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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

Upcoming French Film Festival London at Ciné Lumière announces fantastic line-up

E. Nina Rothe October 6, 2025

And don’t be surprised to find Jafar Panahi’s latest among the films, as that is the official entry to the International Feature Film Oscar race for France. Vive la France, I say!

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In Cinema, Festival Tags Ciné Lumière, French Film Festival London, French Institute Alliance Francaise, Jafar Panahi, Victoria and Albert Museum, Barbican, The Great Arch, Claes Bang, Stéphane Demoustier, Case 137, Dominik Moll, Léa Drucker, It Was Just an Accident, Cannes Film Festival, Kaouther Ben Hania, The Voice of Hind Rajab, Silver Lion, Palme d'Or, Venice Film Festival, Richard Linklater, Nouvella Vague, Diane Gabrysiak, Alice Douard, Love Letters, François Ozon, The Stranger, Julia Ducourneau, Alpha, Lucile Hadžihalilović, The Ice Tower, Marion Cotillard, The Little Sister, Hafsia Herzi, Queer Palm, Nadav Lapid, Yes!, Raïssa Lahcine, Institut français du Royaume-Uni
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A still from Annemarie Jacir’s ‘Palestine 36’ courtesy of Philistine Films

Chloe Zhao's 'Hamnet', two Linklater titles and a Screen Talk with the elusive Daniel Day-Lewis at this year's BFI London Film Fest

E. Nina Rothe September 4, 2025

The festival will open with Rian Johnson’s ‘Wake Up Dead Man: A Knives Out Mystery’ and close with Julia Jackman’s 100 Nights of Hero’. In between, masterpieces of cinema will rule over Old Foggy for nearly two weeks.

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In Cinema, Festival Tags Annemarie Jacir, Palestine 36, Chloe Zhao, Hamnet, Richard LInklater, Daniel Day-Lewis, Rian Johnson, Wake Up Dead Man: A Knives Out Mystery, Netflix, Julia Jackman, 100 Nights of Hero, BFI London Film Festival, American Express, London, Jay Kelly, George Clooney, Guillermo Del Toro, Frankenstein, Luca Guadagnino, After the Hunt, Amazon, Kaouther Ben Hania, Tunisia, Oscar Race, Best International Feature Film, The Voice of Hind Rajab, Venice Film Festival, Jeremy Irons, Hiam Abbass, Saleh Bakri, Kleber Mendonça Filho, The Secret Agent, Brazil, Lav Diaz, Magellan, Gael García Bernal, Philippines, Jafar Panahi, It Was Just an Accident, Iran, Royal Festival Hall, Yorgos Lanthimos, Richard Linklater, Lynne Ramsay, Tessa Thompson, Calle Malaga, Maryam Touzani, Nabil Ayouch
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A still from ‘A House of Dynamite’ by Kathryn Bigelow

The golden girls of the Lido: Seven women-helmed films to watch at the 82nd Venice Film Festival

E. Nina Rothe July 22, 2025

From the MENA to the USA, there may not be so so many titles directed by women at the festival. But what is programmed is simply the best.

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In Cinema, Festival Tags Venice Film Festival, A House of Dynamite, Kathryn Bigelow, The Voice of Hind Rajab, Kaouther Ben Hania, Marc by Sofia, Sofia Coppola, Marc Jacobs, Nuestra Tierra, Lucrecia Martel, Hijra, Shahad Ameen, Calle Malaga, Maryam Terzani, Julian Schnabel, In the Hand of Dante, Carmen Maura
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Angelina Jolie as Maria Callas, photographed by Pablo Larraín, used with permission

'Maria': the power of great women's stories told by extraordinary men & why I needed to watch the film again

E. Nina Rothe October 21, 2024

Turns out once was not enough for the cinematic tale of Maria Callas’ last week, as told by Chilean auteur Pablo Larraín and interpreted with courage and beauty by Hollywood icon Angelina Jolie.

