hanaa Issa with filmmaker Elia Suleiman at a DFI event

"This is the environment where films flourish": Talking Qumra 2019 with Hanaa Issa in Berlin

E. Nina Rothe February 11, 2019

Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.

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In Cinema, Interviews, The Diaries Tags Qumra, Doha Film Institute, Hanaa Issa, Doha, Qatar, Arab cinema, Gulf cinema, Eugenio Caballero, Cannes Film Festival, Alice Rohrwacher, Agnes Varda, Kiyoshi Kurosawa, Pawel Pawlikowski, Cold War, Lazzaro Felice, Roma, Berlin, The Ritz Carlton, Hamida Issa, Places of the Soul, Antartica, Sheikha Mayassa, Fatma Al Remaihi, Nadine Labaki, Capernaum, Oscars, Academy Awards, Rithy Panh, Too Late to Die Young, The Load, Inida, Indian Rose
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WO-YcsP8.jpeg

Inspired: Highlights from the 2019 International Film Festival Rotterdam

E. Nina Rothe February 2, 2019

I’d long heard about the Rotterdam International Film Festival and yet had never personally been here. IFFR will hereafter be a much craved stop on my itinerary of world cinema events. I can’t wait to see what next year has in store.

So what makes this cinephiles’ festival filled with independent gems, languid culture-filled days and inspiring evening talks by the masters so addictive? Well, that — what I just said. Turns out there is no festival in the world quite like IFFR.

And here are a few favorites of mine from this year’s edition.

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In Cinema, Fashion, Festival, The Diaries Tags IFFR, International Film Festival Rotterdam, Rotterdam, Netherlands, cinema, film festival, Bangla, Bertmans, de Doelen, The James, de Bijenkorf, Jean-Luc Godard, The Image Book, Peru, Guillermo Arriaga, Todos Somos Marineros, Miguel Angel Moulet, The Savage, El Savaje, The Best of Dorien B., Thrive Global, Take Me Somewhere Nice, Indemnes, Mexico, Bangladesh, BANGLA, Phaim Bhulyan, Rome, Torpignattara, Nadine Labaki, Capernaum, Alice Rohrwacher, Happy as Lazzaro, Italian cinema, Mexican cinema, The National, Susanna Nicchiarelli, Zhu Shengze, Zhengfang Yang, Dominga Sotomayor, Elmar Imanov, Azerbaijan, FRIPESCI, End of Season, Present.Perfect, Tiger Award, Bero Beyer, Alfredo Jaar
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Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

The last of the Cannes Diaries 2018: When all else fails, you can find me at the movies

E. Nina Rothe May 28, 2018

It was the best of times, it was the worst of times. Actually, this edition of the Festival de Cannes turned out to be a missed opportunity, for media and juries alike to truly take charge of the #TimesUp movement and make of it a lasting course instead of a passing trend. Yes, there were stairs filled with women in pretty dresses, there were hotlines that we could call if we felt threatened or harassed, but ultimately the big prizes went to the big boys. As they have for every edition of the festival, except once, in 1993 when Jane Campion made history as the first and only woman to win the Palme d’Or. 

Yet personally, I loved Cannes more than ever this year. I had a soft place to fall, in the form of a wonderful group of friends I spent my free time with, eating dinners we cooked together and drinking our morning coffee back at our cozy apartment with one breathtaking view. I mean, just look at the Disney fireworks for 'SOLO: A Star Wars Story' display from our terrace!

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In Cinema, Festival, The Diaries Tags Cannes, Festival de cannes, Cannes Film Festival, Jane Campion, TimesUp, Palme d'Or, SOLO: A Star Wars Story, Nadine Labaki, DPA gift lounge, Nathalie Dubois Sissoko, Nandita Das, The National, Capharnaum, caramel, refugees, Amir Naderi, selfies, Asghar Farhadi, Marriott Hotel, Carlton Hotel, Jafar Panahi, 3 Faces, Iranian cinema, Arab cinema, Iran, Abu Dhabi Film Festival, Dubai International Film Festival, UAE Pavilion, DIFF, CNN, Inside the Middle East, Saudi Arabia, Italian cinema, Italy, Marco Bellocchio, Gianni Zanasi, La Lotta, Troppa Grazia, Lucia's Grace, Alba Rohrwacher, La Strada dei Samouni, Stefano Savona, Euforia, Valeria Golino, Dogman, Matteo Garrone, Alice Rohrwacher, Happy as Lazzaro, Lazzaro Felice, Italian politics
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Nadine Labaki on the set of 'Capharnaum', photo by Fares Sokhon

Nadine Labaki on the set of 'Capharnaum', photo by Fares Sokhon

My thoughts on women's rights, Nadine Labaki's 'Capharnaum' and the Saudi presence at this year's Cannes Film Festival

E. Nina Rothe May 22, 2018

The winner of the Palme d'Or has been announced and predictably, it's still a male-directed project. There are too few opportunities for us women around and when one of us seizes the chance, we must deal with men (boys?) putting up passive aggressive resistance all the way, and other women trying to take us down.

So, in my humble opinion this "5050X2020" movement which culminated as a red carpet moment may be fun to say and bound to light up with feminine glamour the famous staircase in Cannes, but it is not going anywhere until we aggressively and definitely take up our rightful place.

And yes, call me angry, go ahead. Make my day.

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In Cinema, Festival, The Diaries Tags Cannes Film Festival, Festival de cannes, Cannes, 5050X2020, Nadine Labaki, Capharnaum, Saudi Film Council, Saudi Arabian pavilion, Saudi Arabia, arab cinema, John Travolta, Saudi Film Collection, Short Film Corner, Don't Go Too Far, Film School Musical, Haifaa Al Mansour, Maha Dakhil, Maram Taibah, Ahmad Al-Maziad, driving ban in Saudi, Maan and Talha B., Happy as Lazzaro, Alice Rohrwacher, women filmmakers, Fares Sokhon, Palme d'Or
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Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'

Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'

The Cannes Diaries 2018: The inimitable Adriano Tardiolo in Alice Rohrwacher's 'Happy as Lazzaro'

E. Nina Rothe May 15, 2018

In the midst of the screening of Alice Rohrwacher's latest 'Happy as Lazzaro' ('Lazzaro Felice') I was overcome by a nearly unbearable sense of pride at being Italian. It's something I've come across one or two times before and I believe it is due to this new wave of fellow compatriot filmmakers who have brought back the idea of magic to Italian cinema.

As I sobbed in my seat, I realized that all the inspiration that lacked in our movies from about the late Seventies to now, has surged powerfully into a movement that has infiltrating the old status quo and created a brand new tsunami of talent in the process. And that simply takes my breath away.

When I sat with Rohrwacher a day later, she admitted that while in the past there existed a competition between Italian filmmakers as to who would be named the best one, now there is a stronger sense of community among the younger talents and that has made for better cinema. 

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In Cinema, Festival, Interviews, The Diaries Tags Lazzaro Felice, Happy as Lazzaro, Alice Rohrwacher, Alba Rohrwacher, Adriano Tradiolo, Cannes, Festival de Cannes, Cannes Film Festival, Cannes Diaries, Orvieto, Inviolata, Palme d'Or, Competition, Lazzaro, religion, faith
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