Included are frequent DFI collaborator Rithy Panh and Tunisian star Dhafer L’Abidine.
Read MoreClockwise from left: Raja Amari, Dhafer L’Abidine, Rithy Panh, Alessandra Speciale
Clockwise from left: Raja Amari, Dhafer L’Abidine, Rithy Panh, Alessandra Speciale
Included are frequent DFI collaborator Rithy Panh and Tunisian star Dhafer L’Abidine.
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A still from ‘Once Upon a Time in Gaza’ by Tarzan and Arab Nasser, courtesy of DFI
And honestly, from the DFI, I would expect nothing less!
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DFI supporting the Palestinian pavilion in Cannes this year, with Fatma Hasan Alremaihi, center, Elia Suleiman, third from left and Hanaa Issa, third from right.
And with a new upcoming international film festival announced for November 2025, the Gulf cultural organization plans to prove to the world what many of us already knew.
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Starting right here, right now, I’m kicking off a podcast that brings together film and fashion in a brand new way, where you'll find yourself sitting in the room with celebrities and artists, for some cozy conversations. Cultural events and world affairs decoded, from Cannes to Venice to London and across the pond, to NYC.
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Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!
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Also included in the extensive line up of projects participating in the upcoming industry incubator organized by the Doha Film Institute is the follow up by Algerian helmers Damien Ounouri and Adila Bendimerad to their award winning epic ‘The Last Queen’, as well as Suzannah Mirghani’s highly anticipated feature debut ‘Cotton Queen’.
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Clockwise from left: Walter Salles, Anna Terrazas, Darius Khondji and Lav Diaz
The list for the upcoming edition also includes César and Academy Award nominated DoP Darius Khondji, and Hong Kong filmmaker Johnnie To Kei-Fung.
Read MoreAjyal young jurors sit during a screening of a film in their section
And, while watching films during this wondrous festival, I witnessed a second miracle in the making.
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A still from ‘Sudan, Remember Us’ by Hind Meddeb, courtesy of the DFI
With the theme of the 2024 edition of Ajyal Film Festival presented by the Doha Film Institute announced as ‘Moments That Matter’, the event will also see the participation of Palestinian stars Hiam Abbas, Saleh and Mohammad Bakri, along with beloved Egyptian actor Khaled El Nabawy, Turkish TV star Esra Bilgic and Sudanese musician Mustafa the Poet.
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A still from ‘Aïcha’ by Mehdi Barsaoui, courtesy of The Party Film Sales
This year there are 12 Doha Film Institute supported films in the lineup on the Lido, plus the DFI is hosting a special afternoon and even a gala dinner celebrating their achievements in the world of cinema and art.
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A still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI
It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes
There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.
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A still from ‘The land was well past its zenith’ by Rita Mahfouz
Plus actress and producer Toni Colette, is confirmed as the sixth 2024 Master for the upcoming tenth anniversary edition of the industry incubator and the participating projects are announced.
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Plus Atom Egoyan fresh from the Berlinale and Academy Award nominated sound designer Martín Hernández, all to give Masterclasses while in Qatar.
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A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event
For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.
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Katara Opera House on the opening night of Ajyal Film Festival in Doha, Qatar
This year, the Doha Film Institute has managed to put together a hybrid online and in person (for Qatari residents only) version of its annual Ajyal Film Festival dedicated to young audience and there was even a red carpet last night and an opening ceremony. I’m sharing the video of the latter below.
Read MoreA still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi
I’ve long been a fan of everything that the Doha Film Institute has to offer. Their Qumra event is a phenomenal way to witness how filmmakers go about constructing their films, from pre-production to grants and securing funding to finish their projects. For a culture journalist, it’s a valuable way to experience, quite literally, how cinema is made.
But personally, the event that remains near and dear to my heart is always the Ajyal Film Festival.
Read MoreA still from ‘Family Romance, Llc’ by Werner Herzog
In ‘Family Romance, Llc’ Werner Herzog finds a new way to work through the difficulties life throws our way — outsource them to an agency specializing in family connections. He does it with his usual flair for our human ridiculousness and making the impossible seem real. During the junket following the screening, I loved listening to my esteemed colleagues’ confused explanations of stories they thought they’d seen like this one in documentaries, or even completely convinced this was a reality film, instead of fiction. And Herzog himself quite perfectly, calmly and smoothly shooting down each and all of their perplexed ideas.
‘Family Romance, Llc’ was a Special Screening at this year’s Festival de Cannes.
Read MoreA still from ‘Femmetasia’ by Mouhssine El Badaoui
The yearly, five days long Qumra event in Qatar, held by the Doha Film Institute each March is that rare occasion for those of us who write about cinema to connect with the filmmakers, producers, film programmers, sales agents and festival directors who make the magic happen. Don’t misunderstand me now, I think film journalists and bloggers are equally to praise or blame for great movies being made. Our collective word, the reviews and interviews we manage to sell to publications or feature on our blogs, can create a movement that reverberates around the world. I know colleagues who pride themselves on making or breaking someone’s career. It’s not nice, but it is true. Take the case of Gianfranco Rosi’s ‘Below Sea Level’ and the infamous Variety review that ensured the film never made it to a cinema near you — a fact the filmmaker mentioned in his Masterclass at last year’s Qumra.
That said, in Doha there is a great energy created by the powers that be of the DFI, which allows journalists to relate to the film projects in such a personal way that it’s impossible thereafter to dislike it or even ignore it.
Read MoreA still from Hamida Issa’s ‘Places of the Soul’
On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.
Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.
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