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In Cinema, The Diaries, Festival Tags Maria, Pablo Larrain, Angelina Jolie, BFI London Film Festival, Maria Callas, opera, Spencer, Jackie, Venice Film Festival, Netflix, Studiocanal, Alba Rohrwacher, Pierfrancesco Favino, Massimo Cantini Parrini, StudioCanal, Kodi Smit-McPhee, Guy Hendrix Dyas
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Venice Film Festival Competition jury will include Andrew Haigh and Abderrahmane Sissako along with president Isabelle Huppert

E. Nina Rothe July 11, 2024

Other members of the esteemed Venezia 81 jury include James Gray, Agnieszka Holland, Kleber Mendonça Filho, Giuseppe Tornatore, Julia von Heinz and Zhang Ziyi.

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In Cinema, Festival, The Diaries Tags Venice Film Festival, Jury competition, Venezia 81, La Biennale di Venezia, Alberto Barbera, Isabelle Huppert, James Gray, Agnieszka Holland, Kleber Mendonça Filho, Giuseppe Tornatore, Julia von Heinz, Andrew Haigh, Abderrahmane Sissako, Zhang Ziyi, Golden Lion, Julian Schnabel, Hand of Dante, Oscar Isaac, Jason Momoa, Al Pacino, Lady Gaga, Joaquin Phoenix, Joker, Joker: Folie à Deux, Todd Phillips, Warner Bros. Pictures, All of Us Strangers
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Cannes Film Festival awards include top prizes for Sean Baker's 'Anora' and Guan Hu's 'Black Dog' in Un Certain Regard

E. Nina Rothe May 26, 2024

Many women-directed gems were snubbed, in favor of a story about a sex worker written and directed by a male filmmaker.

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In Cinema, Festival, The Diaries Tags Hanif Kureishi, Cannes Film Festival, festival de Cannes, Sean Baker, Anora, Guan Hu, Black Dog, awards, Venice Film Festival, Francis Ford Coppola, Megalopolis, Karim Aïnouz, Motel Destino, Agathe Riedinger, Wild Diamond, Magnus van Horn, The Girl with the Needle, Camera d'Or, Rungano Nyoni, Un Certain Regard, Roberto Minervini, The Damned, All We Imagine as Light, Payal Kapadia, Emilia Perez, Jacques Audiard, MIguel Gomes, Grand Tour, Mohammad Rasoulof, The Seed of the Sacred Fig, Jesse Plemons, Kinds of Kindness, Yorgos Lanthimos, Adriana Paz, Zoe Saldaña, Karla Sofia Gascon, Selena Gomez, The Substance, Coralie Fargeat, The Man Who Could Not Remain Silent, Nebojša Slijepčević, Bad for a Moment, Daniel Soares, L'Histoire de Souleymane, Boris Lojkine, Anasuya Sengupta, The Shameless, Abou Sangaré, On Becoming a Guinea Fowl, Holy Cow, Louise Courvoisier, Norah, Tawfik Alzaidi, Armand, Halfdan Ullmann Tøndel, Mongrel, Wei Liang Chiang & You Qiao Yin, Sunflowers Were the First Ones to Know..., Chidananda S Naik, Out the Window Through the Wall, Asya Segalovich, The Chaos She Left Behind, Nikos Kolioukos, Bunnyhood, Mansi Maheshwari, CST Artist-Technician prize, Daria d'Antonio, Paolo Sorrentino, Parthenope, CST Young technician Prize, Evgenia Alexandrova, Noémie Merlant, The Balconettes
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A still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI

The Cannes Diaries: Doha Dreaming with multiple DFI projects in the Cannes Official line up & Spring 2024 upcoming grants

E. Nina Rothe May 23, 2024

It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.

