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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Bouli Lanners, flanked by Justine Lacroix, right and Sarah Henochsberg in Claire Burger's 'C'est ça l'amour'  

Bouli Lanners, flanked by Justine Lacroix, right and Sarah Henochsberg in Claire Burger's 'C'est ça l'amour'  

The Venice Diaries: Giornate degli Autori winner Claire Burger on her film 'C’est ça l’amour' (Real Love)

E. Nina Rothe September 8, 2018

Think back to the last time a film redefined love for you. That felt like a magical discovery then, didn't it? For me, cinema exists at its best when it does something that changes me -- and of course I want that change to be for the better.

In Claire Burger's touching follow up to her Cannes Camera d'Or winner 'Party Girl' -- which she co-directed with Marie Amachoukeli and Samuel Theis -- I found a new fatherhood role model. For a woman whose own father was at best unavailable throughout my teenage years and beyond, Burger's wondrous father figure Mario (played by the spellbinding Bouli Lanners) is a revelation and offers a sense of newfound hope. His quest to be a good father to the young Frida (the perfectly rebellious Justine Lacroix) and the teenage Kiki (cool and flirty Sarah Henochsberg) takes the audience on a journey of discovery along with the characters. 

But 'C'est ça l'amour' is a multilayered film and so it's no surprise that, among quite a few strong and beautiful stories featured in this year's Giornate degli Autori line up, Burger's film ended up walking away with the top prize -- the GdA Director's Award.

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In Cinema, Festival, Interviews, The Diaries Tags Claire Burger, C'est ça l'amour, Real Love, Venice Days, Venice Film Festival, La Biennale di Venezia, Giornate degli Autori, Cannes Film Festival, Camera d'Or, Bouli Lanners, Sarah Henochsberg, Justine Lacroix, Jonas Carpignano, GDA Director's Award, European Union, Karel Och, Karlovy Vary Film Festival
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