Clara Khoury and Yasmine Al Massri in Laila Abbas’ ‘Thank You for Banking with Us!’
Running from the 11th to the 28th of June, organized by the Arab British Centre and supported by the BFI, the upcoming 10th edition of the festival will feature dozens of screenings in 10 cities across the UK and online through streaming courtesy of Beirut-based site Aflamuna.
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The five day event, which takes place every two years and celebrates the best of Arab cinema, will be held from 2nd to 6th April 2025 in the Swiss city.
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Jeff Nichols photographed by © Kyle Kaplan, courtesy of 20th Century Fox, used with permission
Plus, the latest projects by favorite filmmakers Lina Soualem, Murad Abu Eisheh, Cherien Dabis and Tala Hadid will be featured in this year’s prestigious sessions with selected projects in development and post-production from Morocco, Africa and the Arab world.
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The films — hailing from 11 countries with 11 helmed by women filmmakers — include the highly anticipated ‘Motherhood’ by Meryam Joobeur, Tunisian filmmaker Ala Eddine Slim’s next project, and Erige Sehiri’s follow up to her critically acclaimed ‘Under the Fig Trees’.
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Photo courtesy of the Red Sea Lodge, an initiative by the Red Sea International Film Festival
The Red Sea International Film Festival in Jeddah, Saudi Arabia, has just announced their Red Sea Lodge edition for 2021.
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Katara Opera House on the opening night of Ajyal Film Festival in Doha, Qatar
This year, the Doha Film Institute has managed to put together a hybrid online and in person (for Qatari residents only) version of its annual Ajyal Film Festival dedicated to young audience and there was even a red carpet last night and an opening ceremony. I’m sharing the video of the latter below.
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A still from ‘Mirrors of Diaspora’ by Kasim Abid
When we think of Iraq these days, we hardly think of poetry, art and cinema. It’s a land that evokes visions of war and destruction, not the land of the iconic architecture of Mesopotamia anymore.
But living around the world, making up the diaspora from the Region, there are quite a few wonderfully creative Iraqis who continue to provide humanity with the beauty of their work. Among them, personally I can name at least two — both dear friends and wonderful innovators. And one of those happens to be Shahnaz Dulaimy.
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Because if you did, I’ve got some swampland in Florida I’d love to sell you. Along with a few magic beans that grow into diamonds.
Honestly, from the moment I stepped off that last red carpet at the Madinat Jumeirah in Dubai, in 2017, I knew the festival was done. In fact, the headline of my wrap-up piece for the 14th edition of DIFF was “Following the Dubai International Film Festival, Where Does Arabwood Go Now?” Yes and that was months before the official decision to skip the festival in 2018 and reformat its approach. There was a dark cloud in the crisp desert sky and it loomed above the festival throughout. My headline was just what my heart told me to write, regardless of my personal feelings towards that weird last edition.
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There were films, fashion and public conversations with cinema celebrities. But beyond the red carpets, this year's Festa del cinema di Roma proved a meeting point for understanding the world around us, and sharing thoughts with like-minded people from faraway lands. Here is my personal diary of a wonderful event held in one of the most beautiful cities in the world.
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Fatma Al Remaihi, CEO of the Doha Film Institute, flanked by the managing team of the Ajyal Film Festival
I believe wholeheartedly that we are what we watch. It’s been my mission to find works of art on the big screen — and on the little one now through Netflix and the likes — that will make life better. I mean, we can all remember that moment, as children, walking out of a theater having watched our favorite character or cartoon on the big screen and feeling an extra bounce in our step. I still experience that these days, whenever I watch something really special. I walk out of the darkened theater into the light of day — as a film writer most of my viewings are done during the day — feeling like anything is possible.
So when the Doha Film Institute kicked off their Ajyal Film Festival in 2014, I went to Qatar to experience the wonder first hand. It was everything I hoped it would be, children and young adults as juries, films that although made for all ages, could really infuse younger minds with a message of peace and hope. You know, an idealist film writer’s dream come true.
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In March of 2020 a revolution will begin in Saudi Arabia. But the country’s royal family and even that now infamous bad boy MBS — as the crown prince is known for short — needn’t worry about getting ready with armies and bodyguards. They just need to sit back, relax and enjoy the show.
