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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

The Qumra class of 2024, captured in the courtyard of the Museum of Islamic Art

The Qumra Diaries: the good, the bad and the overcrowded

E. Nina Rothe March 8, 2024

And no, I’m not talking about the bustling Souq Waqif on the eve of Ramadan!

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In Cinema, Festival, The Diaries Tags Qumra, Doha Film Institute, Qatar, Doha, Souq Waqif, Qatar Airways, Museum of Islamic Art, Damasca, Fiko, Msheireb Downtown Doha, National Museum of Qatar, Alain Ducasse Jiwan, Qatari cuisine, Desert Rose, Profiles Doha, Intaj 2023 exhibition, Youssef Chahine, Mohamed Malas, Kaouther Ben Hania, Soudade Kaadan, Ramadan, Mohammad malas
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
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Traveling through the desert in Doha

The Qumra Diaries: The life lessons learned and great persons met, thanks to the Doha Film Institute

E. Nina Rothe March 19, 2018

As of my very first steps at this year's Qumra, around the Souq Waqif, spent inside the Date Market fair and eating a bowl of fragrant Moroccan fava bean soup at a nearby restaurant, to my very last moments wandering inside the Hamad International Airport drinking an espresso with a fellow journalist, Doha gave me the very best she has to offer. And that's pretty darn sensational in a country that can count culture, fashion and heritage at the top of its list of priorities.

From the brand new, still partly in construction National Museum of Qatar rising out of the sands, and shaped like a Desert Rose, the crystallized rock that is formed when lighting hits the dunes, to the institution of the Museum of Islamic Art, where most of the Qumra events and masterclasses are held, to the leisurely, harass-free environment of the Souq itself, I felt like I was being coddled in a cocoon of culture and learning, one that would definitely remain with me for months to come. 

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In The Diaries, Cinema, Fashion Tags Qumra, Doha Film Institute, desert, Desert Rose, Tilda Swinton, Gianfranco Rosi, Bennett Miller, Apichatpong Weerasethakul, Sandy Powell OBE, Qatar, Doha, Souq Waqif, Richard Pena, Gangs of New York, Shakespeare in Love, Velvet Goldmine, documentaries, Cannes Film Festival, Festival de Cannes, date festival, date market doha, Outlaid Mouaness\, 1982, Lebanon, The Rifle The Jackal The Wolf and the Boy, Dominga Sotomayor, The Village, Late to Die Young, South America, Chile, Santiago, Toronto International Film Festival, Cameron Bailey, Wong Kar-wai, Kenneth Branagh, Hercule Poirot, The Atlantic, Elijah Wolfson, Notturno, hondros, Greg Campbell, Chris Hondros, photojournalism
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Tilda Swinton and Cameron Bailey

Tilda Swinton and Cameron Bailey

The Qumra Diaries: Tilda Swinton, the Museum of Islamic Art and to Doha, with love

E. Nina Rothe March 10, 2018

From the moment I boarded the Qatar Airways plane in Fiumicino, I realized I was being transported somewhere special. I also knew my journey, as both a film writer and a human being, would be a life changing one.

To begin with, the airline offers Karak chai -- a milky tea infused with cardamom or saffron to taste -- and a choice of films that included 'Murder on the Orient Express', the new version by Kenneth Branagh. Not what I would have gone to the movies to watch it but at 30 thousand feet, flying over lands and bodies of water I'll probably never set foot on or swim through, cup of fragrant tea in hand one's taste adjusts. And I even found myself crying through some of Branagh's Hercule Poirot moments. 

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In Cinema, The Diaries Tags Qumra, Doha Film Institute, Doha, Qatar, Qatar Airways, Museum of Islamic Art, Souq Waqif, cinema, Arab Cinema, Murder on the Orient Express, Kenneth Branagh, karak chai, Hercule Poirot, tea, date festival, I. M. Pei, Qatari Film Fund, TIFF, Toronto International Film Festival, Cameron Bailey, Elia Suleiman, Apichatpong Weerasethakul, Gianfranco Rosi, Fatma Al Remaihi, Oscar's best dressed list, Jio MAMI, Mumbai Film Festival, Smriti Kiran, masterclasses
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