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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

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The Locarno Diaries: Women power, Courage with a capital "C" and a healthy dose of great cinema

E. Nina Rothe August 2, 2018

As I flew over to Milan to reach Locarno then by car over the Alps, I watched 'The Gospel According to André' on the plane -- the documentary about the grand fashion figure that is André Leon Talley. It was a perfect way to dive into the Locarno Festival since Talley's life has been all about courage and bold choices and this year's film festival is channeling that spirit exactly.

Also, as a woman I find solace at an event that kicks off with a press release announcing their commitment to sign the Programming Pledge for Parity and Inclusion in Cinema Festivals for parity and equality in the industry. Locarno will be the first festival after Cannes to commit to this pledge. So on August 5th at 9.45 a.m. Marco Solari, Locarno Festival President and Carla Speziali, Locarno Festival Vice President, will gather at the Spazio Forum to publicly and officially sign the initiative by SWAN, the Swiss Women’s Audiovisual Network, a sister movement to the French 5050x2020 campaign that took place on the steps of the Palais this May 2018 during the Cannes Film Festival.

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In Cinema, Festival, The Diaries Tags Tarde Para Morir Joven, Too Late to Die Young, Locarno Film Festival, Locarno Festival, Meg Ryan, E. Nina Rothe, Dominga Sotomayor, Violeta Brava, Doha Film Institute, Qumra, Qatar, Vianney Lebasque, Piazza Grande, Leo McCarey, Marco Solari, Carlo Chatrian, SWAN, Pledge for Parity and Inclusion, Switzerland, DFI
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COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: The Prizes, the Takeaways and ‘Till We Meet Again, Locarno

E. Nina Rothe February 5, 2018

A film festival is of course only as great as the sum of its parts, and one very important, visual and ever-present part of the well-loved and hyper-attended festival that is Locarno is represented in the figure of its Artistic Director, Carlo Chatrian. A film journalist, writer, film programmer and now as the visionary head of the festival, Chatrian has been a part of Locarno Festival since 2002, inheriting his latest role in 2013. Those attending, as well as those following the event on social media and through their informative, interactive website, will notice his infectious enthusiasm. When I caught up with him on the next to last day of the festival, after he greeted the delegations of the day’s films during lunch — an activity he calls “a pleasure, after spending so much time in the dark watching films, to see these films come to light, and meet those who have done that work” — and then did a lively TV interview, he still had energy to spare. I, on the other hand, was exhausted by then.

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In Cinema, The Diaries Tags Locarno Film Festival, Marco Solari, Irrfan Khan, Adrien Brody, Nastassja Kinski, Fanny Ardant, Golshifteh Farahani, Lucky, Harry Dean Stanton, Oscar Contenders, Piazza Grande, Kursaal, Jacques Tourneur, Ana Urushadze, Carlo Chatrian, Pardo d'Oro, Miguel Gomes, Wang Bing, Madame Hyde, Isabelle Huppert, Mrs. Fang, Elliott Crosset Hove, Winter Brothers, Yousry Nasrallah, Three Quarters, Scary Mother, Rok Bicek, The Family, Olivier Assayas, Netflix, Locarno Stepin, Michel Merkt, Open Doors, Nadia Dresti, Richard Lormand, Sophie Bourdon
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COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: ‘Gemini’, the Hotel Belvedere and a Movie That Shall Remain Nameless

E. Nina Rothe February 5, 2018

My third day at the Locarno Film Festival started with the mind-blowing, wonderful directorial debut by actor John Carroll Lynch, which made me feel ‘Lucky’ all day long. It’s that good and if Harry Dean Stanton doesn’t get an Oscar nomination for playing the title character, I’ll go on a hunger strike — albeit one where I exclusively drink milk and diner coffee just like Lucky. If you haven’t kept up with the Diaries, you can read my thoughts on the film here. 

The day went from great to better when I got to interview filmmaker Nadir Moknèche and his lead actor Tewfik Jallab about their film ‘Lola Pater’ on the patio of the Hotel Belvedere — a stylish place overlooking the Old Town that required a brisk walk up a steep hill in the midday heat and humidity to access. After the initial huffing and puffing, I realized that everything which goes up must come down, and the walk back into town after the inspiring conversations with two men who simply make the world better by being in it was soul soothing. I loved being an invisible witness to Locarno daily life, the man who watered his garden unaware of my presence to the left, the band rehearsing at a club a bit further down the hill on the right. There is a wonderful human aspect to the festival and that walk back into town made me reconcile with the world, for a few precious moments.

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In Cinema, The Diaries Tags cinema, film, Locarno Film Festival, Gemini, Hotel Belvedere, John Carroll Lynch, Lucky, Lola Pater, Nadir Moknèche, Piazza Grande, Locarno, Aaron Katz, Los Angeles, Zoë Kravitz, Lola Kirke, John Cho
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