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In Cinema, The Diaries, Festival Tags Doha Film Institute, Qatar, DFI, H.E. Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, Rendez-vous avec Pol Pot, Rithy Panh, Cambodia, Qumra, Iréne Jacob, Grégoire Colin, Cyril Gueï, Cannes Film Festival, Critics' Week, The Brink of Dreams, Nada Riyadh and Ayman El Amir, KEFF, Locust, Taiwan, Morocco, Across the Sea, Saïd Hamich Benlarbi, Egypt, East of Noon, Hala Elkoussy, Mahdi Fleifel, To a Land Unknown, Erige Sehiri, Marie and Jolie, Joyce A. Nashawati, Sound of Silence, Venice Film Festival, Ameer Fakher Eldin, Yunan, Elia Suleiman, MENA region, Hanaa Issa, Fatma Hassan Alremaihi, Al-Dana, Nora Al-Subai, Running With Beasts, Leila Basma, Lebanon, Syria, The Settlement, Mohamed Rashad, Nomadish, Yassine Marco Marroccu, Agora, Ala Eddine Slim, Żejtune, Malta, Alex Camilleri, The Botanist, china, Jing Yi, Another Birth, Tajikistan, Isabelle Kalandar, Horizon, Colombia, César Augusto Acevedo, Tale of the Land, Indonesia, Loeloe Hendra, The Fin, South Korea, Syeyoung Park, Flying Elephants, Mona Khaouli, Munir Khauli, Just Like a Dream, Corine Shawi, Beirut, Road Trip, Linda Qibaa, Speak Image, Speak, Palestine, Pary El-Qalqili, Flower of the Sands, Jaouad Babili, Climbing the Mountains, Algeria, Sabrina Chebbi, She Was Not Alone, Iraq, Saudi Arabia, Hussein Al-Asadi, Those Who Watch Over, Karima Saidi, Ground Zero, collective shorts project, Moondove, Karim Kassem, Cutting Through Rocks, Iran, Sara Khaki and Mohammad Reza Eyni, Requiem for a Tribe, Marjan Khosravi, Badr on the Moon, Jordan, Aisha Al-Jaidah and Kholoud Al Ali, Film, TV Series, Web series, Last Words, Antoine Waked, Palmyra, Carol Mezher and Gabriela Flores, Rent-a-Mama, Dania Bdeir, New York, The Dry Kingdom, Dana J. Atrach, Echoes, Marie-Rose Osta, El'Sardines, Zoulikha Tahar, Before the Day Breaks, Amal Al-Muftah, If Only, Ali Al Anssari, Little Man, Hajri Gachouch, Salted Skins, Nicolas Fattouh, The Heaviness of Absence, Zizou, Jalal Maghout, Khaled Moeit, Maha Al-Thani, Eman, Please Pause, Lulwa Al-Thani, The Star, Ingrid El Zoghby, Another Day Shall Come, Aida Kaadan
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes

The Cannes Diaries: Magical interviews, chance meetings and beautiful films

E. Nina Rothe May 19, 2024

There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.

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In Cinema, Festival, The Diaries Tags Alleno & Rivoire chocolate, festival de Cannes, Cannes Film Festival, The Cannes Diaries, RH Three, Golden Globes, The Girl with the Needle, Venice Film Festival, Croisette, KEFF, Locust, Taiwanese cinema, La Semaine de la Critique, Francis Ford Coppola, Megalopolis, Adam Driver, Giancarlo Esposito, Andrea Arnold, Bird, Barry Keoghan, Magnus van Horn, Vic Carmen Sonne, Trine Dyrholm, Un Certain Regard, Zambia, Rungano Nyoni, On Becoming a Guinea Fowl, Everybody Loves Touda, Nabil Ayouch, Doha Film Institute, Five Seas Hotel, DFI, Sebastian Sepulveda, Qumra, Elia Suleiman, Nina Rodriguez, Ali Khechen, Hanaa Issa, Fatma Hassan Al Remaihi, Cannes Premiere, Thierry Fremaux, Salle Debussy, Jean-Luc Godard, Rithy Panh, Rendez-Vous avec Pol Pot, Meeting with Pol Pot, Irene Jacob, Grégoire Colin, Leos Carax, C'est pas moi, Oscars, Academy Awards, Baby Annette, Annette, Denis Lavant, Bad Blood, Modern Love, David Bowie, Tom Hanks, Forrest Gump
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A still from Ginevra Elkann’s ‘I Told You So’ which will screen at this year’s Cinema Made in Italy

"That's Amore!" Cinema Made in Italy lands at Ciné Lumière in London

E. Nina Rothe March 14, 2024

Organized by Cinecittà, the French Institute in London and The Italian Cultural Institute, this audience favorite annual film festival highlights the best Italian cinema from the past year.

