The choice to feature Susan Sarandon and Geena Davis as ‘Thelma & Louise’ on the official poster of the upcoming 79th edition of the Festival de Cannes seems baffling. Until you dig deeper…
Read MoreAsghar Farhadi directing Isabelle Huppert on the set of ‘Parallel Tales’ which will world premiere in Cannes
Cannes Official Selection announcement: No US studios, less women helmers in Competition and loads of political statements
Festival director Thierry Frémaux and festival president Iris Knobloch announced the majority of the titles earlier today, from the Pathe Palace in Paris and there are some surprises, mostly from the films left out, so far.
Read MoreJafar Panahi, after his Palme d’Or win for It Was Just an Accident
Jafar Panahi & 'The Mysterious Gaze of the Flamingo' take Cannes top prizes -- in Competition and Un Certain Regard
At a festival where everyone was told to avoid political statements, the juries made their views loud and clear by choosing films to award with their activists caps on.
Read MoreThe kind of beautiful women attending this year’s Festival de Cannes, as photographed at the Kering Women in Motion Awards dinner
The difference between us: Another Cannes Film Festival dispatch
Never before did I notice such a gender divide and so much incredibly superfluous mansplaining as I did this year on the Croisette.
Read MoreDon’t be fooled by the official images, those trains are no longer allowed on the red carpet in Cannes
Oops they did it again: a first dispatch from Cannes
Well, I’m almost there, writing this on the flight, but the trials and tribulations have already started. And the controversies too.
Read MoreLaetitia Ky in a still from Erige Sehiri’s ‘Promised Sky’
Cannes Line-Up announcement 2025: Wondrous women filmmakers, returning favorites and a Spike Lee joint
You have to love Spike Lee for crashing Thierry Frémaux’s insiders party at the line-up press conference… via social media of course!
Read MoreOscar-winning director Michel Hazanavicius at Ciné Lumière in London to present his latest
‘The Most Precious of Cargoes’ is the French-born director’s foray into animation and features the narration of legendary actor Jean-Louis Trintignant in what would turn out to be his last role.
Read MoreThe Cannes Diaries: Opening day and setting up the theme of the festival
Every once in a while, I get asked what I’ll do when AI takes over my work. Thank goodness French filmmaker Quentin Dupieux has given me plenty of ammunition to squash that line of inquiry once and for all.
Read MoreGolden Globes and Academy Awards nominee Jeffrey Wright visit the lounge in 2023
The DPA Gift Suite returns to the Croisette and it's a must-visit
For those lucky enough to be VIPs and on Nathalie Dubois’ list, a stop by the Marriott is a yearly event we anticipate with bated breath.
Read MorePoster by Takeshi Kitano, titled, appropriately by the Japanese actor, writer, comedian, painter and director “Takeshi”
Cannes' Quinzaine and Semaine announce line ups
And there are some must-watch films in there which cannot be missed.
Read MoreEmma Stone and Joe Alwyn in ‘Kinds of Kindness’, photo by Atsushi Nishijima, courtesy of Searchlight Pictures
This year's Festival de Cannes line up is announced
And it features the latest works from Yorgos Lanthimos, Karim Aïnouz, Ali Abbasi, David Cronenberg, Paolo Sorrentino and Francis Ford Coppola, to name a few — phew!
Read MoreAnya Taylor-Joy as Furiosa in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure “FURIOSA: A MAD MAX SAGA,” a Warner Bros. Pictures release. Photo courtesy of Warner Bros. Pictures
The Festival de Cannes makes first announcements
And these aren’t for the faint hearted, you’ll see.
Read MoreMarrakech Atlas Workshops announces 25 projects participating in upcoming 6th edition
The films — hailing from 11 countries with 11 helmed by women filmmakers — include the highly anticipated ‘Motherhood’ by Meryam Joobeur, Tunisian filmmaker Ala Eddine Slim’s next project, and Erige Sehiri’s follow up to her critically acclaimed ‘Under the Fig Trees’.
Read MoreA still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event
The Doha Film Institute's Qumra 2021 goes global with its virtual edition
For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.
Read MoreAn empty red carpet means anticipation. No red carpet means defeat.
Requiem for a Festival: Letter to a Cannes FF that might never happen
I wrote a letter to the Festival de Cannes. I asked it to help save cinema by not going online.
