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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

A still from ‘The Reserve’ by Pablo Pérez Lombardini courtesy of © Pikila

World cinema projects from Mexico's 'The Reserve' to Spain's 'Sleepless City' and Japan's ‘Renoir’ in Competition at inaugural Doha Film Festival

E. Nina Rothe October 12, 2025

Doha Film Festival will showcase a remarkable selection of acclaimed titles from across the world as part of its International Feature Film Competition, reflecting the festival’s commitment to cinematic excellence and cultural diversity, bringing together powerful stories that resonate across borders.

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In Cinema, Festival Tags Doha Film Institute, Doha Film Festival, Qatar, Mexico, Japan, Spain, International Feature Film Competition, Guillermo García López, Sleepless City, Madrid, The Resever, The Reserve, Pablo Pérez Lombardini, Renoir, Chie Hayakawa, Tokyo, Belgium, The Last Shore, Jean-Francois Ravagnan, Pateh Sabally, Venice, Ali Asgari, Divine Comedy, Iran, Fatma Hassan Alremaihi, Katara Cultural Village, Msheireb Downtown Doha, Museum of Islamic Art
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Cannes' sidebars -- Critics' Week, Directors' Fortnight and ACID selections announced

E. Nina Rothe April 15, 2025

Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!

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In Cinema, Festival Tags Critics week, Cannes Film Festival, festival de Cannes, Quinzaine de Cineastes, Directors' Fortnight, ACID, Cannes, Harmony Korine, The President’s Cake, Hasan Hadi, Leah Chen Baker, Qumra, DFI, Doha Film Institute, Barry Jenkins, Dangerous Animals, Sean Byrne, Kokuho, Lee Sang-il, Eva Victor, Sorry Baby, Daniel Kaluuya, Guillermo Galoe, Sleepless City, Ciudad Sin Sueño, Spain, Iraq, Madrid, Kaouther Ben Hania, Sylvain George, Life After Siham, Namir Abdel Messeeh, Put Your Soul on Your Hand and Walk, Sepideh Farsi
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