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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

The Platinum Star Awards: Featuring the Best of the best in film in 2025 (my personal take)

E. Nina Rothe January 2, 2026

While I usually avoid making lists of awards-worthy films, rules are meant to be broken and this year it was something definitely worth doing.

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In Cinema, Art Tags Awards, Silver Star Awards, E. Nina Rothe, Oscars, Golden Globes, Is This Thing On?, Palestine 36, Wicked For Good, Sentimental Value, Bradley Cooper, For Good, Sirat, Stellan Skarsgård, Tessa Thompson, Hedda, Pedro Pascal, Eddington, Laura Dern, Annemarie Jacir, Jafar Panahi, It Was Just an Accident, Sinners, Ryan Coogler
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Marrakech FF announces stellar line up, including world premiere of Meryem Benm'Barek's highly anticipated 'Behind the Palm Trees'

E. Nina Rothe November 11, 2025

The festival will kick off with ‘Dead Man's Wire’, Gus Van Sant's dark and jubilant comedy and close with Annemarie Jacir’s Palestinian submission to the Oscars ‘Palestine 36’, with loads of wondrous films screening in between.

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In Cinema, Festival Tags Marrakech International Film Festival, Morocco, Palestine 36, Annemarie Jacir, Guillermo del Toro, Jodie Foster, Raouya, Hussein Fahmi, Academy Awards, Bong Joon-ho, Étoile d’or, Meryem Benm'Barek, Screen, James J. Robinson, Akinola Davies Jr., Erige Sehiri, Promised Sky, Atlas Workshoops, Atlas Workshops, Gus Van Sant, Dead Man's Wire, Maryam Touzan, A Private Life, Rebecca Zlotowski, El Sett, Marwan Hamed, Oum Kalthoum, Mona Zaki, Sophia, Dhafer L'Abidine, Jafar Panahi, Hasan Hadi, The President's Cake, Cyril Aris, A Sad and Beautiful World, Hélène Harder, Fatna, a Woman Named Rachid
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A still from ‘Giant’ featuring Amir El Masry, image courtesy of the Red Sea IFF

The Red Sea International Film Festival announces line up, plus opening night film 'Giant' featuring Egyptian-British actor Amir El Masry

E. Nina Rothe November 7, 2025

The selection includes works which were supported by the Red Sea Fund, including Annemarie Jacir’s ‘Palestine 36’, the Palestinian submission to the Oscar race and ‘Hijra’ by Shahad Ameen which represents Saudi Arabia in the awards run this year.

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In Cinema, Festival Tags Red Sea International Film Festival, Jeddah Old Town, Al-Balad, Haifaa Al Mansour, Fionnuala Halligan, Roqia, Allah is not Obliged, Truck Mama, Sink, A Sad and Beautiful World, Hijra, Shahad Ameen, The Fakenapping, Palestine 36, Annemarie Jacir, The Voice of Hind Rajab, Oscars, Anas Ba-Tahaf, Faisal Baltyuor, Sirat, Wedding Rehearssal, Amira Diab, Unidentified, Angelina Jolie, Couture, Alice Winocour, The Wizard of the Kremlin, Jude Law, Olivier Assayas, Giant, Amir El Masry, Naseem Hamed, Rowan Athale
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A still from ‘Sink’ by Zain Duraie, courtesy of Tabi360

Five films you must watch at this year's BFI London Film Festival

E. Nina Rothe October 3, 2025

Don’t be mad if I didn’t include your personal fave, or a Hollywood title. There are plenty of those, with galas and special conversations to boot. But for me, these titles deserve a second look.

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In Cinema, Festival Tags BFI London Film Festival, London Film Festival, Kristy Matheson, Palestine 36, Annemarie Jacir, Karim Daoud Anaya, Palestine, Oscar entry, Calle Malaga, Maryam Touzani, Nabil Ayouch, Carmen Maura, Morocco, Broken English, Iain Forsyth & Jane Pollard, Marianne Faithfull, Tilda Swinton, Nick Cave, George MacKay, Sink, Zain Duraie, Jordan, Clara Khoury, A Sad and Beautiful World, Cyril Aris, Mounia Akl, Lebanon, Beirut
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A still from ‘Once Upon a Time in Gaza’ by Tarzan and Arab Nasser, courtesy of DFI

Upcoming inaugural Doha Film Festival to showcase Palestinian stories

E. Nina Rothe September 25, 2025

And honestly, from the DFI, I would expect nothing less!

