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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

From left: Rithy Panh, Akuol de Mabior, Mo Amer, Annemarie Jacir and Bao Nguyen

Annemarie Jacir, Rithy Panh and Mo Amer unveiled as contributors to second round of Cate Blanchett's Displacement Fund

E. Nina Rothe May 19, 2026

Along with Akuol de Mabior and Bao Nguyen, the group of five esteemed filmmakers will receive production grants to work on individual short films which will world premiere at the 2027 Rotterdam Film Festival.

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In Cinema, Festival Tags Rithy Panh, Akuol de Mabior, Mo Amer, Annemarie Jacir, Bao Nguyen, Cate Blanchett, Rotterdam Film Festival, International Film Festival Rotterdam, Goodwill Ambassador for UNHCR, Festival de Cannes, Hubert Bals Fund, Clare Stewar, Maryna Er Gorbach, Mo Harawe, Hasan Kattan, Mohammad Rasoulof, Shahrbanoo Sadat, Tokyo International Film Festival, Film Forum, NYC, Fenix and LantarenVenster, World Refugee Day, Displacement Film Fund, Mo, Palestine 36, Deconstruction, Haifa, Thierry Frémaux, Khmer Rouge regime, Doha Film Institute, The Missing Picture, Time... Speak, EAST Films, BTS: The Return, Netflix, Amahoro Coalition, Droom en Daad, Master Mind, the Tamer Family Foundation, UNIQLO, SP Lohia Foundation, Tamara Tatishvili, Jonas Poher Rasmussen, Vanja Kaludjercic, Barbara Broccoli, Aisha Khurram
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The Cannes Dispatches: Musings on a film festival, its past, its present and its future

E. Nina Rothe May 13, 2026

It is unusually quiet here in Cannes, although everyone is expecting it to get rowdy and noisy later tonight, when a “high octane midnight screening” event of the original ‘The Fast and the Furious’ is slated to take place.‍ ‍But for me, this first day on the ground has been all about a soulful Mexican film, ‘Ashes’ by Diego Luna. Yes, that Diego Luna!

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In Cinema, Festival Tags Ashes, Diego Luna, Cannes Film Festival, Festival de Cannes, Meta, Ray Ban, Meta House Cannes, Reece Feldman, Hotel Barrière Le Majestic, Chopard, Palme d'Or, Anna Diaz, Eating Ashes, Brenda Navarro, Adriana Paz, Ulysses Syndrome, Ceniza en la boca), Gael García Bernal, Vin Diesel, Michelle Rodriguez, Jordana Brewster, Neal H. Mortiz, Fast Forever, Universal Pictures, The Fast and the Furious, Ron Howard, Avedon, La Corriente del Golfo
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The Cannes Dispatch: Two women, a poster and the American heavyweight (title)

E. Nina Rothe April 23, 2026

The choice to feature Susan Sarandon and Geena Davis as ‘Thelma & Louise’ on the official poster of the upcoming 79th edition of the Festival de Cannes seems baffling. Until you dig deeper…

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In Cinema, Festival Tags Park Chan-wook, Festival de Cannes, Thelma & Louise, Competition, Palme d'Or, Iris Knobloch, Thierry Frémaux, 5050X2020, James Gray, Paper Tiger, Scarlett Johansson, Miles Teller, Adam Driver, Michael Alix, Un Certain Regard, Zachary Wigon, Victorian Psycho, Maika Monroe, Thomasin McKenzie, Jason Isaacs, Konstantina Kotzamani, Titanic Ocean, Ulysse, Laetitia Masson, Cannes Premiere, Gessica Généus, Mary Magdalene, Géraldine Nakache, Monia Chokri, Si tu penses bien, Diego Luna, Ashes, Brenda Navarro, Le Triangle d'or, Hélène Rosselet-Ruiz, Ziad Bakri, Jury competition, Roland Neveu, Ridley Scott, Hartland Villa
Comment

Asghar Farhadi directing Isabelle Huppert on the set of ‘Parallel Tales’ which will world premiere in Cannes

Cannes Official Selection announcement: No US studios, less women helmers in Competition and loads of political statements

E. Nina Rothe April 9, 2026

Festival director Thierry Frémaux and festival president Iris Knobloch announced the majority of the titles earlier today, from the Pathe Palace in Paris and there are some surprises, mostly from the films left out, so far.

