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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from ‘When the Tiles Spoke’ by Soudade Kaadan, used with permission

'When the Tiles Spoke': Soudade Kaadan's latest short screens as part of Leighton House centenary in London

E. Nina Rothe March 20, 2026

What happens after dark in a museum? The award winning Syrian filmmaker, and personal favorite, answers that question her own way, in a film that is all magical realism with a touch of hybrid documentary thrown in.

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In Art, Cinema Tags Soudade Kaadan, When the Tiles Spoke, Leighton House, Arab Hall, colonialism, Mia Bays, BFI Filmmaking Fund, Damascus, Syria, Daniel Robbins, Rob Manning, Khalid Abdalla, Souad Faress, Leem Lubany, Ayse Unal, Dr Melanie Gibson, Spain, Turkey, Italy, Egypt
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A still from ‘The Reserve’ by Pablo Pérez Lombardini courtesy of © Pikila

World cinema projects from Mexico's 'The Reserve' to Spain's 'Sleepless City' and Japan's ‘Renoir’ in Competition at inaugural Doha Film Festival

E. Nina Rothe October 12, 2025

Doha Film Festival will showcase a remarkable selection of acclaimed titles from across the world as part of its International Feature Film Competition, reflecting the festival’s commitment to cinematic excellence and cultural diversity, bringing together powerful stories that resonate across borders.

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In Cinema, Festival Tags Doha Film Institute, Doha Film Festival, Qatar, Mexico, Japan, Spain, International Feature Film Competition, Guillermo García López, Sleepless City, Madrid, The Resever, The Reserve, Pablo Pérez Lombardini, Renoir, Chie Hayakawa, Tokyo, Belgium, The Last Shore, Jean-Francois Ravagnan, Pateh Sabally, Venice, Ali Asgari, Divine Comedy, Iran, Fatma Hassan Alremaihi, Katara Cultural Village, Msheireb Downtown Doha, Museum of Islamic Art
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A still from ‘Kill the Jockey’ by Luis Ortega, photo courtesy of the LSFF

The London Spanish Film Festival is coming in September, ¡Olé!

E. Nina Rothe August 13, 2025

With a selection that boasts cinema from Spain, but also co-productions with France, Portugal, Argentina and Italy, this year’s program looks phenomenal. And yours truly is going to be on their Competition Jury for 2025, choosing with my esteemed colleagues our favorites, out of a stellar lineup.

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In Cinema, Festival Tags London Spanish Film Festival, Jury member, London, Fashion & Cinema, Spain, Joana Granero, Antes de Nós, Angeles Huerta, Riverside Studios, Ciné Lumière, The Sleeper El Caravaggio Perdido, Alvaro Longoria, Xoan Fórneas, National Gallery, Morlaix, Jaime Rosales, El Jockey, Kill the Jockey, Luis Ortega, Argentinian entry to the Best International Feature Film, Academy Awards, Carlos Saura, Geraldine Chaplin, Marisa Paredes, Carlos Areces, Javier Bardem, Victoria Abril
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Cannes' sidebars -- Critics' Week, Directors' Fortnight and ACID selections announced

E. Nina Rothe April 15, 2025

Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!

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In Cinema, Festival Tags Critics week, Cannes Film Festival, festival de Cannes, Quinzaine de Cineastes, Directors' Fortnight, ACID, Cannes, Harmony Korine, The President’s Cake, Hasan Hadi, Leah Chen Baker, Qumra, DFI, Doha Film Institute, Barry Jenkins, Dangerous Animals, Sean Byrne, Kokuho, Lee Sang-il, Eva Victor, Sorry Baby, Daniel Kaluuya, Guillermo Galoe, Sleepless City, Ciudad Sin Sueño, Spain, Iraq, Madrid, Kaouther Ben Hania, Sylvain George, Life After Siham, Namir Abdel Messeeh, Put Your Soul on Your Hand and Walk, Sepideh Farsi
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Gems by Almodóvar, Tony Gatlif and Paz Vega to screen during upcoming London Spanish Film Festival Spring Weekend

E. Nina Rothe March 13, 2025

Now in its 14th edition, the couture festival will also feature the latest film by veteran filmmaker David Trueba and Enrique Buelo’s debut feature, along with two homages dedicated to personalities of Spanish cinema.

