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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

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Following the Dubai International Film Festival, Where Does Arabwood Go Now?

E. Nina Rothe February 6, 2018

“Are you ready for us to make history again?!”

As I stepped into one of the magnificent Majlis — literally translating as a “place of sitting” from the Arabic — a meeting room inside the Madinat Jumeirah complex to catch up with the Chairman of the Dubai International Film Festival, Abdulhamid Juma uttered those words. I was taken aback for a moment and then I remembered that throughout the six years I’ve attended DIFF, I’ve sat down with him and together, we’ve come up with some of best questions about Arab cinema, its place in the world and its importance in dispelling stereotypes and breaking down walls. 

This year, I came to DIFF with a heavy heart and I leave it still wondering if all the efforts — personal and collective have been worth it. We’ve witnessed how easily the mighty of the film stratosphere can be taken down in Hollywood when no longer of use to their business partners, destroying careers that should be looked at with respect, regardless of these men’s questionable behavior. We seem to have forgotten that “the casting couch” is a term as old as the movies themselves. Now we just “throw out the baby with the bathwater” as the old saying goes...

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In Cinema, Festival, Interviews, The Diaries Tags DIFF17, Dubai International Film Festival, Dubai, Arabwood, Abdulhamid Juma, Arab cinema, Cate Blanchett, Sofia Coppola, Greta Gerwig, Wajib, Annemarie Jacir, Mohammad Bakri, HH Sheikh Mansoor bin Mohammed bin Rashid Al Maktoum, Muhr Awards, Palestine, Elia Suleiman, Hany Abu Assad, President Obama, Sanjay Leela Bhansali, Oscars, Saudi Arabia, Haifaa Al Mansour, IWC Filmmaker Award, Saad Hariri, Masoud Amralla Al Ali, Shivani Pandya, women filmmakers, women film journalist, Dubai Film Market, women journalists
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