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In Cinema, Festival Tags Festival de Cannes, Thierry Frémaux, Iris Knobloch, Avedon, Ron Howard, Isabelle Huppert
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Jafar Panahi, after his Palme d’Or win for It Was Just an Accident

Jafar Panahi & 'The Mysterious Gaze of the Flamingo' take Cannes top prizes -- in Competition and Un Certain Regard

E. Nina Rothe May 25, 2025

At a festival where everyone was told to avoid political statements, the juries made their views loud and clear by choosing films to award with their activists caps on.

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In Cinema, Festival Tags Festival de Cannes, The Mysterious Gaze of the Flamingo, Jafar Panahi, Once Upon a Time in Gaza, Tarzan and Arab Nasser, I’m Glad You’re Dead Now, Tawfeek Barhom, Palestine, Iran, Iraq, Hasan Hadi, The President's Cake, It Was Just an Accident, Sentimental Value, Joachim Trier, Sirat, Oliver Laxe, Mascha Schilinski, Sound of Falling, The Secret Agent, Urchin, Kleber Mendonça Filho, Wagner Mour, Nadia Melitti, The Little Sister, Harris Dickinson, Gaza, Diego Céspedes, Chile, Frank Dillane, Qumra, Doha Film Institute
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The kind of beautiful women attending this year’s Festival de Cannes, as photographed at the Kering Women in Motion Awards dinner

The difference between us: Another Cannes Film Festival dispatch

E. Nina Rothe May 21, 2025

Never before did I notice such a gender divide and so much incredibly superfluous mansplaining as I did this year on the Croisette.

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In Cinema, Festival Tags Cannes Film Festival, Festival de Cannes, Mansplaining, Golden Globes
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Don’t be fooled by the official images, those trains are no longer allowed on the red carpet in Cannes

Oops they did it again: a first dispatch from Cannes

E. Nina Rothe May 14, 2025

Well, I’m almost there, writing this on the flight, but the trials and tribulations have already started. And the controversies too.

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In Cinema, Festival Tags Festival de Cannes, Bella Hadid, Tom Cruise, Mission: Impossible – The Final Reckoning, Paramount, Golden Globes, Halle Berry, Britney Spears, The Hollywood Reporter, Marco Consoli
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Laetitia Ky in a still from Erige Sehiri’s ‘Promised Sky’

Cannes Line-Up announcement 2025: Wondrous women filmmakers, returning favorites and a Spike Lee joint

E. Nina Rothe April 11, 2025

You have to love Spike Lee for crashing Thierry Frémaux’s insiders party at the line-up press conference… via social media of course!

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In Cinema, Festival Tags Laetitia Ky, Cannes Film Festival, Festival de Cannes, Promised Sky, Thierry Fremaux, Spike Lee, Iris Knobloch, UGC Montparnasse, Competition, Un Certain Regard, Highest 2 Lowest, Denzel Washington, High and Low, Jeffrey Wright, Akira Kurosawa, ASAP Rocky, Dardenne Brothers, Wes Anderson, Richard Linklater, Joachim Trier, Julia Ducournau, Kelly Reichardt, Hafsia Herzi, Carla Simon, Chie Hayakawa, Mascha Schilinski, Tarek Saleh, Tarik Saleh, Eagles of the Republic, Kleber Mendonça Filho, The Secret Agnet, The Secret Agent, Wagner Moura, Jafar Panahi, A Simple Accident, Mario Martone, Fuori, Valeria Golino, Goliarda Sapienza, The Art of Joy, Blue Moon, Nouvella Vague, Jean-Luc Godard, Zooey Deutc, Zooey Deutch, Darius Khondji, Walter Salles, Ari Aster, Eddington, Joaquin Phoenix, Pedro Pascal, Emma Stone, La Petite Derniere, Fatima Daas, Tom Cruite, Tom Cruise, Mission: Impossible – The Final Reckoning, Erige Sehiri, Under the Fig Trees, Marie & Jolie, Tunisia, Scarlett Johansson, Harris Dickinson, Eleanor the Great, June Squbb, Golden Globes, Urchin, Frank Dillane, Amr Waked, Juliette Binoche
1 Comment

Oscar-winning director Michel Hazanavicius at Ciné Lumière in London to present his latest

E. Nina Rothe March 28, 2025

‘The Most Precious of Cargoes’ is the French-born director’s foray into animation and features the narration of legendary actor Jean-Louis Trintignant in what would turn out to be his last role.

