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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

Clockwise from left: Walter Salles, Anna Terrazas, Darius Khondji and Lav Diaz

Walter Salles, Lav Diaz and 'Roma' costume designer Anna Terrazas announced as Qumra Masters 2025

E. Nina Rothe February 25, 2025

The list for the upcoming edition also includes César and Academy Award nominated DoP Darius Khondji, and Hong Kong filmmaker Johnnie To Kei-Fung.

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In Cinema, Fashion, The Diaries Tags Lav Diaz, Darius Khondji, Hong Kong, Iran, Brazil, Johnnie To Kei-Fung, Qumra, Doha Film Institute, DFI, Walter Salles, Roma, Anna Terrazas, Oscar nominated
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Lessons learned from cinema and beyond: a wrap-up of the Rome Film Festival

E. Nina Rothe November 7, 2019

There were films, fashion and public conversations with cinema celebrities. But beyond the red carpets, this year's Festa del cinema di Roma proved a meeting point for understanding the world around us, and sharing thoughts with like-minded people from faraway lands. Here is my personal diary of a wonderful event held in one of the most beautiful cities in the world.

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In Cinema, Festival, Fashion, The Diaries Tags John Travolta, Festa del cinema di Roma, Rome Film Festival, Roma, Greta Garbo, Martin Scorsese, Nicolas Bedos, Ron Howard, Edward Norton, Motherless Brooklyn, Bill Murray, Wes Anderson, Antonio Monda, Bret Easton Ellis, White, 1982, Oualid Mouaness, Qumra, Doha Film Institute, Arab cinema, Netflix, The Irishman, Filmuforia, The Best Is yet to come, Olivier Assayas, Getty images, Judy, Swarovksi, Laura Biagiotti, Ralph Lauren, Maria Tilli, Very Ralph, Viola Davis, Meryl Streep
Eugenio Caballero talks with Richard Peña during Qumra

Eugenio Caballero talks with Richard Peña during Qumra

The Qumra Diaries: Eugenio Caballero and Pawel Pawlikowski share their filmmaking wisdom

E. Nina Rothe March 18, 2019

When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.

Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.

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In Cinema, Interviews, The Diaries Tags Pawel Pawlikowski, Eugenio Caballero, Qumra, Doha Film Institute, DFI, Doha, Qatar, Agnes Varda, Richard Pena, Oscars, Academy Awards, The Woman in the Fifth, Last Resort, Ida, Cold War, England, Russia, Poland, Mexico, Ethan Hawke, Kristin Scott Thomas, documentaries, Art direction, Jim Jarmusch, Pan's Labyrinth, Guillermo del Toro, A Monster Calls, Alfonso Cuaron, Roma, The Limits of Control, Tsunami, The Impossible, Museum of Islamic Art
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Hanaa Issa with filmmaker Elia Suleiman at a DFI event

Hanaa Issa with filmmaker Elia Suleiman at a DFI event

"This is the environment where films flourish": Talking Qumra 2019 with Hanaa Issa in Berlin

E. Nina Rothe February 11, 2019

Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.

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In Cinema, Interviews, The Diaries Tags Qumra, Doha Film Institute, Hanaa Issa, Doha, Qatar, Arab cinema, Gulf cinema, Eugenio Caballero, Cannes Film Festival, Alice Rohrwacher, Agnes Varda, Kiyoshi Kurosawa, Pawel Pawlikowski, Cold War, Lazzaro Felice, Roma, Berlin, The Ritz Carlton, Hamida Issa, Places of the Soul, Antartica, Sheikha Mayassa, Fatma Al Remaihi, Nadine Labaki, Capernaum, Oscars, Academy Awards, Rithy Panh, Too Late to Die Young, The Load, Inida, Indian Rose
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The Rome Diaries: The OnStage! Festival features Aizzah Fatima's perfect show and a play about Hedy Lamarr

E. Nina Rothe January 20, 2019

In a 2014 article in The Guardian, Pakistani-American comedian Aizzah Fatima described one of her first auditions. “One of the roles I auditioned for was ‘Terrorist No 2’s girlfriend,” she admitted tongue in cheek.

Of course, that’s the destiny of most actors who don’t fulfill the blue-eyed-blond-hair requirements of playing your average “as good as apple pie” American. Yet time and time again, while our leaders fight it and even try to build up walls to prevent it, the very greatness of our good ol’ U.S. of A. lies in its immigrant population as well as its indigenous tribes. And the culture that is most often exported and celebrated around the world as “American” is a mixture of African, tribal, native and otherwise ethic music, dance and art. And that’s never vanilla in flavor now, is it?!

