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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A historic first prize for Moroccan cinema, at this year's Marrakech Film Festival

E. Nina Rothe December 4, 2023

After all was said and done, there were no losers at this year’s Marrakech International Film Festival, where audiences got a free taste of great cinema and Moroccan films made history.

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In Cinema, Festival, The Diaries Tags Marrakech International Film Festival, FIFM, Moroccan cinema, The Mother of All Lies, Asmae El Moudir, Mads Mikkelson, Willem Dafoe, Faouzi Bensaïdi, Simon Baker, Anurag Kashyap, Viggo Morterson, Tilda Swinton, Andrey Zvyagintsev, Al Haouz, Cinema for Young Audiences, Banel & Adama, Excursion, Dormitory, Yurt, Doga Karakas, Ramata-Toulaye Sy, Asja Zara Lagumdzija, Jessica Chastain, Bye Bye Tiberias, Lina Soualem, Hiam Abbass, Dee Rees, Hounds, Kamal Lazraq, Palestine, Alexander Payne, The Holdovers, Sideways, Golden Globes, Academy Awards, Oscars
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Apichatpong Weerasethakul talks to Richard Peña during a Qumra MasterclassPhoto courtesy of the Doha Film Institute

Apichatpong Weerasethakul talks to Richard Peña during a Qumra Masterclass

Photo courtesy of the Doha Film Institute

The Qumra Diaries: Wisdom from the Masters with Apichatpong Weerasethakul and Andrey Zvyagintsev

E. Nina Rothe March 16, 2018

The great thing about an event like Qumra, the yearly industry meet-up organized by the Doha Film Institute to inspire and connect filmmakers with the world of cinema business, is that one gets to discover wonderful gems. And not only the up and coming filmmakers whose projects were featured in this fourth edition, some of which are definitely heading to Cannes! I also had the leisure to rediscover Russian filmmaker Andrey Zvyagintsev (‘Leviathan’ and ‘Loveless’ among others) and hear his insight during one of the six masterclasses, and actually uncover ApichatpongWeerasethakul, watch his dreamy work for the first time. And what a wonder that was! As Italian Maestro Gianfranco Rosi admitted to me later, I also remained enchanted by Weerasethakul’s ‘Emerald’ a dreamy look at a rundown motel, featuring flying particles and voiceovers, which I’m still working through and thinking about quite a few days later.

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In Cinema, The Diaries Tags Andrey Zvyagintsev, Apichatpong Weerasethakul, Qumra, Doha Film Institute, Russia, Thailand, cinema, Lav Diaz, Richard Pena, masterclasses, Steven Spielberg, Cannes Film Festival, Festival de Cannes, Palme d'Or, Uncle Boonmee Who Can Recall His Past Lives, Leviathan, Loveless, Gianfranco Rosi, Emerald, International Film Festival Rotterdam, Sleep cinema hotel, Bero Beyer, dreams, Elena, Golden Globe winner, Oscar-nominated, Boatman, Killdozer, Colorado
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Tilda Swinton photographed by Brigitte Lacombe

Tilda Swinton photographed by Brigitte Lacombe

Iconic Masters and golden projects featured at this year's Qumra in Doha

E. Nina Rothe March 5, 2018

Qatar is the couture state of the Arab world. They watched and learned from the mistakes of all the other Gulf countries that were declared as states before them, and then Qatar set about to reinvent how we view culture, fashion, art and film. You can't watch an award ceremony these days without the presence for the Doha Film Institute in the credits of at least one of the films nominated, the Museum Authority of the peninsular state has assembled and created, and is set to unveil more beauty than my eyes can hold -- just a visit to the Islamic Art Museum will confirm my words -- and of course, the Emir's family owns some of the fashion world's most beloved brands. 

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In Cinema, The Diaries Tags Qatar, Doha, Doha Film Institute, Okja, Masters, filmmakers, Brigitte Lacombe, Tilda Swinton, Gulf countries, Arab world, Islamic Art Museum, Qumra, Gianfranco Rosi, E. Nina Rothe, feature narrative, documentaries, Berlinale, Golden Bear, Fuocoammare, Fire at Sea, Oscars, Apichatpong Weerasethakul, Thai, Thailand, Cannes Film Festival, Uncle Boonmee Who Can Recall His Past Lives, Palme d'Or, Leviathan, Loveless, Russia, Golden Globes, Andrey Zvyagintsev, Sandy Powell OBE, The Young Victoria, Shakespeare in Love, The Aviator, Bennett Miller, Capote, Philip Seymour Hoffman, Truman Capote, Elia Suleiman, Hanaa Issa, DFI
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Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'

© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

The Berlinale Diaries: Elia Suleiman talks Qumra plus Laura Bispuri's 'Daughter of Mine'

E. Nina Rothe February 19, 2018

From the fabulous women of 'Daughter of Mine' to a wondrous man, my early Sunday morning at Berlinale was spent in the company of Elia Suleiman, the Palestinian filmmaker extraordinaire and Artistic Advisor of the Doha Film Institute. 

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In Cinema, Festival, The Diaries Tags Doha Film Institute, Qumra, Daughter of Mine, Figlia Mia, Valeria Golino, Alba Rohrwacher, Laura Bispuri, Berlinale, Berlin, Berlin Film Festival, Hanna Issa, Elia Suleiman, Mohamed Ben Attia, Palestine, Amal Al-Muftah, Sh'hab, Basil Khalil, Ave Maria, Dora Bouchoucha, Weldi, Gianfranco Rosi, Cannes, Oscars, Sandy Powell, Bennett Miller, Apichatpong Weerasethakul, Andrey Zvyagintsev, Sara Casu, Italian cinema, Arab cinema, Qatar, Doha
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