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In Cinema, Interviews Tags Michel Hazanavicius, The Most Precious of Cargoes, Cine Lumiere, Institut Français, London, Cannes Film Festival, Festival de Cannes, Jean-Louis Trintignant, Studiocanal, Patrick Sobelman, Studio Ghibli, Disney, Jean-Claude Grumberg, La plus précieuse des marchandises, The Artist, Oscars, BAFTA
Comment

The Cannes Diaries: Opening day and setting up the theme of the festival

E. Nina Rothe May 15, 2024

Every once in a while, I get asked what I’ll do when AI takes over my work. Thank goodness French filmmaker Quentin Dupieux has given me plenty of ammunition to squash that line of inquiry once and for all.

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In Cinema, The Diaries, Festival Tags Cannes Diaries, Quentin Dupieux, Festival de Cannes, An Unfinished Film, Lou Ye, Chinese film, The Second Act, AI, algorithm, Léa Seydoux, Vincent Lindon, Louis Garrel, Raphaël Quenard, Manuel Guillot
Comment

Golden Globes and Academy Awards nominee Jeffrey Wright visit the lounge in 2023

The DPA Gift Suite returns to the Croisette and it's a must-visit

E. Nina Rothe May 10, 2024

For those lucky enough to be VIPs and on Nathalie Dubois’ list, a stop by the Marriott is a yearly event we anticipate with bated breath.

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In Fashion, Festival, The Diaries Tags DPA gift lounge, Festival de Cannes, Nathalie Dubois Sissoko, JW Marriott, Jeffrey Wright, Rossy de Palma, HAAB Medical Group, Tokyo, Anti-aging, Sunless Bronze by Annie Rouet, Escentuelle, Marc Andre Barrois, Tilia, Quentin Bisch, Natura Bisse, The Lab Room, The Hinomoto Foundation, DPA Japan, Domaine de Nuisement, Nova Caviar, Estonia, Swiss Demarquet, Antik Batik, Relais and Chateaux’s Le Taha’a by Pearl Resorts, French Polynesia, Bora Bora, Heloise Martin, Christophe Paviot, Energecia, Elsy, Tracey Metallic designs, Krama Heritage, Lothantique, Mathilde et Zoë, Beach Sandy, Les Tendances d’Emma, JC Donaldson, Nowatch, Joorn
Comment

Poster by Takeshi Kitano, titled, appropriately by the Japanese actor, writer, comedian, painter and director “Takeshi”

Cannes' Quinzaine and Semaine announce line ups

E. Nina Rothe April 18, 2024

And there are some must-watch films in there which cannot be missed.

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In Cinema, Festival, The Diaries Tags Directors' Fortnight, Critics' Week, Cannes, Festival de Cannes, Takeshi Kitano, This Life of Mine, Agnes Jaoui, Sophie Fillières, Christmas Eve In Miller’s Point, Michael Cera, Elsie Fisher, Maria Dizzia, Francesca Scorsese, Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Tyler Taormina, India Donaldson, Good One, Universal Language (Une Langue Universelle), Matthew Rankin, Tehran, Mahdi Fleifel, To a Land Unknown, Hala Elkoussy, East of Noon (Sharq 12), Locust, KEFF, Qumra, Doha Film Institute, Saïd Hamich Benlarbi, La mer au loin (Across the Sea), Adam Bessa, Ghose Trail, Jonathan Millet
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Emma Stone and Joe Alwyn in ‘Kinds of Kindness’, photo by Atsushi Nishijima, courtesy of Searchlight Pictures

This year's Festival de Cannes line up is announced

E. Nina Rothe April 11, 2024

And it features the latest works from Yorgos Lanthimos, Karim Aïnouz, Ali Abbasi, David Cronenberg, Paolo Sorrentino and Francis Ford Coppola, to name a few — phew!

