The festival will kick off with ‘Dead Man's Wire’, Gus Van Sant's dark and jubilant comedy and close with Annemarie Jacir’s Palestinian submission to the Oscars ‘Palestine 36’, with loads of wondrous films screening in between.
Read MoreA still from ‘Giant’ featuring Amir El Masry, image courtesy of the Red Sea IFF
The Red Sea International Film Festival announces line up, plus opening night film 'Giant' featuring Egyptian-British actor Amir El Masry
The selection includes works which were supported by the Red Sea Fund, including Annemarie Jacir’s ‘Palestine 36’, the Palestinian submission to the Oscar race and ‘Hijra’ by Shahad Ameen which represents Saudi Arabia in the awards run this year.
Read MoreA still from ‘Sink’ by Zain Duraie, courtesy of Tabi360
Five films you must watch at this year's BFI London Film Festival
Don’t be mad if I didn’t include your personal fave, or a Hollywood title. There are plenty of those, with galas and special conversations to boot. But for me, these titles deserve a second look.
Read MoreA still from ‘Once Upon a Time in Gaza’ by Tarzan and Arab Nasser, courtesy of DFI
Upcoming inaugural Doha Film Festival to showcase Palestinian stories
And honestly, from the DFI, I would expect nothing less!
Read MoreA still from Annemarie Jacir’s ‘Palestine 36’ courtesy of Philistine Films
Chloe Zhao's 'Hamnet', two Linklater titles and a Screen Talk with the elusive Daniel Day-Lewis at this year's BFI London Film Fest
The festival will open with Rian Johnson’s ‘Wake Up Dead Man: A Knives Out Mystery’ and close with Julia Jackman’s 100 Nights of Hero’. In between, masterpieces of cinema will rule over Old Foggy for nearly two weeks.
Read MoreGoodies at the tables welcoming guests attending the important gala included a keffiyeh print glasses holder and a mini candle for Gaza.
Galilee Foundation's Gaza in Our Hearts gala makes a difference
When the London-based foundation’s co-founder said, during her speech, that there was an “edu-cide” happening in Gaza, suddenly everything that has been going on in the past six months in Palestine came into clear focus and explained for this writer Israel’s inexplicable actions.
Read MoreHala Matar's 'Electra' world premieres, at this year's Santa Barbara IFF
And is worth a watch.
Read MoreA still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event
The Doha Film Institute's Qumra 2021 goes global with its virtual edition
For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.
Read MoreThe Cannes Diaries 2018: Everyone has their own story
This year the festival holds a lot of promise. Arab cinema is at its center with an unprecedented two films in Competition, Nadine Labaki's 'Capharnaüm' and Abu Bakr Shawky's 'Yomeddine', while there are of course quite a few other titles sprinkled among the sidebars, including Mohamed Ben Attia's 'Weldi'. A newly formed Saudi Film Council is occupying a harbor-side pavilion and offering wonderful panels (including one on Sunday the 13th at 11 moderated by yours truly and featuring Annemarie Jacir, Haifaa Al-Mansour, Lamia Chraibi and TIFF's own Cameron Bailey) as well as much welcomed Arabic coffee and dates. When I dropped by on a late afternoon I really cherished that cardamom and saffron infused shot of Arabia and the hospitality brought me back to my days in the Gulf.
Read MoreFollowing the Dubai International Film Festival, Where Does Arabwood Go Now?
“Are you ready for us to make history again?!”
As I stepped into one of the magnificent Majlis — literally translating as a “place of sitting” from the Arabic — a meeting room inside the Madinat Jumeirah complex to catch up with the Chairman of the Dubai International Film Festival, Abdulhamid Juma uttered those words. I was taken aback for a moment and then I remembered that throughout the six years I’ve attended DIFF, I’ve sat down with him and together, we’ve come up with some of best questions about Arab cinema, its place in the world and its importance in dispelling stereotypes and breaking down walls.
This year, I came to DIFF with a heavy heart and I leave it still wondering if all the efforts — personal and collective have been worth it. We’ve witnessed how easily the mighty of the film stratosphere can be taken down in Hollywood when no longer of use to their business partners, destroying careers that should be looked at with respect, regardless of these men’s questionable behavior. We seem to have forgotten that “the casting couch” is a term as old as the movies themselves. Now we just “throw out the baby with the bathwater” as the old saying goes...
Read More