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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Alfonso Cuarón directs Yalitza Aparicio on the set of 'Roma', photo by Carlos Somonte for Netflix

Alfonso Cuarón directs Yalitza Aparicio on the set of 'Roma', photo by Carlos Somonte for Netflix

The Venice Diaries: Alfonso Cuarón's 'Roma' takes us on a journey back in time

E. Nina Rothe August 30, 2018

It is immediately clear, from the beautiful black and white shots and the poetically intimate details that 'Roma' is a very personal film for Alfonso Cuarón. At times, the real-life inspired story of a middle class family in the Colonia Roma neighborhood of Mexico City, told through the eyes of their housekeeper Cleo, felt so private, so confidential, it seemed like I was intruding on something really special. But I still could not bring myself to look away, I didn't want to stop watching, I also didn't want the film to end because for more than two hours, Cuarón paid homage to womanhood. It takes a big man to do that and an even bigger filmmaker to get the message across.

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In Cinema, Festival, The Diaries Tags Yaritza Aparicio, Alfonso Cuaron, Roma, Venice 75, Venice Film Festival, La Biennale di Venezia, Carlos Somonte, Netflix, Mexico City, women, Mexico, Corpus Christi massacre, Colonia Roma
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