And honestly, from the DFI, I would expect nothing less!
Read MoreA still from ‘Once Upon a Time in Gaza’ by Tarzan and Arab Nasser, courtesy of DFI
A still from ‘Once Upon a Time in Gaza’ by Tarzan and Arab Nasser, courtesy of DFI
And honestly, from the DFI, I would expect nothing less!
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Tunisian Oscar nominated filmmaker Kaouther Ben Hania’s Venice Silver Lion winner is “a moving tribute to resilience and the power of cinema”.
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A still from Annemarie Jacir’s ‘Palestine 36’ courtesy of Philistine Films
The festival will open with Rian Johnson’s ‘Wake Up Dead Man: A Knives Out Mystery’ and close with Julia Jackman’s 100 Nights of Hero’. In between, masterpieces of cinema will rule over Old Foggy for nearly two weeks.
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A still from ‘A House of Dynamite’ by Kathryn Bigelow
From the MENA to the USA, there may not be so so many titles directed by women at the festival. But what is programmed is simply the best.
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Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!
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The Qumra class of 2024, captured in the courtyard of the Museum of Islamic Art
And no, I’m not talking about the bustling Souq Waqif on the eve of Ramadan!
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Mariëtte Rissenbeek and Carlo Chatrian announcing this year’s Competition & Encounters line up on Monday
While many of us may be concentrating on the awards announcements, the Berlin Film Festival reminds us where it all starts from, and why these worldwide events are so important. Dare I say, more than the awards…
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