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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

Traveling through the desert in Doha

The Qumra Diaries: The life lessons learned and great persons met, thanks to the Doha Film Institute

E. Nina Rothe March 19, 2018

As of my very first steps at this year's Qumra, around the Souq Waqif, spent inside the Date Market fair and eating a bowl of fragrant Moroccan fava bean soup at a nearby restaurant, to my very last moments wandering inside the Hamad International Airport drinking an espresso with a fellow journalist, Doha gave me the very best she has to offer. And that's pretty darn sensational in a country that can count culture, fashion and heritage at the top of its list of priorities.

From the brand new, still partly in construction National Museum of Qatar rising out of the sands, and shaped like a Desert Rose, the crystallized rock that is formed when lighting hits the dunes, to the institution of the Museum of Islamic Art, where most of the Qumra events and masterclasses are held, to the leisurely, harass-free environment of the Souq itself, I felt like I was being coddled in a cocoon of culture and learning, one that would definitely remain with me for months to come. 

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In The Diaries, Cinema, Fashion Tags Qumra, Doha Film Institute, desert, Desert Rose, Tilda Swinton, Gianfranco Rosi, Bennett Miller, Apichatpong Weerasethakul, Sandy Powell OBE, Qatar, Doha, Souq Waqif, Richard Pena, Gangs of New York, Shakespeare in Love, Velvet Goldmine, documentaries, Cannes Film Festival, Festival de Cannes, date festival, date market doha, Outlaid Mouaness\, 1982, Lebanon, The Rifle The Jackal The Wolf and the Boy, Dominga Sotomayor, The Village, Late to Die Young, South America, Chile, Santiago, Toronto International Film Festival, Cameron Bailey, Wong Kar-wai, Kenneth Branagh, Hercule Poirot, The Atlantic, Elijah Wolfson, Notturno, hondros, Greg Campbell, Chris Hondros, photojournalism
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Bennett Miller conducts a masterclass during Qumra 2018

Bennett Miller conducts a masterclass during Qumra 2018

The Qumra Dairies: Wisdom from a Master with Bennett Miller

E. Nina Rothe March 13, 2018

When Oscar-nominated American filmmaker Bennett Miller sat down to give his masterclass during this year's Qumra in Doha, he immediately apologized for his voice. "It doesn't hurt, it just sounds bad," he admitted, about the husky sound that appeared to be a really bad case of laryngitis. Maybe they could stop a bit early, said his moderator, who instead then actually proceeded to go overtime with the talk. 

Living on the edge, this idea that the masterclass could be cut short by Miller's loss of voice altogether actually added an extra layer of urgency to everything that the talented, kind, thoughtful and wonderfully candid filmmaker had to say.

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In Cinema, The Diaries Tags Qumra, Bennett Miller, Doha Film Institute, Brad Pitt, Philip Seymour Hoffman, USA, Hollywood, Oscar nominated, Academy Awards, Oscars, The Cruise, Timothy Levitch, LA Indie Film Festival, Capote, Moneyball, Stanley Kubrick, Alfred Hitchcock, Foxcatcher
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Tilda Swinton photographed by Brigitte Lacombe

Tilda Swinton photographed by Brigitte Lacombe

Iconic Masters and golden projects featured at this year's Qumra in Doha

E. Nina Rothe March 5, 2018

Qatar is the couture state of the Arab world. They watched and learned from the mistakes of all the other Gulf countries that were declared as states before them, and then Qatar set about to reinvent how we view culture, fashion, art and film. You can't watch an award ceremony these days without the presence for the Doha Film Institute in the credits of at least one of the films nominated, the Museum Authority of the peninsular state has assembled and created, and is set to unveil more beauty than my eyes can hold -- just a visit to the Islamic Art Museum will confirm my words -- and of course, the Emir's family owns some of the fashion world's most beloved brands. 

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In Cinema, The Diaries Tags Qatar, Doha, Doha Film Institute, Okja, Masters, filmmakers, Brigitte Lacombe, Tilda Swinton, Gulf countries, Arab world, Islamic Art Museum, Qumra, Gianfranco Rosi, E. Nina Rothe, feature narrative, documentaries, Berlinale, Golden Bear, Fuocoammare, Fire at Sea, Oscars, Apichatpong Weerasethakul, Thai, Thailand, Cannes Film Festival, Uncle Boonmee Who Can Recall His Past Lives, Palme d'Or, Leviathan, Loveless, Russia, Golden Globes, Andrey Zvyagintsev, Sandy Powell OBE, The Young Victoria, Shakespeare in Love, The Aviator, Bennett Miller, Capote, Philip Seymour Hoffman, Truman Capote, Elia Suleiman, Hanaa Issa, DFI
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Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'

© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

The Berlinale Diaries: Elia Suleiman talks Qumra plus Laura Bispuri's 'Daughter of Mine'

E. Nina Rothe February 19, 2018

From the fabulous women of 'Daughter of Mine' to a wondrous man, my early Sunday morning at Berlinale was spent in the company of Elia Suleiman, the Palestinian filmmaker extraordinaire and Artistic Advisor of the Doha Film Institute. 

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In Cinema, Festival, The Diaries Tags Doha Film Institute, Qumra, Daughter of Mine, Figlia Mia, Valeria Golino, Alba Rohrwacher, Laura Bispuri, Berlinale, Berlin, Berlin Film Festival, Hanna Issa, Elia Suleiman, Mohamed Ben Attia, Palestine, Amal Al-Muftah, Sh'hab, Basil Khalil, Ave Maria, Dora Bouchoucha, Weldi, Gianfranco Rosi, Cannes, Oscars, Sandy Powell, Bennett Miller, Apichatpong Weerasethakul, Andrey Zvyagintsev, Sara Casu, Italian cinema, Arab cinema, Qatar, Doha
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