Read MoreA still from ‘Family Romance, Llc’ by Werner Herzog
The Cannes 2019 Diaries: Wondrous Werner Herzog, 'Papicha' is my new heroine and the life surreal of a film journo
In ‘Family Romance, Llc’ Werner Herzog finds a new way to work through the difficulties life throws our way — outsource them to an agency specializing in family connections. He does it with his usual flair for our human ridiculousness and making the impossible seem real. During the junket following the screening, I loved listening to my esteemed colleagues’ confused explanations of stories they thought they’d seen like this one in documentaries, or even completely convinced this was a reality film, instead of fiction. And Herzog himself quite perfectly, calmly and smoothly shooting down each and all of their perplexed ideas.
‘Family Romance, Llc’ was a Special Screening at this year’s Festival de Cannes.
Read MoreAlain Delon, photo courtesy of the Festival de Cannes
Cannes Film Festival announces Competition, Un Certain Regard titles and an honorary Palme d'or to Alain Delon
As a young girl, I remember watching anything that had Alain Delon in it. I had a super crush on him and, lucky me, no film of his was deemed inappropriate by my parents. So along with Luchino Visconti’s ‘The Leopard’ and ‘Rocco and his Brothers’, I also caught Delon in films like ‘The Swimming Pool’, ‘Zorro’ and yes, even ‘The Concorde… Airport ‘79’. In fact, from the latter I required that a friend of the family who knew how to knit make me a royal blue crew neck wool sweater that looked just like his. I would find you a photo but I would have to watch that entire film all over again and well, I’ve moved on from my pre-pubescent crush. And my taste in film has highly improved.
But Alain Delon remains the fascinating man, the sultry sex symbol that could even steal women away from Mick Jagger. And this year’s he’s the Festival de Cannes honorary Palme d’Or recipient. Kudos to the festival for finally getting the reclusive actor to accept their coveted lifetime award.
Read MoreLa Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin
The Cannes Film Festival unveils its poster which pays tribute to the late, great Agnès Varda
As I learned at this year’s Qumra, held by the Doha Film Institute, the grand dame of French New Wave cinema Agnès Varda was all about finding the stories, the viewpoints that no one else would bother with. The Festival de Cannes, in its poster just unveiled for the 72nd edition of the festival, pays homage to La Varda but also to her indomitable spirit by showing the filmmaker on her first cinematic venture perched high up on a platform, atop the shoulders of a crew technician. She’s is looking to capture that image, that viewpoint which no one else would have even thought about. She is Varda, in all her perfectly humble and adventurous attitude. The same Varda who asked me, to my utter disbelief, if I’d liked her “little film” a few years ago in Cannes.
Read MoreBill Murray and Adam Driver in a still from ‘The Dead Don’t Die’
This year's Cannes Film Festival opens with Jim Jarmusch's zombie extravaganza 'The Dead Don't Die'
I tweeted about this beauty a couple of weeks ago and stand by my word. I’m typically not a zombie kinda girl but utter Jim Jarmusch’s name and I can’t watch it fast enough. So the buzz was deafening around ‘The Dead Don’t Die’ from the time the first images of the film were released, building up to a cacophony of joy when the trailer was first shown. And don’t even get me started on Adam Driver. I mean, the man is taller than Bill Murray, which is saying a lot, and all the handsome of a young Keanu Reeves, plus acting talents to boot.
Then, this morning Cannes announced it will open its 72nd edition of the festival with the Jarmusch film, in Competition no less. On Tuesday May 14th, on the screen of the Grand Théâtre Lumière, the film by the American director and screenwriter will be this year’s first Palme d'Or competition screening.
Read MoreThe Qumra Diaries: Discovering Agnès Varda in the land of cinema
It is obvious from the moment one steps on a Qatar Airways aircraft that cinema is important in Doha. I mean, just going through the entertainment system on my particular flight, I found ‘Rebecca’ by Hitchcock, Barry Jenkins’ hauntingly touching and all too true ‘If Beale Street Could Talk’, Paul Dano’s intimate portrayal of a family struggling to remain a single nucleus ‘Wildlife’ and even the 2019 Best Picture Oscar winner ‘Green Book’.
Qatar knows good cinema and nowhere is that better understood than in the welcoming arms of the Doha Film Institute.
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