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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

Bill Murray and Adam Driver in a still from ‘The Dead Don’t Die’

Bill Murray and Adam Driver in a still from ‘The Dead Don’t Die’

This year's Cannes Film Festival opens with Jim Jarmusch's zombie extravaganza 'The Dead Don't Die'

E. Nina Rothe April 10, 2019

I tweeted about this beauty a couple of weeks ago and stand by my word. I’m typically not a zombie kinda girl but utter Jim Jarmusch’s name and I can’t watch it fast enough. So the buzz was deafening around ‘The Dead Don’t Die’ from the time the first images of the film were released, building up to a cacophony of joy when the trailer was first shown. And don’t even get me started on Adam Driver. I mean, the man is taller than Bill Murray, which is saying a lot, and all the handsome of a young Keanu Reeves, plus acting talents to boot.

Then, this morning Cannes announced it will open its 72nd edition of the festival with the Jarmusch film, in Competition no less. On Tuesday May 14th, on the screen of the Grand Théâtre Lumière, the film by the American director and screenwriter will be this year’s first Palme d'Or competition screening.

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In Cinema, Festival, The Diaries Tags Jim Jarmusch, Festival de Cannes, The Dead Don't Die, Adam Driver, Bill Murray, Cannes, American filmmaker, Grand Théâtre Lumière, opening selection, zombies, Keanu Reeves, Palme d'Or, Centerville, Down by Law, Roberto Benigni, John Lurie, Tom Waits, Richard Lormand, E. Nina Rothe
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Agnes Varda

The Qumra Diaries: Discovering Agnès Varda in the land of cinema

E. Nina Rothe March 16, 2019

It is obvious from the moment one steps on a Qatar Airways aircraft that cinema is important in Doha. I mean, just going through the entertainment system on my particular flight, I found ‘Rebecca’ by Hitchcock, Barry Jenkins’ hauntingly touching and all too true ‘If Beale Street Could Talk’, Paul Dano’s intimate portrayal of a family struggling to remain a single nucleus ‘Wildlife’ and even the 2019 Best Picture Oscar winner ‘Green Book’.

Qatar knows good cinema and nowhere is that better understood than in the welcoming arms of the Doha Film Institute.

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In Cinema, Festival, The Diaries Tags Agnes Varda, Qumra, Doha Film Institute, DFI, Qatar, Doha, La Pointe Courte, Faces Places, Festival de Cannes, E. Nina Rothe, Richard Peña, The Qumra Diaries, cinema, film, Qatar Airways, Rebecca, Alfred Hitchcock, Barry Jenkins, If Beale Street Could Talk, Paul Dano, Jake Gyllenhaal, Wildlife, Oscar winner, Green Book
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Christian Dior exhibit at V & A

The London Diaries: 'Christian Dior Designer of Dreams', and why style has nothing to do with money

E. Nina Rothe March 6, 2019

What I found most interesting during my visit to the Victoria & Albert Museum, to view their latest fashion exhibit, was how my fellow visitors decided to dress for it. While Christian Dior as a brand has been known for impeccable, lady-like style since 1946, in 2019 London I was surrounded by a cacophony of sloppy, unkempt and dull outfits, worn by women who didn’t give their mirror a second look before leaving their homes/hotels/offices that day. And some men, trust me guys, you didn’t fare that well either.

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In Fashion, The Diaries Tags Christian Dior, Christian Dior Designer of Dreams, Victoria and Albert museum, V & A, London, England, France, Maison Dior, John Galliano, Maria Grazia Chiuri, Forever 21, H & M, Karl Lagerfeld, Raf Simons, Gianfranco Ferre, The London Diaries, E. Nina Rothe, rockstar, tutus, ethnic fashion
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The Locarno Diaries: Women power, Courage with a capital "C" and a healthy dose of great cinema

E. Nina Rothe August 2, 2018

As I flew over to Milan to reach Locarno then by car over the Alps, I watched 'The Gospel According to André' on the plane -- the documentary about the grand fashion figure that is André Leon Talley. It was a perfect way to dive into the Locarno Festival since Talley's life has been all about courage and bold choices and this year's film festival is channeling that spirit exactly.

