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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Jeff Nichols photographed by © Kyle Kaplan, courtesy of 20th Century Fox, used with permission

US filmmaker Jeff Nichols named patron of 2024 Atlas Workshops in Marrakech

E. Nina Rothe October 25, 2024

Plus, the latest projects by favorite filmmakers Lina Soualem, Murad Abu Eisheh, Cherien Dabis and Tala Hadid will be featured in this year’s prestigious sessions with selected projects in development and post-production from Morocco, Africa and the Arab world.

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In Cinema, Festival, The Diaries Tags Atlas Workshops, Marrakech International Film Festival, Tala Hadid, Bardi, Jeff Nichols, Lina Soualem, Murad Abu Eisheh, Cherien Dabis, Morocco, Africa, Arab cinema, Alicante, The Orange Grove, All That's Left of You, Saleh Bakri, Adam Bakri, Mohammad Bakri, Moly Kane, Linda Lo, Cyril Aris, Tarzan & Arab Nasser, Palestine, Lebanon, Egypt, Nigeria, South Africa, Syria, Jordan, Tunisia, Algeria
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A still from Abderrahmane Sissako’s ‘Black Tea’ which enjoys its UK premiere at the festival

Film Africa 2024 is coming to London to celebrate the best of cinema from the continent

E. Nina Rothe October 23, 2024

The festival, presented by The Royal African Society, will run from 25 October to 3 November during the UK’s celebration of Black History Month and will showcase the best of African cinema in Europe.

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In Cinema, Art, Festival, The Diaries Tags Film Africa, Dahomey, The Mother of All Lies, Everybody Loves Touda, London, Africa, Morocco, Marrakech International Film Festival, Black History Month UK, Mati Diop, Berlinale, Black Tea, Abderrahmane Sissako, Nina Melo, Chang Han, Sir John Akomfrah, Ciné Lumière, Damien Hauser, After the Long Rains, Electricer Kache Hamisi, Kenya, Rungano Nyoni, On Becoming a Guinea Fowl, Cannes Film Festival, Susan Chardy, Un Certain Regard winner, Nisrin Erradi, Asmae El Moudir, Mandabi, Chronicle of the Years of Fire, Martin Scorsese, Ousmane Sembène, Mohammed Lakhdar-Hamina, Timité Bassori, The Knife Woman (La Femme Au Couteau), Film Lab Africa, Nigeria, Film Africa LIVE!, Brixton, Rolling Stone Africa, Lady Buckit and the Motley Mopsters, Adebisi Adetayo, Nigerian animation
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Marrakech Atlas Workshops announces 25 projects participating in upcoming 6th edition

E. Nina Rothe November 3, 2023

The films — hailing from 11 countries with 11 helmed by women filmmakers — include the highly anticipated ‘Motherhood’ by Meryam Joobeur, Tunisian filmmaker Ala Eddine Slim’s next project, and Erige Sehiri’s follow up to her critically acclaimed ‘Under the Fig Trees’.

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In Cinema, Festival, The Diaries Tags Atlas Workshops, Marrakech International Film Festival, Morocco, Motherhood, Meryam Joobeur, Ala Eddine Slim, Erige Sehiri, Under the Fig Trees, Tunisia, MENA region, Arab cinema, Sandra Tabet, Lebanon, Hind Bensari, Adnane Baraka, Pier Paolo Pasolini, Tarik Saleh, Boy From Heaven, Festival de Cannes, Critics Week, Ava Cahen, Sofia Alaoui, Middle East, Africa, Atlas Station, Bye Bye Tiberias, Animalia, The Mother of All Lies, Asmae El Moudir, Hounds, Kamal Lazraqq, Sea Salt, Leila Basma, Venice International Film Festival, Youssef Chebbi, The Graverdigger's Wife, Mohamed Hefzy, Sarah Chazelle, ArteKino, Ghassam Salhab
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'Joy' by Sudabeh Mortezai, featuring Joy Anwulika Alphonsus 

'Joy' by Sudabeh Mortezai, featuring Joy Anwulika Alphonsus 

The Venice Diaries: Forget what you've heard, this year's festival is all about women's stories!

E. Nina Rothe August 27, 2018

So you may have read by now that the Venice Film Festival is being singled out for not having enough women filmmakers in their Competition line-up. One publication even went so far to criticize Italian culture as a whole, and they used two non-Italian reporters to write the story of course -- one the token male journalist. Because a single, lone, able woman journalist would not have been able to do the job?

Ever hear that saying "don't talk bad about my mama?" 

Anyway, while everyone is up in arms for yet another slight at womanhood, I say, get over it! I'm a woman, I'm Italian and I feel very well represented in Venice -- thank you very much. In fact, I have never seen so many beautiful women's stories, so much truth for our gender and so much care in telling those stories as I see in the various line-ups and sidebars this year at La Biennale del Cinema. But of course, you'd have to look beyond the media-selling headlines, watch deeper, dig in the sidebars too and know in your heart that great cinema was never about gender, rather about quality and vision. Just like it ain't about politics, even when the subject is political.

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In Cinema, Festival, The Diaries Tags women's stories, Venice Film Festival, La Biennale di Venezia, Competition, Orizzonti, Giornate degli Autori, French cinema, Indian cinema, Nigeria, Alberto Barbera, Joy, Sudabeh Mortezai, Joy Anwulika Alphonsus, Benin City, Africa, modern-day slavery, Europe, Human trafficking, freedom, Pearl, Elsa Amiel, Julia Föry, bodybuilders, female bodybuilders, Lea Pearl, Amanda, Mikhael Hers, Vincent Lacoste, Isaure Multrier, Memory Lane, Paris, terrorism, Soni, Ivan Ayr, India, Delhi, policewomen, Geetika Vidya Ohlyan
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