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Iris Knobloch, Thierry Fremaux, Kinds of Kindness, Emma Stone, Joe Alwyn, Raoul Peck, Yolande Zauberman, Rithy Panh, Ali Abbasi, Yorgos Lanthimos, Karim Aïnouz, David Cronenberg, Paolo Sorrentino, Francis Ford Coppola, Kevin Costner, Nabil Ayouch, Leos Carax, Roberto Minervini, Norah, Tawfik Alzaidi, Payal Kapadia, Jia Zhang-Ke, Paul Schrader, Miguel Gomes, Andrea Arnold, Martin Scorsese, It's Not Me, Motel Destino, La Belle de Gaza, M, Locarno, Dustin Hoffman, Megalopolis, Giancarlo Esposito, NYC, Adam Driver, Horizon An American Saga
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Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure  “FURIOSA: A MAD MAX SAGA,” a Warner Bros. Pictures release. Photo courtesy of Warner Bros. Pictures

The Festival de Cannes makes first announcements

E. Nina Rothe March 24, 2024

And these aren’t for the faint hearted, you’ll see. 

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In Cinema, Festival, The Diaries Tags Furiosa: A Mad Max Saga, George Miller, Festival de Cannes, Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Out of Competition, Australian outback, Charlize Theron, La Residence, Un Certain Regard, Molly Manning Walker, Ernst De Geer, Anastasiia Solonevych, Danech San, Daria Kashcheeva, Aditya Ahmad, Paris, Meltse Van Coillie, Diana Cam Van Nguyen, Hao Zhao, Gessica Généus, Andrea Slaviček, Asmae El Moudir, Directors' Fortnight, SACD prize, Europa Cinemas award, People's Choice award, Fondation Chantal Akerman
Comment

Marrakech Atlas Workshops announces 25 projects participating in upcoming 6th edition

E. Nina Rothe November 3, 2023

The films — hailing from 11 countries with 11 helmed by women filmmakers — include the highly anticipated ‘Motherhood’ by Meryam Joobeur, Tunisian filmmaker Ala Eddine Slim’s next project, and Erige Sehiri’s follow up to her critically acclaimed ‘Under the Fig Trees’.

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In Cinema, Festival, The Diaries Tags Atlas Workshops, Marrakech International Film Festival, Morocco, Motherhood, Meryam Joobeur, Ala Eddine Slim, Erige Sehiri, Under the Fig Trees, Tunisia, MENA region, Arab cinema, Sandra Tabet, Lebanon, Hind Bensari, Adnane Baraka, Pier Paolo Pasolini, Tarik Saleh, Boy From Heaven, Festival de Cannes, Critics Week, Ava Cahen, Sofia Alaoui, Middle East, Africa, Atlas Station, Bye Bye Tiberias, Animalia, The Mother of All Lies, Asmae El Moudir, Hounds, Kamal Lazraqq, Sea Salt, Leila Basma, Venice International Film Festival, Youssef Chebbi, The Graverdigger's Wife, Mohamed Hefzy, Sarah Chazelle, ArteKino, Ghassam Salhab
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A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

The Doha Film Institute's Qumra 2021 goes global with its virtual edition

E. Nina Rothe March 7, 2021

For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.

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In Cinema, The Diaries, Fashion Tags Doha Film Institute, DFI, Qumra, Mornings in Jenin, Annemarie Jacir, Palestine, Doha, Qatar, Claire Denis, James Gray, Jessica Hausner, Mark Mangini, Phedon Papamichael, Brigitte Lacombe, Yasmine Hamdan, Festival de Cannes, Variety, Fatma Hassan Alremaihi
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An empty red carpet means anticipation. No red carpet means defeat.

An empty red carpet means anticipation. No red carpet means defeat.

Requiem for a Festival: Letter to a Cannes FF that might never happen

E. Nina Rothe April 18, 2020

I wrote a letter to the Festival de Cannes. I asked it to help save cinema by not going online.