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In Cinema, Festival, The Diaries Tags Cinema Made in Italy, Cine Lumiere, London, French Institute Alliance Francaise, Italian Cultural Institute, Cinecittà, South Kensington, Adrian Wootton OBE, Alice Rohrwacher, La Chimera, Josh O'Connor, Carol Duarte, Alba Rohrwacher, Isabella Rossellini, Cannes, Comandante, Edoardo De Angelis, Pierfrancesco Favino, WWII, Paola Cortellesi, There is Still Tomorrow, Tommaso Santambrogio, Oceans Are The Real Continents, Venice Film Festival, Ginevra Elkann, I Told You So, Valeria Golino, Valeria Bruni Tedeschi, Greta Scacchi, Chicken For Linda!, Sébastien Laudenbach, Chiara Malta, Nicola Maccanico, Danny Huston
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1465803-1759-34.jpg

Five films, and much more, to watch at this edition of the New Zealand International Film Festival

E. Nina Rothe July 24, 2020

Going forward, if we’re going to learn anything about the pandemics and how to handle them, it’s going to come from New Zealand. And in the film festival world, if we’re going to find a way to move forward, it will also come from this edition of the New Zealand International Film Festival, under the direction of Marten Rabarts.

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In Cinema, Festival, The Diaries Tags New Zealand International Film Festival, NZIFF, Marten Rabarts, film, film festivals, Covid 19, Martin Margiela, Martin Margiela in his own words, Reiner Holzemer, 1982, Oualid Mouaness, Nadine Labaki, Lebanon, The Perfect Candidate, Haifaa Al Mansour, Saudi Arabia, You Will Die at Twenty, Amjad Abu Alala, Sudan, Venice Film Festival, The Girl on the Bridge, Leanne Pooley, New Zealand, suicide, depression, Jazz Thornton
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We are one

Tribeca Enterprises' WE ARE ONE forms collaboration with world class festivals to screen films on YouTube

E. Nina Rothe April 28, 2020

Born out of the ashes of 9/11, one of the most catastrophic events NYC ever experienced, the annual Tribeca Film Festival is something very near and dear to my heart.

So, when they announced yesterday WE ARE ONE A Global Film Festival, joining forces with the likes of the Festival de Cannes, Venice, Berlinale, Toronto, Tokyo and San Sebastian (for the full list read here) I was over the moon.

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In Cinema, Festival, The Diaries Tags We Are One a Global Film Festival, Film, Film Festivals, Venice Film Festival, festival de Cannes, Toronto International Film Festival, Karlovy Vary Film Festival, San Sebastian Film Festival, Tribeca Film Festival, Tribeca Enterprises, Jane Rosenthal, YouTube, The Minimalist Fashionista, TV, movies, Indie movies, cultural journalism, Berlinale, Tokyo Film Festival
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An empty red carpet means anticipation. No red carpet means defeat.

An empty red carpet means anticipation. No red carpet means defeat.

Requiem for a Festival: Letter to a Cannes FF that might never happen

E. Nina Rothe April 18, 2020

I wrote a letter to the Festival de Cannes. I asked it to help save cinema by not going online.

