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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

The Cannes Film Festival unveils its poster which pays tribute to the late, great Agnès Varda

E. Nina Rothe April 15, 2019

As I learned at this year’s Qumra, held by the Doha Film Institute, the grand dame of French New Wave cinema Agnès Varda was all about finding the stories, the viewpoints that no one else would bother with. The Festival de Cannes, in its poster just unveiled for the 72nd edition of the festival, pays homage to La Varda but also to her indomitable spirit by showing the filmmaker on her first cinematic venture perched high up on a platform, atop the shoulders of a crew technician. She’s is looking to capture that image, that viewpoint which no one else would have even thought about. She is Varda, in all her perfectly humble and adventurous attitude. The same Varda who asked me, to my utter disbelief, if I’d liked her “little film” a few years ago in Cannes.

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Cannes Film Festival, Agnes Varda, Qumra, Doha Film Institute, Cannes, French cinema, Jacques Demy, filmmakers, women filmmakers, Philippe Noiret, La Pointe Courte, Flore Maquin, Facebook, Twitter, Dailymotion, YouTube
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Lav Diaz at the press conference for 'Season of the Devil' held during the 68th BerlinalePhoto courtesy of the Berlinale

Lav Diaz at the press conference for 'Season of the Devil' held during the 68th Berlinale

Photo courtesy of the Berlinale

The Berlinale Diaries: Eric Khoo's 'Ramen Teh', Lav Diaz is my hero and the 'Pig' that's conquering Berlinale

E. Nina Rothe February 22, 2018

When I sat with the maestro Lav Diaz for our interview for his Competition film 'Season of the Devil', he pointed to the film critics, the journalists who write about cinema, as an integral part of the filmmaking process. And I agree wholeheartedly with the genius that is Diaz, a man who, in this age of everything fast and immediate, still makes films that lull us into watching them for four and a half hours! He teaches us how to watch his cinema, and I believe as film writers, we hold a responsibility to teach audiences to find those films. 

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In Cinema, Festival, The Diaries Tags Lav Diaz, Ramen Teh, Eric Khoo, Pig, Khook, Berlinale, Berlin, Berlin Film Festival, Season of the Devil, Golden Bear Lounge by Glashutte, Glashutte, film critics, film writers, film journalists, Hollywood, Independent cinema, celebrities, Cinema Paradiso, Leila Hatami, Hasan Majuni, Mani Haghighi, Social Media, Takumi Saitoh, Seiko Matsuda, Zhao Wei Films, Wild Orange Artists, food, Culinary Cinema, Iranian cinema, Umberto Eco, Twitter, Facebook, Social media, Ramen noodles, Japanese films, Singapore, Japan
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