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A still from ‘Family Romance, Llc’ by Werner Herzog
In ‘Family Romance, Llc’ Werner Herzog finds a new way to work through the difficulties life throws our way — outsource them to an agency specializing in family connections. He does it with his usual flair for our human ridiculousness and making the impossible seem real. During the junket following the screening, I loved listening to my esteemed colleagues’ confused explanations of stories they thought they’d seen like this one in documentaries, or even completely convinced this was a reality film, instead of fiction. And Herzog himself quite perfectly, calmly and smoothly shooting down each and all of their perplexed ideas.
‘Family Romance, Llc’ was a Special Screening at this year’s Festival de Cannes.
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Hanaa Issa with filmmaker Elia Suleiman at a DFI event
Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.
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Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'
It was the best of times, it was the worst of times. Actually, this edition of the Festival de Cannes turned out to be a missed opportunity, for media and juries alike to truly take charge of the #TimesUp movement and make of it a lasting course instead of a passing trend. Yes, there were stairs filled with women in pretty dresses, there were hotlines that we could call if we felt threatened or harassed, but ultimately the big prizes went to the big boys. As they have for every edition of the festival, except once, in 1993 when Jane Campion made history as the first and only woman to win the Palme d’Or.
Yet personally, I loved Cannes more than ever this year. I had a soft place to fall, in the form of a wonderful group of friends I spent my free time with, eating dinners we cooked together and drinking our morning coffee back at our cozy apartment with one breathtaking view. I mean, just look at the Disney fireworks for 'SOLO: A Star Wars Story' display from our terrace!
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Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'
© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films
From the fabulous women of 'Daughter of Mine' to a wondrous man, my early Sunday morning at Berlinale was spent in the company of Elia Suleiman, the Palestinian filmmaker extraordinaire and Artistic Advisor of the Doha Film Institute.
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“Are you ready for us to make history again?!”
As I stepped into one of the magnificent Majlis — literally translating as a “place of sitting” from the Arabic — a meeting room inside the Madinat Jumeirah complex to catch up with the Chairman of the Dubai International Film Festival, Abdulhamid Juma uttered those words. I was taken aback for a moment and then I remembered that throughout the six years I’ve attended DIFF, I’ve sat down with him and together, we’ve come up with some of best questions about Arab cinema, its place in the world and its importance in dispelling stereotypes and breaking down walls.
This year, I came to DIFF with a heavy heart and I leave it still wondering if all the efforts — personal and collective have been worth it. We’ve witnessed how easily the mighty of the film stratosphere can be taken down in Hollywood when no longer of use to their business partners, destroying careers that should be looked at with respect, regardless of these men’s questionable behavior. We seem to have forgotten that “the casting couch” is a term as old as the movies themselves. Now we just “throw out the baby with the bathwater” as the old saying goes...
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PHOTO BY NEILSON BARNARD/GETTY IMAGES FOR DIFF
A view of Madinat Jumeirah on the opening night of the 14th Dubai International Film Festival
Anyone who has ever had to travel for work knows, deeply and personally, how important a hotel room can be.
For me, while I spent eight nights and nine days at this year’s Dubai International Film Festival, the Mina A’Salam hotel, in Madinat Jumeirah provided a home away from home, the perfect place to get away from it all and write, not to mention my very own soft place to fall. All rolled up into the perfectly glamorous package of a luxury 5-star plus hotel.
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PHOTO BY VITTORIO ZUNINO CELOTTO/GETTY IMAGES FOR DIFF
“In Conversation with Morgan Spurlock” at this year’s Dubai International Film Festival
What is heritage and how important is our connection to the past in shaping who we will be in the future? And if our ideals seem to clash with what our leaders are encouraging, or we simply can see beyond the chaos — are we right? Or does that make us just different... Those are all questions that have come up in the last 48 hours for me, at this year’s Dubai International Film Festival.
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PHOTO BY NEILSON BARNARD/GETTY IMAGES FOR DIFF
Sir Patrick Stewart and HE Sheikh Mansour Bin Mohammed Al Maktoum
Lets face it, it’s a frightening time to be alive. If a certain North Korean dictator doesn’t nuke us into oblivion first, maybe the recent decision regarding the status of Jerusalem by our President might just turn the wraths of the entire Muslim world population upon us. Admit it, you’re beginning to think this way, even if just a little bit...
And yet, here I am in the midst of the Arab world and film, the power of great cinema is helping me to get a grip on what it’s really like, once we step away from the frenzy of inflated CNN headlines and the anger that these days appears to be the sole motivation for so much around us. Because when we dig deep into our collective hearts, we all feel the same way, and if poked, we all bleed the same color blood.
Even Shakespeare knew that to be true, more than five hundred years ago.
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