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Cannes Film Festival, Thierry Fremaux, streaming, Joker, Ana Lily Amirpour, Venice Film Festival, Martin Scorsese, Dubai International Film Festival
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Jack Irving in a still from Grear Patterson’s ‘Giants Being Lonely’ — photo courtesy of ROD30 productions

Jack Irving in a still from Grear Patterson’s ‘Giants Being Lonely’ — photo courtesy of ROD30 productions

The Venice Diaries: My favorites so far include an American baseball film and a modern Arab mermaid

E. Nina Rothe September 5, 2019

“If you ask me what I came into this life to do, I will tell you: I came to live out loud.” — Émile Zola

I watch films to understand the world. And it seems sometimes the biggest lessons are just behind the scenes.

What I’ve learned at this year’s Venice Film Festival is that it seems that if you’re a woman journalist, you’re damned if you do and you’re damned if you don’t. I’ve run the gamut from enemy of the people for publishing an interview with a man accused but never convicted of bad things, to being made to feel (by my women editors) that I don’t know how to write just so they can justify only having male writers in their roster. I also felt that a current article was unjust to the amount of women filmmakers that are actually in Venice — if the journalists who wrote it actually bothered to look at all the films, and not only the few titles in Competition — so I pointed out in another piece about a Critics’ Week title that the filmmaker was indeed a woman. And a man, I swear I can’t make this stuff up, added a comment to the FB post saying I made it sound like women filmmakers were creatures from another planet. I used the phrase “woman filmmaker” one time in the entire piece, to claim her as one of my own who makes me proud… But anyway.

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In Cinema, Festival, The Diaries Tags Scales, Shahad Ameen, J'Accuse, An officer and a Spy, Venice 76, Venice Film Festival, Venezia 76, Roman Polanski, Giants Being Lonely, Olmo Schnabel, Grear Patterson, Saudi Arabia, USA, generation Z, Ashraf Barhoum, Basima Hajjar, Oman, Eye & Mermaid, Jean Dujardin, Louis Garrel, Metoo, Emile Zola, Lily Gavin, Jack Irving, Ben Irving, Orizzonti, Critics week, Competition
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The Perfect Candidate by Haifaa al-Mansour

The Venice Diaries: 'The Perfect Candidate' and 'Marriage Story' -- what a way to start it off!

E. Nina Rothe August 30, 2019

What a rollercoaster this has been.

The last couple of months feel like a dream to me. And not a good one. Anyway, cinema always puts me back together, at least films like these do. They somehow erase the cynic in me, and recharge the woman and lover who has been wronged by the world.

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In Cinema, Festival, The Diaries Tags Venezia 76, Venice Film Festival, La Biennale di Venezia, The Perfect Candidate, Marriage Story, New York, Noah Baumbach, Adam Driver, Scarlett Johansson, Laura Dern, Alan Alda, Ray Liotta, Wallace Shawn, Julie Hagerty, oud, music, Saudi Arabia, Saudi cinema, Pedro Almodóvar, Golden Lion for Lifetime Achievement
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Julianne Moore in ‘The Staggering Girl’ by Luca Guadagnino

Julianne Moore in ‘The Staggering Girl’ by Luca Guadagnino

The Cannes 2019 Diaries: Films that broke my heart and Luca Guadagnino's Valentino project

E. Nina Rothe May 18, 2019

There has been a certain je ne sais quoi in the air here in Cannes, and I wasn’t able to quite put my finger on it. It bothered me, someone always good at defining a moment, person or place, that I couldn’t put that feeling into words. Then I attended the press conference for Luca Guadagnino’s ‘The Staggering Girl’ and I had a ‘EUREKA!” moment. So bear with me for a moment while I get to that…

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In Cinema, Fashion, Festival, The Diaries Tags Luca Guadagnino, Valentino, Pier Paolo Piccioli, Pier Paolo Pasolini, Cannes Film Festival, Festival de cannes, Cannes, Venice Film Festival, Alberto Barbera, Oscars, Majestic hotel, Medea, The Staggering Girl, Marriott hotel, ryuichi sakamoto, Thrive Global, ICS, Litigante, Franco Lolli, Cancion Sin Nombre, Melina Leon, Doha Film Institute, The Unknown Saint, Alaa Eddine Aljem, Julianne Moore, Kyle MacLachlan, Marthe Keller Alba Rohrwacher, Dan Krauss, 5B, AIDS, Film, Fashion
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A still from ‘The Man Who Surprised Everyone’ by Natalya Merkulova and Alexey Chupov

A still from ‘The Man Who Surprised Everyone’ by Natalya Merkulova and Alexey Chupov

The Venice Diaries: 'The Man Who Surprised Everyone' is the antidote to intolerance

E. Nina Rothe September 11, 2018

How would you cope with being told you have a terminal illness?