Also, as a woman I find solace at an event that kicks off with a press release announcing their commitment to sign the Programming Pledge for Parity and Inclusion in Cinema Festivals for parity and equality in the industry. Locarno will be the first festival after Cannes to commit to this pledge. So on August 5th at 9.45 a.m. Marco Solari, Locarno Festival President and Carla Speziali, Locarno Festival Vice President, will gather at the Spazio Forum to publicly and officially sign the initiative by SWAN, the Swiss Women’s Audiovisual Network, a sister movement to the French 5050x2020 campaign that took place on the steps of the Palais this May 2018 during the Cannes Film Festival.

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In Cinema, Festival, The Diaries Tags Tarde Para Morir Joven, Too Late to Die Young, Locarno Film Festival, Locarno Festival, Meg Ryan, E. Nina Rothe, Dominga Sotomayor, Violeta Brava, Doha Film Institute, Qumra, Qatar, Vianney Lebasque, Piazza Grande, Leo McCarey, Marco Solari, Carlo Chatrian, SWAN, Pledge for Parity and Inclusion, Switzerland, DFI
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Tilda Swinton photographed by Brigitte Lacombe

Tilda Swinton photographed by Brigitte Lacombe

Iconic Masters and golden projects featured at this year's Qumra in Doha

E. Nina Rothe March 5, 2018

Qatar is the couture state of the Arab world. They watched and learned from the mistakes of all the other Gulf countries that were declared as states before them, and then Qatar set about to reinvent how we view culture, fashion, art and film. You can't watch an award ceremony these days without the presence for the Doha Film Institute in the credits of at least one of the films nominated, the Museum Authority of the peninsular state has assembled and created, and is set to unveil more beauty than my eyes can hold -- just a visit to the Islamic Art Museum will confirm my words -- and of course, the Emir's family owns some of the fashion world's most beloved brands. 

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In Cinema, The Diaries Tags Qatar, Doha, Doha Film Institute, Okja, Masters, filmmakers, Brigitte Lacombe, Tilda Swinton, Gulf countries, Arab world, Islamic Art Museum, Qumra, Gianfranco Rosi, E. Nina Rothe, feature narrative, documentaries, Berlinale, Golden Bear, Fuocoammare, Fire at Sea, Oscars, Apichatpong Weerasethakul, Thai, Thailand, Cannes Film Festival, Uncle Boonmee Who Can Recall His Past Lives, Palme d'Or, Leviathan, Loveless, Russia, Golden Globes, Andrey Zvyagintsev, Sandy Powell OBE, The Young Victoria, Shakespeare in Love, The Aviator, Bennett Miller, Capote, Philip Seymour Hoffman, Truman Capote, Elia Suleiman, Hanaa Issa, DFI
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The Pitti Uomo 93 Diaries: Finnish Design, the International Woolmark Prize and Be Still My Gucci Beating Heart

E. Nina Rothe January 31, 2018

On the first official day of the 93rd edition of Pitti Uomo, and my second day on the ground in Florence, I found quite a lot of inspiration coming from Guest Nation Finland, the International Woolmark prize with its multicultural designers and the wonderful universe that has been created by Alessandro Michele, the creative director of Gucci. I mean, any man confident enough to wear a golden tiara is A-alright in my book. Even I am weary of those things and find it difficult to incorporate them into my daily wardrobe, so I can’t even begin to imagine how he managed. The conversation alone with himself in the mirror, that I would have liked to have been a fly on the wall for! Alessandro Michele is my fashion idol.

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In Fashion Tags The Pitti Uomo Diaries, E. Nina Rothe, Gucci, Alessandro Michele
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