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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Filmmaker Mani Haghigi and Berlinale Director Dieter KosslickPhoto courtesy of Berlinale

Filmmaker Mani Haghigi and Berlinale Director Dieter Kosslick

Photo courtesy of Berlinale

The Berlinale Diaries: 'The Interpreter', the phenomenal Beki Probst and enlightenment from Mani Haghighi

E. Nina Rothe February 23, 2018

Thankfully, at this year's Berlinale, there are a couple of films in Competition which go against everything that a "competition film" should be. Whatever that definition is. I applaud the festival organizers for having had the courage to show them, and their continued support of indie voices.

One such film is Mani Haghigi's 'Pig' ('Khook') a wild colorful, humorous, dark and fresh ride through the Iranian film industry. Now wild and colorful, with women protagonists who run the show is hardly a definition one would typically associate with Iranian cinema and yet Haghigi manages it all.

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In The Diaries, Cinema, Festival Tags Berlinale, Berlin Film Festival, Berlin, Berlinale Camera, Beki Probst, The Interpreter, Mani Haghighi, Khook, Pig, independent cinema, competition, Payman Maadi, Rakshan Bani-Etemad, Iranian cinema, A Separation, Leila Hatami, women, Locarno, Jiří Menzel, Peter Simonischek, Martin Šulík, Toni Erdmann
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Lav Diaz at the press conference for 'Season of the Devil' held during the 68th BerlinalePhoto courtesy of the Berlinale

Lav Diaz at the press conference for 'Season of the Devil' held during the 68th Berlinale

Photo courtesy of the Berlinale

The Berlinale Diaries: Eric Khoo's 'Ramen Teh', Lav Diaz is my hero and the 'Pig' that's conquering Berlinale

E. Nina Rothe February 22, 2018

When I sat with the maestro Lav Diaz for our interview for his Competition film 'Season of the Devil', he pointed to the film critics, the journalists who write about cinema, as an integral part of the filmmaking process. And I agree wholeheartedly with the genius that is Diaz, a man who, in this age of everything fast and immediate, still makes films that lull us into watching them for four and a half hours! He teaches us how to watch his cinema, and I believe as film writers, we hold a responsibility to teach audiences to find those films. 

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In Cinema, Festival, The Diaries Tags Lav Diaz, Ramen Teh, Eric Khoo, Pig, Khook, Berlinale, Berlin, Berlin Film Festival, Season of the Devil, Golden Bear Lounge by Glashutte, Glashutte, film critics, film writers, film journalists, Hollywood, Independent cinema, celebrities, Cinema Paradiso, Leila Hatami, Hasan Majuni, Mani Haghighi, Social Media, Takumi Saitoh, Seiko Matsuda, Zhao Wei Films, Wild Orange Artists, food, Culinary Cinema, Iranian cinema, Umberto Eco, Twitter, Facebook, Social media, Ramen noodles, Japanese films, Singapore, Japan
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