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In Festival, The Diaries Tags OnStage! Festival, Rome, Roma, Italy, Aizzah Fatima, theater, Dirty Paki LIngerie, USA, Off Off Theater, Teatro di Villa Torlonia, Teatro Argentina, Pakistani-American, Hedy! The Life and Inventions of Hedy Lamarr, Heather Massie, Hedy Lamarr, EPT A Collection of Works, Emotion Physical Theater Company, Frank J Avella, Lured, Shooter, Sam Graber, dance, InScena! Italia Theater Festival NY, New York
Photo by © Massimo Sestini

Photo by © Massimo Sestini

The Rome Diaries: Photographer Massimo Sestini at WeGil shows us humanity, from above

E. Nina Rothe January 4, 2019

Back in the fascist era of the 30s, an Italian Youth Center was opened in Trastevere, these days considered a cool, but also touristic side of Rome. Then a more popular neighborhood, which also consisted of housing projects. Architect Luigi Moretti was in charge of the structure and what is today the WeGil was inaugurated in 1937. Imposing and clearly fascist look and feel, the structure was supposed to house equipment to train Italian youths for sports but also battle. WeGil therefore has a strange, complicated background to contend with and the feel within the structure is at once one of awe and discomfort.

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In The Diaries Tags WeGil, Rome, Roma, Italy, Massimo Sestini, l'aria del tempo, Gian Maria Volonté, fascist architecture, Trastevere, Luigi Moretti, Nuovo Cinema Sacher, Nanni Moretti, The Rome Diaries, Massimo Sestini photographer
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A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

The Venice Diaries: The mixtape of Venezia 75 is an homage to creativity's soundtrack

E. Nina Rothe September 10, 2018

This year's Venice Film Festival seemed to carry a special soundtrack, like a mixtape of our collective thoughts and hopes and wishes. For a future where we are finally able to learn from our past and stop thinking that our opinions count individually. For a world where we will discover, finally, a middle ground in shades of grey, instead of living everything in either black or white.

Here is my Venezia 75 Mixtape. 

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In The Diaries, Festival, Cinema Tags Roma, Alfonso Cuaron, Venezia 75, Venice Film Festival, La Biennale di Venezia, Golden Lion, Netflix, A Tramway in Jerusalem, Amos Gitai, Voyage en Palestine, Gustave Flaubert, Israel, Palestine, Palestinian rapper, I don't know how to love him, Andrew Lloyd Webber, Jesus Christ Superstar, What You Gonna Do When the World's On Fire?, Roberto Minervini, Chief Kevin and the Mardi Gras Indian, Somebody Gotta Sew, spirituals, A Star is Born, Bradley Cooper, Lady Gaga, Shallow, SIA, Spotify, Natalie Portman, Vox Lux, Brady Corbet, Willem Dafoe, The Greatest, C'est ça l'amour, Claire Burger, Venice Days, Giornate degli Autori, Paolo Conte, Sparring Partner, film, music, mixtape
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Alfonso Cuarón directs Yalitza Aparicio on the set of 'Roma', photo by Carlos Somonte for Netflix

Alfonso Cuarón directs Yalitza Aparicio on the set of 'Roma', photo by Carlos Somonte for Netflix

The Venice Diaries: Alfonso Cuarón's 'Roma' takes us on a journey back in time

E. Nina Rothe August 30, 2018

It is immediately clear, from the beautiful black and white shots and the poetically intimate details that 'Roma' is a very personal film for Alfonso Cuarón. At times, the real-life inspired story of a middle class family in the Colonia Roma neighborhood of Mexico City, told through the eyes of their housekeeper Cleo, felt so private, so confidential, it seemed like I was intruding on something really special. But I still could not bring myself to look away, I didn't want to stop watching, I also didn't want the film to end because for more than two hours, Cuarón paid homage to womanhood. It takes a big man to do that and an even bigger filmmaker to get the message across.

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In Cinema, Festival, The Diaries Tags Yaritza Aparicio, Alfonso Cuaron, Roma, Venice 75, Venice Film Festival, La Biennale di Venezia, Carlos Somonte, Netflix, Mexico City, women, Mexico, Corpus Christi massacre, Colonia Roma
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