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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: The Prizes, the Takeaways and ‘Till We Meet Again, Locarno

E. Nina Rothe February 5, 2018

A film festival is of course only as great as the sum of its parts, and one very important, visual and ever-present part of the well-loved and hyper-attended festival that is Locarno is represented in the figure of its Artistic Director, Carlo Chatrian. A film journalist, writer, film programmer and now as the visionary head of the festival, Chatrian has been a part of Locarno Festival since 2002, inheriting his latest role in 2013. Those attending, as well as those following the event on social media and through their informative, interactive website, will notice his infectious enthusiasm. When I caught up with him on the next to last day of the festival, after he greeted the delegations of the day’s films during lunch — an activity he calls “a pleasure, after spending so much time in the dark watching films, to see these films come to light, and meet those who have done that work” — and then did a lively TV interview, he still had energy to spare. I, on the other hand, was exhausted by then.

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In Cinema, The Diaries Tags Locarno Film Festival, Marco Solari, Irrfan Khan, Adrien Brody, Nastassja Kinski, Fanny Ardant, Golshifteh Farahani, Lucky, Harry Dean Stanton, Oscar Contenders, Piazza Grande, Kursaal, Jacques Tourneur, Ana Urushadze, Carlo Chatrian, Pardo d'Oro, Miguel Gomes, Wang Bing, Madame Hyde, Isabelle Huppert, Mrs. Fang, Elliott Crosset Hove, Winter Brothers, Yousry Nasrallah, Three Quarters, Scary Mother, Rok Bicek, The Family, Olivier Assayas, Netflix, Locarno Stepin, Michel Merkt, Open Doors, Nadia Dresti, Richard Lormand, Sophie Bourdon
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COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: ‘Gemini’, the Hotel Belvedere and a Movie That Shall Remain Nameless

E. Nina Rothe February 5, 2018

My third day at the Locarno Film Festival started with the mind-blowing, wonderful directorial debut by actor John Carroll Lynch, which made me feel ‘Lucky’ all day long. It’s that good and if Harry Dean Stanton doesn’t get an Oscar nomination for playing the title character, I’ll go on a hunger strike — albeit one where I exclusively drink milk and diner coffee just like Lucky. If you haven’t kept up with the Diaries, you can read my thoughts on the film here. 

The day went from great to better when I got to interview filmmaker Nadir Moknèche and his lead actor Tewfik Jallab about their film ‘Lola Pater’ on the patio of the Hotel Belvedere — a stylish place overlooking the Old Town that required a brisk walk up a steep hill in the midday heat and humidity to access. After the initial huffing and puffing, I realized that everything which goes up must come down, and the walk back into town after the inspiring conversations with two men who simply make the world better by being in it was soul soothing. I loved being an invisible witness to Locarno daily life, the man who watered his garden unaware of my presence to the left, the band rehearsing at a club a bit further down the hill on the right. There is a wonderful human aspect to the festival and that walk back into town made me reconcile with the world, for a few precious moments.

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In Cinema, The Diaries Tags cinema, film, Locarno Film Festival, Gemini, Hotel Belvedere, John Carroll Lynch, Lucky, Lola Pater, Nadir Moknèche, Piazza Grande, Locarno, Aaron Katz, Los Angeles, Zoë Kravitz, Lola Kirke, John Cho
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COURTESY OF THE LOCARNO FILM FESTIVALDavid Lynch and Harry Dean Stanton in a still from ‘Lucky’

COURTESY OF THE LOCARNO FILM FESTIVAL

David Lynch and Harry Dean Stanton in a still from ‘Lucky’

The Locarno Film Festival Diaries: Feeling ‘Lucky’, Dame Fanny Ardant and a Cool “Chap Flick”

E. Nina Rothe February 5, 2018

Locarno is a really pleasant surprise. While Cannes may be the glitziest, Venice the oldest and Berlinale the most packed with titles, the Locarno Film Festival is a rockstar among film fests. Starting from its frontman, Artistic Director Carlo Chatrian, to the stars attending and what they are wearing, from the films shown, to how those in the media can comfortably attend mostly everything on their wish lists, Locarno stands out as the hip, cool and happening event. 

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In Cinema, The Diaries Tags cinema, film, Locarno Film Festival, Lucky, Harry Dean Stanton, Fanny Ardant, Lola Pater, Your Skin So Soft, Johnny Cash, Ed Begley Jr., Tom Skerritt, John Carroll Lynch, Denis Côté, bodybuilders, Canada, Nadir Moknèche, Tewfik Jallab, transgender, Carlo Chatrian
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