At a festival where everyone was told to avoid political statements, the juries made their views loud and clear by choosing films to award with their activists caps on.
Read MoreJafar Panahi, after his Palme d’Or win for It Was Just an Accident
Jafar Panahi, after his Palme d’Or win for It Was Just an Accident
At a festival where everyone was told to avoid political statements, the juries made their views loud and clear by choosing films to award with their activists caps on.
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The announcement of the Film Fund at the Palestinian Pavilion in Cannes, photo © Hamza Hamida
While the festival’s official stance may have been to avoid controversy and politics at all cost, or at the cost of the Palestinian people, there were a few cinematic organizations doing right by them on the Croisette. And the presence of a Palestinian Pavilion in the Marché du Film, with their just-announced Film Fund, brought well-deserved attention to their cause.
Read MoreA still featuring Noel Sto. Domingo from Lav Diaz' 'Season of the Devil'
Photo © Giovanni D. Onofrio
The 21st century version of the all-American question "where were you when JFK was assassinated?" is "what were you doing when the planes hit the World Trade Center?"
Some of us watched the towers disintegrate before our very eyes, our landscape changed forever, and it's a vision, a feeling we will carry inside our hearts for as long as we live. The smell throughout downtown Manhattan, the lines of demarcation -- complete with checkpoints -- between the northern and southern parts of the city but also the newfound sense of camaraderie we bestowed upon each other to merely get from day to day, is also what I remember from those days.
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