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Cannes Film Festival, Thierry Fremaux, streaming, Joker, Ana Lily Amirpour, Venice Film Festival, Martin Scorsese, Dubai International Film Festival
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A still from ‘Family Romance, Llc’ by Werner Herzog

A still from ‘Family Romance, Llc’ by Werner Herzog

The Cannes 2019 Diaries: Wondrous Werner Herzog, 'Papicha' is my new heroine and the life surreal of a film journo

E. Nina Rothe May 22, 2019

In ‘Family Romance, Llc’ Werner Herzog finds a new way to work through the difficulties life throws our way — outsource them to an agency specializing in family connections. He does it with his usual flair for our human ridiculousness and making the impossible seem real. During the junket following the screening, I loved listening to my esteemed colleagues’ confused explanations of stories they thought they’d seen like this one in documentaries, or even completely convinced this was a reality film, instead of fiction. And Herzog himself quite perfectly, calmly and smoothly shooting down each and all of their perplexed ideas.

‘Family Romance, Llc’ was a Special Screening at this year’s Festival de Cannes.

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In Cinema, Festival, The Diaries Tags El Gouna Film Festival, El Gouna Cannes boat party, Engineer Naguib Sawiris, Egypt, Arab cinema, DFI, Doha Film Institute, Werner Herzog, Papicha, Cannes Film Festival, Cannes Diaries, Festival de Cannes, Un Certain Regard, Special Screenings, helicopters, Nice Airport, Abu Dhabi, Intishal Al Timimi, Mounia Meddour, Fitzcarraldo, Amazon jungle, Family Romance Llc, Japan, outsourcing
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Alain Delon, photo courtesy of the Festival de Cannes

Alain Delon, photo courtesy of the Festival de Cannes

Cannes Film Festival announces Competition, Un Certain Regard titles and an honorary Palme d'or to Alain Delon

E. Nina Rothe April 18, 2019

As a young girl, I remember watching anything that had Alain Delon in it. I had a super crush on him and, lucky me, no film of his was deemed inappropriate by my parents. So along with Luchino Visconti’s ‘The Leopard’ and ‘Rocco and his Brothers’, I also caught Delon in films like ‘The Swimming Pool’, ‘Zorro’ and yes, even ‘The Concorde… Airport ‘79’. In fact, from the latter I required that a friend of the family who knew how to knit make me a royal blue crew neck wool sweater that looked just like his. I would find you a photo but I would have to watch that entire film all over again and well, I’ve moved on from my pre-pubescent crush. And my taste in film has highly improved.

But Alain Delon remains the fascinating man, the sultry sex symbol that could even steal women away from Mick Jagger. And this year’s he’s the Festival de Cannes honorary Palme d’Or recipient. Kudos to the festival for finally getting the reclusive actor to accept their coveted lifetime award.

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In Cinema, Festival, The Diaries Tags Cannes Film Festival, Festival de Cannes, Cannes, Competition, Un Certain Regard, Werner Herzog, Diego Maradona, Asif Kapadia, Alain Delon, Elia Suleiman, Doha Film Institute, Abel Ferrara, Nicolas Winding Refn, Claude Lelouch, Maryan Touzani, Mounia Meddour, Bruno Dumont, Karim Ainouz, Papicha, Ira Sachs, Terrence Malick, Ken Loach, Xavier Dolan, Mati Diop, Atlantique, Arnaud Desplechin, Bong Joon-ho, Marco Bellocchio, Pedro Almadovar, Pain and Glory, Parasite, Young Ahmed, Dardenne Brothers
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La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

The Cannes Film Festival unveils its poster which pays tribute to the late, great Agnès Varda

E. Nina Rothe April 15, 2019

As I learned at this year’s Qumra, held by the Doha Film Institute, the grand dame of French New Wave cinema Agnès Varda was all about finding the stories, the viewpoints that no one else would bother with. The Festival de Cannes, in its poster just unveiled for the 72nd edition of the festival, pays homage to La Varda but also to her indomitable spirit by showing the filmmaker on her first cinematic venture perched high up on a platform, atop the shoulders of a crew technician. She’s is looking to capture that image, that viewpoint which no one else would have even thought about. She is Varda, in all her perfectly humble and adventurous attitude. The same Varda who asked me, to my utter disbelief, if I’d liked her “little film” a few years ago in Cannes.

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Cannes Film Festival, Agnes Varda, Qumra, Doha Film Institute, Cannes, French cinema, Jacques Demy, filmmakers, women filmmakers, Philippe Noiret, La Pointe Courte, Flore Maquin, Facebook, Twitter, Dailymotion, YouTube
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May 21, 2026
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