That is a question I’ve asked myself often these days, as I deal with people I love getting ill and the recent death of my father. Where do you find the strength to go on, when you know the days are numbered and how do you continue to be a functioning member of society when probably all you wish to do is go into the woods and hide?

Well, in Natalya Merkulova’s and Alexey Chupov’s haunting, beautiful and at times painfully truthful film ‘The Man Who Surprised Everyone’ which screened in the Orizzonti section in Venice, the real life husband and wife team tackle the difficult question.

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In Cinema, Festival, Interviews, The Diaries Tags Natalya Merkulova Alexey Chupov, Natalya Merkulova, Alexey Chupov, The Man Who Surprised Everyone, Natalya Kudryashova, Orizzonti, Best Actress award, Venezia 75, La Biennale di Venezia, Venice Film Festival, Russian cinema, Russia, Moscow, Siberia, Evgeniy Tsiganov, Shaman, Magic, Yuriy Kuznetsov
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A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

The Venice Diaries: The mixtape of Venezia 75 is an homage to creativity's soundtrack

E. Nina Rothe September 10, 2018

This year's Venice Film Festival seemed to carry a special soundtrack, like a mixtape of our collective thoughts and hopes and wishes. For a future where we are finally able to learn from our past and stop thinking that our opinions count individually. For a world where we will discover, finally, a middle ground in shades of grey, instead of living everything in either black or white.

Here is my Venezia 75 Mixtape. 

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In The Diaries, Festival, Cinema Tags Roma, Alfonso Cuaron, Venezia 75, Venice Film Festival, La Biennale di Venezia, Golden Lion, Netflix, A Tramway in Jerusalem, Amos Gitai, Voyage en Palestine, Gustave Flaubert, Israel, Palestine, Palestinian rapper, I don't know how to love him, Andrew Lloyd Webber, Jesus Christ Superstar, What You Gonna Do When the World's On Fire?, Roberto Minervini, Chief Kevin and the Mardi Gras Indian, Somebody Gotta Sew, spirituals, A Star is Born, Bradley Cooper, Lady Gaga, Shallow, SIA, Spotify, Natalie Portman, Vox Lux, Brady Corbet, Willem Dafoe, The Greatest, C'est ça l'amour, Claire Burger, Venice Days, Giornate degli Autori, Paolo Conte, Sparring Partner, film, music, mixtape
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Sawsan Arsheed in a still from Soudade Kaadan's 'The Day I Lost My Shadow' 

Sawsan Arsheed in a still from Soudade Kaadan's 'The Day I Lost My Shadow' 

The Venice Diaries: Lion of the Future winner Soudade Kaadan's 'The Day I Lost My Shadow'

E. Nina Rothe September 9, 2018

'The Day I Lost My Shadow' by Soudade Kaadan won the Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film Jury at the 75th Venice Film Festival. It's a win to be celebrated for all women filmmakers, of course, but also for Syrian filmmakers who, since the start of the war in 2011 have all but disappeared. Scattered around foreign lands, their voices and visions have become the true casualties of this conflict. 

In her film, which world premiered at the festival in the Orizzonti section, Kaadan uses the metaphor of personal shadows as a way to show how the war strips people of their humanity and hope. When Sana, played by the beautiful Sawsan Arsheed, goes out looking for a gas canister so she can cook for her son, she is pulled into a three day nightmare that eventually ends the way everything ends in Syria... I'll leave that to your imagination and perhaps your first viewing of the film. 