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In Cinema, Festival Tags DFI, Doha Film Institute, Doha Film Festival, Qatar, Once Upon a Time in Gaza, Tarzan and Arab Nasser, Palestinian cinema, Elia Suleiman, The Voice of Hind Rajab, Kaouther Ben Hania, Kamal Aljafari, With Hassan in Gaza, Annemarie Jacir, Palestine 36, Palestine, Gaza, Fatma Hassan Alremaihi, Ajyal, Katara Cultural Village, Msheireb Downtown Doha, Museum of Islamic Art
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A still from Annemarie Jacir’s ‘Palestine 36’ courtesy of Philistine Films

Chloe Zhao's 'Hamnet', two Linklater titles and a Screen Talk with the elusive Daniel Day-Lewis at this year's BFI London Film Fest

E. Nina Rothe September 4, 2025

The festival will open with Rian Johnson’s ‘Wake Up Dead Man: A Knives Out Mystery’ and close with Julia Jackman’s 100 Nights of Hero’. In between, masterpieces of cinema will rule over Old Foggy for nearly two weeks.

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In Cinema, Festival Tags Annemarie Jacir, Palestine 36, Chloe Zhao, Hamnet, Richard LInklater, Daniel Day-Lewis, Rian Johnson, Wake Up Dead Man: A Knives Out Mystery, Netflix, Julia Jackman, 100 Nights of Hero, BFI London Film Festival, American Express, London, Jay Kelly, George Clooney, Guillermo Del Toro, Frankenstein, Luca Guadagnino, After the Hunt, Amazon, Kaouther Ben Hania, Tunisia, Oscar Race, Best International Feature Film, The Voice of Hind Rajab, Venice Film Festival, Jeremy Irons, Hiam Abbass, Saleh Bakri, Kleber Mendonça Filho, The Secret Agent, Brazil, Lav Diaz, Magellan, Gael García Bernal, Philippines, Jafar Panahi, It Was Just an Accident, Iran, Royal Festival Hall, Yorgos Lanthimos, Richard Linklater, Lynne Ramsay, Tessa Thompson, Calle Malaga, Maryam Touzani, Nabil Ayouch
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Goodies at the tables welcoming guests attending the important gala included a keffiyeh print glasses holder and a mini candle for Gaza.

Galilee Foundation's Gaza in Our Hearts gala makes a difference

E. Nina Rothe April 26, 2024

When the London-based foundation’s co-founder said, during her speech, that there was an “edu-cide” happening in Gaza, suddenly everything that has been going on in the past six months in Palestine came into clear focus and explained for this writer Israel’s inexplicable actions.

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In Cinema, Art, The Diaries Tags Galilee Foundation, Gaza in Our Hearts Gala, Peninsula Hotel, London, Gaza, Palestine, Hussein Madi, Noor Fares, Jewelry, Venice Biennale Arte, Egypt, Lebanon, Wael Shawky, Ajyal Foundation, IMET2000, Marwan Barghouti, ICA, Georgia and Sophia Scott, Tomorrow’s Freedom, The Present, The Teacher, Farah Nabulsi, Annemarie Jacir, Wajib, Salt of this Sea, When I Saw You, Huda's Salon, Hany Abu Assad, Dr. Marwan Bishara, Al Jazeera English, Vanessa Redgrave, Hugh Grant, Dana Salah, Fala7i Pop, Dr Ghassan Abu-Sittah, Sawsan Asfari, Maha Alfarra, Amer Zahr, Nakba, Naksa, Jordan, West Bank
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Hala Matar's 'Electra' world premieres, at this year's Santa Barbara IFF

E. Nina Rothe February 9, 2024

And is worth a watch.

