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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

The Cannes Diaries: Opening day and setting up the theme of the festival

E. Nina Rothe May 15, 2024

Every once in a while, I get asked what I’ll do when AI takes over my work. Thank goodness French filmmaker Quentin Dupieux has given me plenty of ammunition to squash that line of inquiry once and for all.

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In Cinema, The Diaries, Festival Tags Cannes Diaries, Quentin Dupieux, Festival de Cannes, An Unfinished Film, Lou Ye, Chinese film, The Second Act, AI, algorithm, Léa Seydoux, Vincent Lindon, Louis Garrel, Raphaël Quenard, Manuel Guillot
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A still from ‘The Second Act’, photo © Chi-Fou-Mi Productions

The latest Cannes announcements, including the Léa Seydoux starrer which will kick off the festival

E. Nina Rothe April 5, 2024

Plus, the festival releases its latest guidelines to make the event more eco-friendly.

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In Cinema, Festival, The Diaries Tags festival de Cannes, Cannes Film Festival, Lea Seydoux, The Second Act, Vincent Lindon, Louis Garrel, Quentin Dupieux, Raphaël Quenard, Dune Part Two, Mr. Oizo, DJ Dupieux, Le Deuxième Acte, Out of Compeition, Opening Film, Croisette, Maiwenn, Jeanne du Barry, Johnny Depp, French cinema, Grand Théâtre Lumière, Daaaaaali!, Yannick, Smoking Causes Coughing, Green, official program, eco friendly, Jean Dujardin, Deerskin
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Jack Irving in a still from Grear Patterson’s ‘Giants Being Lonely’ — photo courtesy of ROD30 productions

Jack Irving in a still from Grear Patterson’s ‘Giants Being Lonely’ — photo courtesy of ROD30 productions

The Venice Diaries: My favorites so far include an American baseball film and a modern Arab mermaid

E. Nina Rothe September 5, 2019

“If you ask me what I came into this life to do, I will tell you: I came to live out loud.” — Émile Zola

I watch films to understand the world. And it seems sometimes the biggest lessons are just behind the scenes.

What I’ve learned at this year’s Venice Film Festival is that it seems that if you’re a woman journalist, you’re damned if you do and you’re damned if you don’t. I’ve run the gamut from enemy of the people for publishing an interview with a man accused but never convicted of bad things, to being made to feel (by my women editors) that I don’t know how to write just so they can justify only having male writers in their roster. I also felt that a current article was unjust to the amount of women filmmakers that are actually in Venice — if the journalists who wrote it actually bothered to look at all the films, and not only the few titles in Competition — so I pointed out in another piece about a Critics’ Week title that the filmmaker was indeed a woman. And a man, I swear I can’t make this stuff up, added a comment to the FB post saying I made it sound like women filmmakers were creatures from another planet. I used the phrase “woman filmmaker” one time in the entire piece, to claim her as one of my own who makes me proud… But anyway.

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In Cinema, Festival, The Diaries Tags Scales, Shahad Ameen, J'Accuse, An officer and a Spy, Venice 76, Venice Film Festival, Venezia 76, Roman Polanski, Giants Being Lonely, Olmo Schnabel, Grear Patterson, Saudi Arabia, USA, generation Z, Ashraf Barhoum, Basima Hajjar, Oman, Eye & Mermaid, Jean Dujardin, Louis Garrel, Metoo, Emile Zola, Lily Gavin, Jack Irving, Ben Irving, Orizzonti, Critics week, Competition
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