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In Cinema, Festival, Interviews, The Diaries Tags The Day I Lost My Shadow, Soudade Kaadan, Amira Kaadan, Lion of the Future, Venice 75, Venice Film Festival, La Biennale di Venezia, Syria, Lebanon, Doha Film Institute, SANAD, Abu Dhabi, Damascus, Orizzonti, Sawsan Arsheed, Debut Film Jury, Luigi de Laurentiis
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Bouli Lanners, flanked by Justine Lacroix, right and Sarah Henochsberg in Claire Burger's 'C'est ça l'amour'  

Bouli Lanners, flanked by Justine Lacroix, right and Sarah Henochsberg in Claire Burger's 'C'est ça l'amour'  

The Venice Diaries: Giornate degli Autori winner Claire Burger on her film 'C’est ça l’amour' (Real Love)

E. Nina Rothe September 8, 2018

Think back to the last time a film redefined love for you. That felt like a magical discovery then, didn't it? For me, cinema exists at its best when it does something that changes me -- and of course I want that change to be for the better.

In Claire Burger's touching follow up to her Cannes Camera d'Or winner 'Party Girl' -- which she co-directed with Marie Amachoukeli and Samuel Theis -- I found a new fatherhood role model. For a woman whose own father was at best unavailable throughout my teenage years and beyond, Burger's wondrous father figure Mario (played by the spellbinding Bouli Lanners) is a revelation and offers a sense of newfound hope. His quest to be a good father to the young Frida (the perfectly rebellious Justine Lacroix) and the teenage Kiki (cool and flirty Sarah Henochsberg) takes the audience on a journey of discovery along with the characters. 

But 'C'est ça l'amour' is a multilayered film and so it's no surprise that, among quite a few strong and beautiful stories featured in this year's Giornate degli Autori line up, Burger's film ended up walking away with the top prize -- the GdA Director's Award.

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In Cinema, Festival, Interviews, The Diaries Tags Claire Burger, C'est ça l'amour, Real Love, Venice Days, Venice Film Festival, La Biennale di Venezia, Giornate degli Autori, Cannes Film Festival, Camera d'Or, Bouli Lanners, Sarah Henochsberg, Justine Lacroix, Jonas Carpignano, GDA Director's Award, European Union, Karel Och, Karlovy Vary Film Festival
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JOY-Photo11.jpg

The Venice Diaries: Sudabeh Mortezai's 'Joy' wins multiple awards, and conquers hearts, in Venice

E. Nina Rothe September 7, 2018

As we watch our nightly dose of immigration porn fed to us by the local news channels, particularly those of us who live in Europe we see row after row of young men stepping off boats and assorted vessels. We could be mistaken into thinking that they left their women safe at home, in their country of origin, the wives and girlfriends and mothers awaiting their return, as well as their paycheck. That's so far from the truth and if you ever held such a wrong opinion, 'Joy' by Sudabeh Mortezai will set you straight. 

In her beautifully shot and perfectly told film premiering in the Giornate degli Autori, Venice Days sidebar at the Venice Film Festival, Mortezai shows us the complex network of Nigerian women who virtually invisibly inhabit our European streets. 'Joy' is as much about the oldest profession in the world, the prostitution networks these women get sucked into and then, once they have paid off their debts, also manage and run in Europe, as it is about womanhood itself. We follow the story of these young women from the juju ritual they are subjected to at home, in Benin City Nigeria, to the streets of Vienna where they owe their traffickers the kind of money one wouldn't spend traveling around the world for a year and staying at the best hotels. 

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In Cinema, Festival, Interviews, The Diaries Tags Precious Mariam Sanusi, Joy, Sudabeh Mortezai, Joy Anwulika Alphonsus, Venice Days, Giornate degli Autori, Hearst Film Award 2018 for Best Female Direction, Europa Cinema Label Award, Label Europa Cinema prize, Nigeria, prostitution, Benin City, Human trafficking, Venice 75, Venice Film Festival, La Biennale di Venezia, Iran, Austria, Vienna, Klemens Hufnagl
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