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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Opening reception for the 2024 edition of AIFF, photo used with permission

"A World Unscripted": Amman International Film Festival kicks off this week with outstanding program

E. Nina Rothe June 30, 2025

The Amman International Film Festival – Awal Film (AIFF) is in its sixth edition and scheduled to take place in the Jordanian capital from July 2-10, 2025.

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In Festival, Cinema Tags Amman International Film Festival, Awal Film, Amman, Jordan, A World Unscripted, Taj Cinemas, The Royal Film Commission Jordan, Rainbow Theatre, Gaza, Princess Rym Ali, Chaf Tabbara, Jim Sheridan, Ireland, Yousry Nasrallah, Adila Bendimerad, Amr Gamal, Gladys Joujou, Amjad Al-Rasheed, Rashid Masharawi;, Saba Mubarak, Dora Bouchoucha, Linda Mutawi, Fikra, Joseph Bitamba, Amman Industry Days, Seeking Haven for Mr. Rambo, To A Land Unknown, Mahdi Fleifel, Mo Harawe, Thank You for Banking With Us, Laila Abbas, Palestine, Tell Them About Us, Time Out 22, Rana Matar, Saudi Arabia, Armand, Halfdan Ullmann Tøndel, All We Imagine as Light, Payal Kapadia, India, Norway, 97th Academy Awards, Familiar Touch, Sarah Friedland, Luigi de Laurentis Lion of the Future, Yallah Parkour, Areeb Zuaiter, Upshot, Maha Haj
Guillermo Del Toro, courtesy of the Marrakech International Film Festival

Guillermo Del Toro, courtesy of the Marrakech International Film Festival

In "Conversation With" Scorsese, Del Toro, Nasrallah and more at the Marrakech Film Fest!

E. Nina Rothe October 24, 2018

If ever there was an upcoming event that felt outrageously exciting, almost too jam packed with greatness (could there ever be such a thing!) it’s the Marrakech International Film Festival — which will take place from November 30th to December 8th, 2018 in the beautiful Moroccan city. Now in its 17th edition, the festival took a year off in 2017 and is coming back stronger, better and more action-packed than ever.

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In Cinema, Festival, The Diaries Tags Martin Scorsese, James Gray, Robert De Niro, Thierry Fremaux, Morocco, Marrakech, Yousry Nasrallah, Cristian Mungiu, Agnes Varda, Robin Wright, Cannes Film Festival, FIFM
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COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: The Prizes, the Takeaways and ‘Till We Meet Again, Locarno

E. Nina Rothe February 5, 2018

A film festival is of course only as great as the sum of its parts, and one very important, visual and ever-present part of the well-loved and hyper-attended festival that is Locarno is represented in the figure of its Artistic Director, Carlo Chatrian. A film journalist, writer, film programmer and now as the visionary head of the festival, Chatrian has been a part of Locarno Festival since 2002, inheriting his latest role in 2013. Those attending, as well as those following the event on social media and through their informative, interactive website, will notice his infectious enthusiasm. When I caught up with him on the next to last day of the festival, after he greeted the delegations of the day’s films during lunch — an activity he calls “a pleasure, after spending so much time in the dark watching films, to see these films come to light, and meet those who have done that work” — and then did a lively TV interview, he still had energy to spare. I, on the other hand, was exhausted by then.

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In Cinema, The Diaries Tags Locarno Film Festival, Marco Solari, Irrfan Khan, Adrien Brody, Nastassja Kinski, Fanny Ardant, Golshifteh Farahani, Lucky, Harry Dean Stanton, Oscar Contenders, Piazza Grande, Kursaal, Jacques Tourneur, Ana Urushadze, Carlo Chatrian, Pardo d'Oro, Miguel Gomes, Wang Bing, Madame Hyde, Isabelle Huppert, Mrs. Fang, Elliott Crosset Hove, Winter Brothers, Yousry Nasrallah, Three Quarters, Scary Mother, Rok Bicek, The Family, Olivier Assayas, Netflix, Locarno Stepin, Michel Merkt, Open Doors, Nadia Dresti, Richard Lormand, Sophie Bourdon
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COURTESY OF THE LOCARNO FILM FESTIVALA still from Rana Eid’s ‘Panoptic’

COURTESY OF THE LOCARNO FILM FESTIVAL

A still from Rana Eid’s ‘Panoptic’

The Locarno Film Festival Diaries: ‘Panoptic’, Cinematic Heroes and Dinner with a Diplomatic Legend

E. Nina Rothe February 5, 2018

It is not often that a film journalist like me gets to experience the stuff hard core news are made of in first person, up close. I mean, I’ve been privy to some great cinematic history in the making and yes, I lived in NYC at the time of the attacks of 9/11 so I watched unmentionable horror unfolding before my very eyes, but in Locarno I feel part of another narrative that will affect the world as we know it. 

I’m talking about the sudden decision by UN war crimes Special Prosecutor Carla del Ponte to quit her post, because she feels that Syria is now “a land without future”. Appointed to a three-member panel set up in August 2011 by the Human Rights Council to monitor the al-Assad regime and the unfolding civil war in Syria remotely, del Ponte represented the one slight hope for justice and yet today, that hope seems gone. Having previously sat on tribunals that investigated atrocities in Rwanda and the former Yugoslavia, del Ponte is most famous for putting Serbian leader Slobodan Milošević on trial at The Hague. And for having stood up to Sicily’s La Cosa Nostra and won, by simply walking away with her life. Now that’s a hero of a woman right there!

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Tags Todd Haynes, Wonderstruck, Villa Orselina, Locarno, Locarno Film Festival, The Song of Scorprions, Michel Merkt, Toni Erdmann, Yousry Nasrallah, Egyptian cinema, cinema, film, Panoptic, Rana Eid, Lebanon, Carlo Chatrian, Carla del Ponte, Human Rights Council, UN War Prosecutor
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