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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from ‘Giant’ featuring Amir El Masry, image courtesy of the Red Sea IFF

The Red Sea International Film Festival announces line up, plus opening night film 'Giant' featuring Egyptian-British actor Amir El Masry

E. Nina Rothe November 7, 2025

The selection includes works which were supported by the Red Sea Fund, including Annemarie Jacir’s ‘Palestine 36’, the Palestinian submission to the Oscar race and ‘Hijra’ by Shahad Ameen which represents Saudi Arabia in the awards run this year.

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In Cinema, Festival Tags Red Sea International Film Festival, Jeddah Old Town, Al-Balad, Haifaa Al Mansour, Fionnuala Halligan, Roqia, Allah is not Obliged, Truck Mama, Sink, A Sad and Beautiful World, Hijra, Shahad Ameen, The Fakenapping, Palestine 36, Annemarie Jacir, The Voice of Hind Rajab, Oscars, Anas Ba-Tahaf, Faisal Baltyuor, Sirat, Wedding Rehearssal, Amira Diab, Unidentified, Angelina Jolie, Couture, Alice Winocour, The Wizard of the Kremlin, Jude Law, Olivier Assayas, Giant, Amir El Masry, Naseem Hamed, Rowan Athale
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George Clooney in ‘Jay Kelly’ by Noah Baumbach, photo courtesy of Netflix

The Venice Diaries: A Saudi wonder film, Variety's 2025 Achievement in International Film Award does it right plus films, stars & more stars

E. Nina Rothe August 31, 2025

Among the highlights of the first few days of the Venice International Film Festival, a first appearance on the Lido by Julia Roberts and some well-deserved recognition for Fatma Hassan Alremaihi, the wondrous CEO of the Doha Film Institute.

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In Cinema, Festival Tags Saudi Arabia, Variety, George Clooney, Hijra, Netflix, Julia Roberts, Fatma Hassan Alremaihi, Doha Film Institute, Paolo Sorrentino, La Grazia, Venice International Film Festival, Guillermo del Toro, Frankenstein, After the Hunt, Luca Guadagnino, Jay Kelly, Noah Baumbach, Lars Eidinger, Flaunt, Venice4Palestine, Gaza, Emanuela Fanelli, Charles Dance, Shahad Ameen, Jim Jarmusch, Father Mother Sister Brother, Dusty Springfield
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A still from ‘A House of Dynamite’ by Kathryn Bigelow

The golden girls of the Lido: Seven women-helmed films to watch at the 82nd Venice Film Festival

E. Nina Rothe July 22, 2025

From the MENA to the USA, there may not be so so many titles directed by women at the festival. But what is programmed is simply the best.

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In Cinema, Festival Tags Venice Film Festival, A House of Dynamite, Kathryn Bigelow, The Voice of Hind Rajab, Kaouther Ben Hania, Marc by Sofia, Sofia Coppola, Marc Jacobs, Nuestra Tierra, Lucrecia Martel, Hijra, Shahad Ameen, Calle Malaga, Maryam Terzani, Julian Schnabel, In the Hand of Dante, Carmen Maura
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Jack Irving in a still from Grear Patterson’s ‘Giants Being Lonely’ — photo courtesy of ROD30 productions

Jack Irving in a still from Grear Patterson’s ‘Giants Being Lonely’ — photo courtesy of ROD30 productions

The Venice Diaries: My favorites so far include an American baseball film and a modern Arab mermaid

E. Nina Rothe September 5, 2019

“If you ask me what I came into this life to do, I will tell you: I came to live out loud.” — Émile Zola

I watch films to understand the world. And it seems sometimes the biggest lessons are just behind the scenes.

What I’ve learned at this year’s Venice Film Festival is that it seems that if you’re a woman journalist, you’re damned if you do and you’re damned if you don’t. I’ve run the gamut from enemy of the people for publishing an interview with a man accused but never convicted of bad things, to being made to feel (by my women editors) that I don’t know how to write just so they can justify only having male writers in their roster. I also felt that a current article was unjust to the amount of women filmmakers that are actually in Venice — if the journalists who wrote it actually bothered to look at all the films, and not only the few titles in Competition — so I pointed out in another piece about a Critics’ Week title that the filmmaker was indeed a woman. And a man, I swear I can’t make this stuff up, added a comment to the FB post saying I made it sound like women filmmakers were creatures from another planet. I used the phrase “woman filmmaker” one time in the entire piece, to claim her as one of my own who makes me proud… But anyway.

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In Cinema, Festival, The Diaries Tags Scales, Shahad Ameen, J'Accuse, An officer and a Spy, Venice 76, Venice Film Festival, Venezia 76, Roman Polanski, Giants Being Lonely, Olmo Schnabel, Grear Patterson, Saudi Arabia, USA, generation Z, Ashraf Barhoum, Basima Hajjar, Oman, Eye & Mermaid, Jean Dujardin, Louis Garrel, Metoo, Emile Zola, Lily Gavin, Jack Irving, Ben Irving, Orizzonti, Critics week, Competition
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