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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

Cannes Film Festival awards include top prizes for Sean Baker's 'Anora' and Guan Hu's 'Black Dog' in Un Certain Regard

E. Nina Rothe May 26, 2024

Many women-directed gems were snubbed, in favor of a story about a sex worker written and directed by a male filmmaker.

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In Cinema, Festival, The Diaries Tags Hanif Kureishi, Cannes Film Festival, festival de Cannes, Sean Baker, Anora, Guan Hu, Black Dog, awards, Venice Film Festival, Francis Ford Coppola, Megalopolis, Karim Aïnouz, Motel Destino, Agathe Riedinger, Wild Diamond, Magnus van Horn, The Girl with the Needle, Camera d'Or, Rungano Nyoni, Un Certain Regard, Roberto Minervini, The Damned, All We Imagine as Light, Payal Kapadia, Emilia Perez, Jacques Audiard, MIguel Gomes, Grand Tour, Mohammad Rasoulof, The Seed of the Sacred Fig, Jesse Plemons, Kinds of Kindness, Yorgos Lanthimos, Adriana Paz, Zoe Saldaña, Karla Sofia Gascon, Selena Gomez, The Substance, Coralie Fargeat, The Man Who Could Not Remain Silent, Nebojša Slijepčević, Bad for a Moment, Daniel Soares, L'Histoire de Souleymane, Boris Lojkine, Anasuya Sengupta, The Shameless, Abou Sangaré, On Becoming a Guinea Fowl, Holy Cow, Louise Courvoisier, Norah, Tawfik Alzaidi, Armand, Halfdan Ullmann Tøndel, Mongrel, Wei Liang Chiang & You Qiao Yin, Sunflowers Were the First Ones to Know..., Chidananda S Naik, Out the Window Through the Wall, Asya Segalovich, The Chaos She Left Behind, Nikos Kolioukos, Bunnyhood, Mansi Maheshwari, CST Artist-Technician prize, Daria d'Antonio, Paolo Sorrentino, Parthenope, CST Young technician Prize, Evgenia Alexandrova, Noémie Merlant, The Balconettes
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Emma Stone and Joe Alwyn in ‘Kinds of Kindness’, photo by Atsushi Nishijima, courtesy of Searchlight Pictures

This year's Festival de Cannes line up is announced

E. Nina Rothe April 11, 2024

And it features the latest works from Yorgos Lanthimos, Karim Aïnouz, Ali Abbasi, David Cronenberg, Paolo Sorrentino and Francis Ford Coppola, to name a few — phew!

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Iris Knobloch, Thierry Fremaux, Kinds of Kindness, Emma Stone, Joe Alwyn, Raoul Peck, Yolande Zauberman, Rithy Panh, Ali Abbasi, Yorgos Lanthimos, Karim Aïnouz, David Cronenberg, Paolo Sorrentino, Francis Ford Coppola, Kevin Costner, Nabil Ayouch, Leos Carax, Roberto Minervini, Norah, Tawfik Alzaidi, Payal Kapadia, Jia Zhang-Ke, Paul Schrader, Miguel Gomes, Andrea Arnold, Martin Scorsese, It's Not Me, Motel Destino, La Belle de Gaza, M, Locarno, Dustin Hoffman, Megalopolis, Giancarlo Esposito, NYC, Adam Driver, Horizon An American Saga
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A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

The Venice Diaries: The mixtape of Venezia 75 is an homage to creativity's soundtrack

E. Nina Rothe September 10, 2018

This year's Venice Film Festival seemed to carry a special soundtrack, like a mixtape of our collective thoughts and hopes and wishes. For a future where we are finally able to learn from our past and stop thinking that our opinions count individually. For a world where we will discover, finally, a middle ground in shades of grey, instead of living everything in either black or white.

Here is my Venezia 75 Mixtape. 

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In The Diaries, Festival, Cinema Tags Roma, Alfonso Cuaron, Venezia 75, Venice Film Festival, La Biennale di Venezia, Golden Lion, Netflix, A Tramway in Jerusalem, Amos Gitai, Voyage en Palestine, Gustave Flaubert, Israel, Palestine, Palestinian rapper, I don't know how to love him, Andrew Lloyd Webber, Jesus Christ Superstar, What You Gonna Do When the World's On Fire?, Roberto Minervini, Chief Kevin and the Mardi Gras Indian, Somebody Gotta Sew, spirituals, A Star is Born, Bradley Cooper, Lady Gaga, Shallow, SIA, Spotify, Natalie Portman, Vox Lux, Brady Corbet, Willem Dafoe, The Greatest, C'est ça l'amour, Claire Burger, Venice Days, Giornate degli Autori, Paolo Conte, Sparring Partner, film, music, mixtape
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Judy in a still from Roberto Minervini's 'What You Gonna Do When the World's On Fire?'

Judy in a still from Roberto Minervini's 'What You Gonna Do When the World's On Fire?'

The Venice Diaries: Roberto Minervini's 'What You Gonna Do When the World's On Fire?'

E. Nina Rothe September 5, 2018

Of all the films we watched at this year's Venice Film Festival Roberto Minervini's was the most important.

For two very specific reasons. One, it's a documentary, and while many narrative films did explain my own personal struggle as a modern woman in today's world, those fictional stories can be dismissed by their critics as simply made up. 'What You Gonna Do When the World's On Fire?' cannot, since it's real life, it's in your face and it's downright true.

Point number two follows closely my first point, in that while watching the press preview of Minervini's film, which premiered in Competition at the festival, I saw more of my colleagues shift in their seat and -- after what appeared like much inner debate and a prolonged anxiety -- leave the theater than ever before. The answer is not a reflection on the quality of 'What You Gonna Do...' which is visually stunning, features a terrific soundtrack and makes its two hours duration fly by in what seemed like fifteen minutes.

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In Cinema, Festival, Interviews, The Diaries Tags Roberto Minervini, What You Gonna Do When the World's On Fire?, Film, Venice 75, Venezia 75, La Biennale di Venezia, Venice Film Festival, New Black Panthers Party, Black Panthers, African Americans
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