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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi

A still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi

Doha's Ajyal Film Festival: Erasing some of the common borders of the Middle East, for a youth centric audience

E. Nina Rothe November 17, 2020

I’ve long been a fan of everything that the Doha Film Institute has to offer. Their Qumra event is a phenomenal way to witness how filmmakers go about constructing their films, from pre-production to grants and securing funding to finish their projects. For a culture journalist, it’s a valuable way to experience, quite literally, how cinema is made.

But personally, the event that remains near and dear to my heart is always the Ajyal Film Festival.

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In Cinema, Festival, The Diaries Tags Iranian cinema, Doha Film Institute, Qatar, Covid-19, Ajyal Film Festival, youth, Qumra, DFI, Zoom, Yalda a Night for Forgiveness, Massoud Bakhshi, Sadaf Asgari, Behnaz Jafari, Sundance, Tehran, Iran, reality, 180º Rule, Farnoosh Samadi, TIFF, Toronto International Film Festival, Oscar, Academy Awards, Sun Children, Majid Majidi, child labor, Best International Feature Film, underdog, underage, Jafar Panahi, Dariush Mehrjui, Bahman Ghobadi
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We are one

Tribeca Enterprises' WE ARE ONE forms collaboration with world class festivals to screen films on YouTube

E. Nina Rothe April 28, 2020

Born out of the ashes of 9/11, one of the most catastrophic events NYC ever experienced, the annual Tribeca Film Festival is something very near and dear to my heart.

So, when they announced yesterday WE ARE ONE A Global Film Festival, joining forces with the likes of the Festival de Cannes, Venice, Berlinale, Toronto, Tokyo and San Sebastian (for the full list read here) I was over the moon.

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In Cinema, Festival, The Diaries Tags We Are One a Global Film Festival, Film, Film Festivals, Venice Film Festival, festival de Cannes, Toronto International Film Festival, Karlovy Vary Film Festival, San Sebastian Film Festival, Tribeca Film Festival, Tribeca Enterprises, Jane Rosenthal, YouTube, The Minimalist Fashionista, TV, movies, Indie movies, cultural journalism, Berlinale, Tokyo Film Festival
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Traveling through the desert in Doha

The Qumra Diaries: The life lessons learned and great persons met, thanks to the Doha Film Institute

E. Nina Rothe March 19, 2018

As of my very first steps at this year's Qumra, around the Souq Waqif, spent inside the Date Market fair and eating a bowl of fragrant Moroccan fava bean soup at a nearby restaurant, to my very last moments wandering inside the Hamad International Airport drinking an espresso with a fellow journalist, Doha gave me the very best she has to offer. And that's pretty darn sensational in a country that can count culture, fashion and heritage at the top of its list of priorities.

From the brand new, still partly in construction National Museum of Qatar rising out of the sands, and shaped like a Desert Rose, the crystallized rock that is formed when lighting hits the dunes, to the institution of the Museum of Islamic Art, where most of the Qumra events and masterclasses are held, to the leisurely, harass-free environment of the Souq itself, I felt like I was being coddled in a cocoon of culture and learning, one that would definitely remain with me for months to come. 

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In The Diaries, Cinema, Fashion Tags Qumra, Doha Film Institute, desert, Desert Rose, Tilda Swinton, Gianfranco Rosi, Bennett Miller, Apichatpong Weerasethakul, Sandy Powell OBE, Qatar, Doha, Souq Waqif, Richard Pena, Gangs of New York, Shakespeare in Love, Velvet Goldmine, documentaries, Cannes Film Festival, Festival de Cannes, date festival, date market doha, Outlaid Mouaness\, 1982, Lebanon, The Rifle The Jackal The Wolf and the Boy, Dominga Sotomayor, The Village, Late to Die Young, South America, Chile, Santiago, Toronto International Film Festival, Cameron Bailey, Wong Kar-wai, Kenneth Branagh, Hercule Poirot, The Atlantic, Elijah Wolfson, Notturno, hondros, Greg Campbell, Chris Hondros, photojournalism
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Tilda Swinton and Cameron Bailey

Tilda Swinton and Cameron Bailey

The Qumra Diaries: Tilda Swinton, the Museum of Islamic Art and to Doha, with love

E. Nina Rothe March 10, 2018

From the moment I boarded the Qatar Airways plane in Fiumicino, I realized I was being transported somewhere special. I also knew my journey, as both a film writer and a human being, would be a life changing one.

To begin with, the airline offers Karak chai -- a milky tea infused with cardamom or saffron to taste -- and a choice of films that included 'Murder on the Orient Express', the new version by Kenneth Branagh. Not what I would have gone to the movies to watch it but at 30 thousand feet, flying over lands and bodies of water I'll probably never set foot on or swim through, cup of fragrant tea in hand one's taste adjusts. And I even found myself crying through some of Branagh's Hercule Poirot moments. 

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In Cinema, The Diaries Tags Qumra, Doha Film Institute, Doha, Qatar, Qatar Airways, Museum of Islamic Art, Souq Waqif, cinema, Arab Cinema, Murder on the Orient Express, Kenneth Branagh, karak chai, Hercule Poirot, tea, date festival, I. M. Pei, Qatari Film Fund, TIFF, Toronto International Film Festival, Cameron Bailey, Elia Suleiman, Apichatpong Weerasethakul, Gianfranco Rosi, Fatma Al Remaihi, Oscar's best dressed list, Jio MAMI, Mumbai Film Festival, Smriti Kiran, masterclasses
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