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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Alain Delon, photo courtesy of the Festival de Cannes

Alain Delon, photo courtesy of the Festival de Cannes

Cannes Film Festival announces Competition, Un Certain Regard titles and an honorary Palme d'or to Alain Delon

E. Nina Rothe April 18, 2019

As a young girl, I remember watching anything that had Alain Delon in it. I had a super crush on him and, lucky me, no film of his was deemed inappropriate by my parents. So along with Luchino Visconti’s ‘The Leopard’ and ‘Rocco and his Brothers’, I also caught Delon in films like ‘The Swimming Pool’, ‘Zorro’ and yes, even ‘The Concorde… Airport ‘79’. In fact, from the latter I required that a friend of the family who knew how to knit make me a royal blue crew neck wool sweater that looked just like his. I would find you a photo but I would have to watch that entire film all over again and well, I’ve moved on from my pre-pubescent crush. And my taste in film has highly improved.

But Alain Delon remains the fascinating man, the sultry sex symbol that could even steal women away from Mick Jagger. And this year’s he’s the Festival de Cannes honorary Palme d’Or recipient. Kudos to the festival for finally getting the reclusive actor to accept their coveted lifetime award.

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In Cinema, Festival, The Diaries Tags Cannes Film Festival, Festival de Cannes, Cannes, Competition, Un Certain Regard, Werner Herzog, Diego Maradona, Asif Kapadia, Alain Delon, Elia Suleiman, Doha Film Institute, Abel Ferrara, Nicolas Winding Refn, Claude Lelouch, Maryan Touzani, Mounia Meddour, Bruno Dumont, Karim Ainouz, Papicha, Ira Sachs, Terrence Malick, Ken Loach, Xavier Dolan, Mati Diop, Atlantique, Arnaud Desplechin, Bong Joon-ho, Marco Bellocchio, Pedro Almadovar, Pain and Glory, Parasite, Young Ahmed, Dardenne Brothers
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Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

The last of the Cannes Diaries 2018: When all else fails, you can find me at the movies

E. Nina Rothe May 28, 2018

It was the best of times, it was the worst of times. Actually, this edition of the Festival de Cannes turned out to be a missed opportunity, for media and juries alike to truly take charge of the #TimesUp movement and make of it a lasting course instead of a passing trend. Yes, there were stairs filled with women in pretty dresses, there were hotlines that we could call if we felt threatened or harassed, but ultimately the big prizes went to the big boys. As they have for every edition of the festival, except once, in 1993 when Jane Campion made history as the first and only woman to win the Palme d’Or. 

Yet personally, I loved Cannes more than ever this year. I had a soft place to fall, in the form of a wonderful group of friends I spent my free time with, eating dinners we cooked together and drinking our morning coffee back at our cozy apartment with one breathtaking view. I mean, just look at the Disney fireworks for 'SOLO: A Star Wars Story' display from our terrace!

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In Cinema, Festival, The Diaries Tags Cannes, Festival de cannes, Cannes Film Festival, Jane Campion, TimesUp, Palme d'Or, SOLO: A Star Wars Story, Nadine Labaki, DPA gift lounge, Nathalie Dubois Sissoko, Nandita Das, The National, Capharnaum, caramel, refugees, Amir Naderi, selfies, Asghar Farhadi, Marriott Hotel, Carlton Hotel, Jafar Panahi, 3 Faces, Iranian cinema, Arab cinema, Iran, Abu Dhabi Film Festival, Dubai International Film Festival, UAE Pavilion, DIFF, CNN, Inside the Middle East, Saudi Arabia, Italian cinema, Italy, Marco Bellocchio, Gianni Zanasi, La Lotta, Troppa Grazia, Lucia's Grace, Alba Rohrwacher, La Strada dei Samouni, Stefano Savona, Euforia, Valeria Golino, Dogman, Matteo Garrone, Alice Rohrwacher, Happy as Lazzaro, Lazzaro Felice, Italian politics
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