A still from Tan Chui Mui’s film, courtesy of the Prada Group
A yearly appointment at the Venice Film Festival, fashion brand Miu Miu, also a Creative Partner of Giornate degli Autori, has once again sponsored two women filmmakers in the creation of a short film each, about women and their world; the shorts will screened during the upcoming festival, with their directors and casts in attendance.
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Milán Csordás in a still from 'Genesis'
Photo © Genesis Production
There are several films this year at the Berlinale that explore the theme of family. Or rather, set out to redefine it. In 'Daughter of Mine', Laura Bispuri asks, cinematically, just who our mother is -- the woman who physically brings us into this world, or the person who rears us? For most of us they are both within one person, but in rare cases, it's not.
Also present during this 68th edition of the Berlin Film Festival is a sub current of childhood, attempting to view this chaotic, pretty damn ugly world of ours at the moment through a child's eye view. Wes Anderson kicked that off in style with the opening film 'Isle of Dogs' and now I keep finding myself looking at what I watch from his "I don't want to grow up" POV.
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COURTESY OF THE VENICE FILM FESTIVAL
A still from Lucrecia Martel’s ‘Zama’
While my first 36 hours at the Venice Film Festival were filled with impossible sunshine and balmy heat, with the morning’s thunderstorms came both barometric relief but also some much needed introspection. I found myself in a deep, thoughtful place thanks to a beautiful meeting with Argentinian filmmaker Lucrecia Martel and a morning screening of Netflix’s ‘Our Souls at Night’.
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