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In Festival, Cinema, Fashion Tags Electra, Hala Matar, Daryl Wein, Santa Barbara International Film Festival, Bradley Cooper, Mark Ruffalo, Maria Bakalova, Jack Farthing, Chloë Sevigny, Jack Farthing Rome, Valentino, Netflix, Soudade Kaadan, Nezouh, Syria, Venice, Annemarie Jacir, Palestine, Salt of This Sea, Arab women filmmakers, Bahrain, Cannes, Berlinale
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A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

The Doha Film Institute's Qumra 2021 goes global with its virtual edition

E. Nina Rothe March 7, 2021

For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.

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In Cinema, The Diaries, Fashion Tags Doha Film Institute, DFI, Qumra, Mornings in Jenin, Annemarie Jacir, Palestine, Doha, Qatar, Claire Denis, James Gray, Jessica Hausner, Mark Mangini, Phedon Papamichael, Brigitte Lacombe, Yasmine Hamdan, Festival de Cannes, Variety, Fatma Hassan Alremaihi
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Window of Emporio Armani in Cannes

The Cannes Diaries 2018: Everyone has their own story

E. Nina Rothe May 11, 2018

This year the festival holds a lot of promise. Arab cinema is at its center with an unprecedented two films in Competition, Nadine Labaki's 'Capharnaüm' and Abu Bakr Shawky's 'Yomeddine', while there are of course quite a few other titles sprinkled among the sidebars, including Mohamed Ben Attia's 'Weldi'. A newly formed Saudi Film Council is occupying a harbor-side pavilion and offering wonderful panels (including one on Sunday the 13th at 11 moderated by yours truly and featuring Annemarie Jacir, Haifaa Al-Mansour, Lamia Chraibi and TIFF's own Cameron Bailey) as well as much welcomed Arabic coffee and dates. When I dropped by on a late afternoon I really cherished that cardamom and saffron infused shot of Arabia and the hospitality brought me back to my days in the Gulf.

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In The Diaries, Festival, Cinema Tags Palestine, Saudi Arabia, Capharnaum, Nadine Labaki, Elia Suleiman, Cannes Film Festival, Festival de Cannes, Hany Abu Assad, Annemarie Jacir, Yomeddine, Sheherazade, Saudi Arabian pavilion, DPA gift lounge, Abu Bakr Shawky, Mohamed Ben Attia, Weldi, Lamia Chraibi, Cameron Bailey, Critics Week
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5a461ae61c00003c0068daff.jpg

Following the Dubai International Film Festival, Where Does Arabwood Go Now?

E. Nina Rothe February 6, 2018

“Are you ready for us to make history again?!”

As I stepped into one of the magnificent Majlis — literally translating as a “place of sitting” from the Arabic — a meeting room inside the Madinat Jumeirah complex to catch up with the Chairman of the Dubai International Film Festival, Abdulhamid Juma uttered those words. I was taken aback for a moment and then I remembered that throughout the six years I’ve attended DIFF, I’ve sat down with him and together, we’ve come up with some of best questions about Arab cinema, its place in the world and its importance in dispelling stereotypes and breaking down walls. 

This year, I came to DIFF with a heavy heart and I leave it still wondering if all the efforts — personal and collective have been worth it. We’ve witnessed how easily the mighty of the film stratosphere can be taken down in Hollywood when no longer of use to their business partners, destroying careers that should be looked at with respect, regardless of these men’s questionable behavior. We seem to have forgotten that “the casting couch” is a term as old as the movies themselves. Now we just “throw out the baby with the bathwater” as the old saying goes...

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In Cinema, Festival, Interviews, The Diaries Tags DIFF17, Dubai International Film Festival, Dubai, Arabwood, Abdulhamid Juma, Arab cinema, Cate Blanchett, Sofia Coppola, Greta Gerwig, Wajib, Annemarie Jacir, Mohammad Bakri, HH Sheikh Mansoor bin Mohammed bin Rashid Al Maktoum, Muhr Awards, Palestine, Elia Suleiman, Hany Abu Assad, President Obama, Sanjay Leela Bhansali, Oscars, Saudi Arabia, Haifaa Al Mansour, IWC Filmmaker Award, Saad Hariri, Masoud Amralla Al Ali, Shivani Pandya, women filmmakers, women film journalist, Dubai Film Market, women journalists
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