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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

A still from ‘Maria’ by Jessica Palud

Cannes adds more titles, include Jessica Palud's 'Maria' and unveils jury for Un Certain Regard

E. Nina Rothe April 25, 2024

Plus, their selection of short films from all over the world and an immersive program which includes fantastic works featuring the voices of Cate Blanchett, Indira Varma, Tahar Rahim and Colin Farrell.

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In Cinema, Festival, The Diaries Tags festival de Cannes, Cannes Film Festival, Un Certain Regard, Xavier Dolan, Lubna Azabal, Short Films, Jessica Palud's Maria, Matt Dillon, Giuseppe Maggio, Annamaria Vartolomei, Cate Blanchett, Indira Varma, Tahar Rahim, Maria Schneider, Bernardo Bertolucci, Last Tango in Paris, Marlon Brando, Rúnar Rúnarsson, When the Light Breaks, Arnaud Desplechin, Spectateurs, Lula, Oliver Stone, Michel Hazanavicius, The Most Precious of Cargoes, La Plus Précieuse des marchandises, Gerard Depardieu, Jean-Louis Trintignant, The Seed of the Sacred Fig, Iran, Mohammad Rasoulof, Immersive Competition, Claire Bardainne, Adrien Mondot, En Amour, Laurent Bardainne, November Ultra, Evolver, Barnaby Steel, Ersin Han Ersin, Robin McNicholas, Maya: the Birth of a Superhero, Poulomi Basu, CJ Clarke, Kathy Packianathan, Charithra Chandran, Florrie Antoniou, Gloomy Eyes, Fernando Maldonado, Jorge Tereso, Max Riemelt, Jorge Drexler, Jam Hsiao, Eliza McNitt, Spheres, Jessica Chastain, Millie Bobby Brown, Patti Smith, Marie-Castille Mention-Schaar, Paolo Moretti, Claudine Nougaret, Vladimir Perišić, La Cinef, Azerbaijan, Brazil, Canada, China, Croatia, France, Kosovo, Lithuania, Portugal, USA, Singapore, Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, Todd McCarthy
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Alain Delon, photo courtesy of the Festival de Cannes

Alain Delon, photo courtesy of the Festival de Cannes

Cannes Film Festival announces Competition, Un Certain Regard titles and an honorary Palme d'or to Alain Delon

E. Nina Rothe April 18, 2019

As a young girl, I remember watching anything that had Alain Delon in it. I had a super crush on him and, lucky me, no film of his was deemed inappropriate by my parents. So along with Luchino Visconti’s ‘The Leopard’ and ‘Rocco and his Brothers’, I also caught Delon in films like ‘The Swimming Pool’, ‘Zorro’ and yes, even ‘The Concorde… Airport ‘79’. In fact, from the latter I required that a friend of the family who knew how to knit make me a royal blue crew neck wool sweater that looked just like his. I would find you a photo but I would have to watch that entire film all over again and well, I’ve moved on from my pre-pubescent crush. And my taste in film has highly improved.

But Alain Delon remains the fascinating man, the sultry sex symbol that could even steal women away from Mick Jagger. And this year’s he’s the Festival de Cannes honorary Palme d’Or recipient. Kudos to the festival for finally getting the reclusive actor to accept their coveted lifetime award.

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In Cinema, Festival, The Diaries Tags Cannes Film Festival, Festival de Cannes, Cannes, Competition, Un Certain Regard, Werner Herzog, Diego Maradona, Asif Kapadia, Alain Delon, Elia Suleiman, Doha Film Institute, Abel Ferrara, Nicolas Winding Refn, Claude Lelouch, Maryan Touzani, Mounia Meddour, Bruno Dumont, Karim Ainouz, Papicha, Ira Sachs, Terrence Malick, Ken Loach, Xavier Dolan, Mati Diop, Atlantique, Arnaud Desplechin, Bong Joon-ho, Marco Bellocchio, Pedro Almadovar, Pain and Glory, Parasite, Young Ahmed, Dardenne Brothers
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