George Clooney in ‘Jay Kelly’ by Noah Baumbach, photo courtesy of Netflix
Among the highlights of the first few days of the Venice International Film Festival, a first appearance on the Lido by Julia Roberts and some well-deserved recognition for Fatma Hassan Alremaihi, the wondrous CEO of the Doha Film Institute.
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Director Paolo Sorrentino meets his fans on the red carpet of La Biennale di Venezia, photo by © Jacopo Salvi, ASAC
Love in all its forms, from messy to romantic, is at the core of Sorrentino’s profound film ‘La Grazia’, his most awardable since ‘La Grande Bellezza’, and at the Opening Ceremony of this year’s La Biennale, it proved an emotional affair.
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Granted, it wouldn’t be a film festival if some sort of polemic didn’t arise and this year’s 81st Venice International Film Festival will probably go down in history as the beginning of the end for independent film journalism. Here’s why.
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A still from ‘Aïcha’ by Mehdi Barsaoui, courtesy of The Party Film Sales
This year there are 12 Doha Film Institute supported films in the lineup on the Lido, plus the DFI is hosting a special afternoon and even a gala dinner celebrating their achievements in the world of cinema and art.
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A still from Tan Chui Mui’s film, courtesy of the Prada Group
A yearly appointment at the Venice Film Festival, fashion brand Miu Miu, also a Creative Partner of Giornate degli Autori, has once again sponsored two women filmmakers in the creation of a short film each, about women and their world; the shorts will screened during the upcoming festival, with their directors and casts in attendance.
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A still from the film, courtesy of Warner Bros. Pictures
The film features Michael Keaton, Winona Ryder, Catherine O’Hara, Justin Theroux, Monica Bellucci, with Jenna Ortega, and Willem Dafoe and will be screened on the 28th of August in the Sala Grande.
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The films — hailing from 11 countries with 11 helmed by women filmmakers — include the highly anticipated ‘Motherhood’ by Meryam Joobeur, Tunisian filmmaker Ala Eddine Slim’s next project, and Erige Sehiri’s follow up to her critically acclaimed ‘Under the Fig Trees’.
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Photo courtesy of La Biennale di Venezia
Clearly it was a man’s world last night in Venice, as the winners of the Film Festival were announced. Including a very masculine take on being a woman, which snatched the coveted Golden Lion.
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