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In Cinema, Festival, The Diaries Tags London Spanish Film Festival, Fashion & Cinema, Pedro Almodóvar, Marisa Paredes, The Flower of My Secret, Rossy de Palma, Chus Lampreave, Imanol Arias, Prof. Maria Delgado, Vengo, Tony Gatlif, Antonio Canales, Flamenco, Antonio Dechent, Orestes Villasán Rodríguez, José Ramírez “El Cheli”, Bobote, Juan Luis Corrientes, David Trueba, Spain, San Sebastian Film Festival, The Good Man, Jorge Sanz, Vito Sanz, Macarena Sanz, Aia Pérez, Mallorca, Paz Vega, Rita, Sofia Allepuz, Alejandro Escamilla, Roberto Álamo, Amanda Santos, Arantxa Echevarría, Undercover, Goya Awards, Aranzazu Berradre Marín, ETA, Cine Lumiere, Institut Français
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Qumra 2025 projects include an outlaw Bedouin bandit couple adventure and a Palestinian dystopian sci-fi thriller

E. Nina Rothe March 6, 2025

Also included in the extensive line up of projects participating in the upcoming industry incubator organized by the Doha Film Institute is the follow up by Algerian helmers Damien Ounouri and Adila Bendimerad to their award winning epic ‘The Last Queen’, as well as Suzannah Mirghani’s highly anticipated feature debut ‘Cotton Queen’.

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In Cinema, The Diaries Tags Qumra 2025, Doha Film Institute, DFI, Damien Ounouri and Adila Bendimerad, Suzannah Mirghani, Cotton Queen, Qatar, Sofia Djama, Quarter to Thursday, Larissa Sansour, Palestine, Algeria, In Memory of Times to Come, Tunisia, Erige Sehiri, Marie & Jolie, The Joyful 1926, Speak Image Speak, Pary El-Qalqili, 1972 Munich Olympics, Sari & Amira, A.J. Al-Thani, Wadi Sakheema, Flower of the Sand, Morocco, Jaouad Babili, Sudan, Atlas Workshops, The President's Cake, Iraq, Hasan Hadi, Saddam Hussein, Souraya Mon Amour, Nicolas Khoury, Souraya Baghdadi, Maroun Baghdadi, Lebanon, Fatma Hassan Alremaihi, The Pearl, Noor Al-Nasr, In the Name of Safia, Safia Kessas, Love 45, Anas Khalaf, Sound of Silence, Joyce A. Nashawati, Syria, The Fin, South Korea, Syeyoung Park, The Reserve, Mexico, Pablo Pérez Lombardini, Roqia, Yanis Koussim, Sleepless City, Spain, Guillermo García López, Fatna a Woman Named Rachid, Hélène Harder, Mother of Silence, Zahraa Ghandour, Once Upon a Time in Shiraz, Iran, Hamed Zolfaghari, The Day of Wrath: Tales from Tripoli, Rania Rafei, Jodari Meno, Dr. Jamal Rashid Al-Khanji, Al-Michelin, Abdul-Rahman Sakr, Jordan, Dirty Hands, Georges Hazim and Maya Dagher, Task Force: Apocalypse!, Dana J. Atrach and Anne Sobel, El’Sardines, Zoulikha Tahar, Villa 187, Eiman Mirghani
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A still from ‘Rosso: a true lie about a fisherman’ by Antonio Messana

A still from ‘Rosso: a true lie about a fisherman’ by Antonio Messana

Watching the short end: The Ca 'Foscari Short Film Festival is the other Venice film festival

E. Nina Rothe March 18, 2019

Most directors whose features you are watching in cinemas today started out making short films. It’s a fact that short narratives and documentaries are the stuff future filmmaker build their craft on and the Ca 'Foscari Short Film Festival recognizes that through and through. In their press release for the upcoming ninth edition of the event, which will run from March 20th to the 23rd, the following statement made me realize just how much they believe in the learning power of the ‘Short”.

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In Cinema, Festival, The Diaries Tags Ca 'Foscari Short Film Festval, Venice Short film festival, Giorgio Carpinteri, M9 Museo del Novecento, Mestre, Auditorium Santa Margherita, Clandestine, Gerard Vidal-Cortes, Rosso: a true lie about a fisherman, Antonio Messana, Dorado Bramucci, Nooh, Raheel, Ayat Asadi Rahbar, Iran, Afghanistan, Italy, Spain, Saszka, Katarzyna Lesisz, Ukraine, Poland, People Talk, Grzegorz Paprzyck, Roma children, Teresa Cavina, Ayat Najafi, Berlin, Estonia, Ülo Pikkov, Tarzan and Arab Nasser, Condom Lead, Nothing Has Ever Happened Here, Tik-Tak, Letting Go, Ugo and Olga Levi Foundation, Roberto Calabretto, Massimo Contiero, Daniele Furlati, Luisa Zanoncelli, Murano glass award, Alessandro Mandruzzato
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