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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'

Adriano Tardiolo in a still from Alice Rohrwacher's 'Happy as Lazzaro'

The Cannes Diaries 2018: The inimitable Adriano Tardiolo in Alice Rohrwacher's 'Happy as Lazzaro'

E. Nina Rothe May 15, 2018

In the midst of the screening of Alice Rohrwacher's latest 'Happy as Lazzaro' ('Lazzaro Felice') I was overcome by a nearly unbearable sense of pride at being Italian. It's something I've come across one or two times before and I believe it is due to this new wave of fellow compatriot filmmakers who have brought back the idea of magic to Italian cinema.

As I sobbed in my seat, I realized that all the inspiration that lacked in our movies from about the late Seventies to now, has surged powerfully into a movement that has infiltrating the old status quo and created a brand new tsunami of talent in the process. And that simply takes my breath away.

When I sat with Rohrwacher a day later, she admitted that while in the past there existed a competition between Italian filmmakers as to who would be named the best one, now there is a stronger sense of community among the younger talents and that has made for better cinema. 

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In Cinema, Festival, Interviews, The Diaries Tags Lazzaro Felice, Happy as Lazzaro, Alice Rohrwacher, Alba Rohrwacher, Adriano Tradiolo, Cannes, Festival de Cannes, Cannes Film Festival, Cannes Diaries, Orvieto, Inviolata, Palme d'Or, Competition, Lazzaro, religion, faith
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