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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Alba Rohrwacher in a still from ‘Three Goodbyes’ by Isabel Coixet, courtesy of Cinema Made in Italy

Three to watch at the upcoming Cinema Made in Italy festival in London

E. Nina Rothe February 27, 2026

From Cinecittà to the BFI Southbank, Italian cinema is making an extraordinary return, with several titles directed by Italian filmmakers slated for UK distribution later this spring. And this time around, it seems to be all about freedom…

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In Cinema, Festival Tags Cinema Made in Italy, London, Tre Ciotole, Three Goodbyes, Alba Rohrwacher, BFI Southbank, Massimo Cantini Parrini, Francesco Carril, K-Pop, Sarita Choudhury, Rome, Michela Murgia, Elio Germano, Isabel Coixet, Primavera, Antonio Vivaldi, Venice, Curzon Film, Ludovica Rampoldi, Tecla Insolia, Michele Riondino, Damiano Michieletto, Ippolita Di Majo, Mario Martone, Fuori, Goliarda Sapienza, Valeria Golino
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Fabrizio Gifuni and Romana Maggiora Vergano in Francesca Comencini’s ‘The Time It Takes’

Cinecittà present Cinema Made in Italy at London's BFI Southbank

E. Nina Rothe March 5, 2025

Cinema Made in Italy (CMII) returns to London this spring with exclusive presentations of nine new Italian feature films to UK audiences, presented by the internationally renowned Cinecittà.

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In Cinema, Festival, The Diaries Tags Cinema Made in Italy UK, BFI Southbank, Cinecittà, London, Federico Fellini, Francesca Comencini, The Time It Takes, Luigi Comencini, The Adventures of Pinocchio, Nino Manfredi, Gina Lollobrigida, Bread Love and Dreams, Vittorio De Sica, Tina PIca, The Great Ambition, Andrea Segre, Elio Germano, Enrico Berlinguer, Diva Futura, Giulia Louise Steigerwalt, Riccardo Schicchi, Ilona Staller, Cicciolina, Jeff Koons, Anywhere Anytime, Milad Tangshir, Vittoria, Alessandro Cassigoli and Casey Kaufmann, Love and Glory - The Young Deledda, Maria Grazia Perria, Grazia Deledda, Nobel Prize for Literature, The American Backyard, Pupi Avati, Filippo Scotti, Rita Tushingham
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Lucia's Grace poster

The Cannes Diaries 2018: 'Lucia's Grace' ('Troppa Grazia') is a miracle of a film!

E. Nina Rothe May 19, 2018

One of the freshest and most romantic films I watched in Cannes was Gianni Zanasi’s ‘Lucia’s Grace’ which screened in the Directors’ Fortnight section. On Thursday night it was awarded the Label Europa Cinema prize and personally, I was elated. Zanasi’s film is another one of those modern Italian cinematic gems that have brought me home. Quite literally. 

I moved back to my birth country five years ago because its newest wave of movies and filmmakers made me once again proud of being Italian. And Zanasi’s film also features as Lucia one of the most exciting young actresses in indie cinema today, Alba Rohrwacher, whom we can definitely claim as Italian but who is so much bigger and better than that label alone. Her wit, the way she can take the most basic of characters and build around them grand nuances and subtle mannerisms make her so cool that she may as well read the phone book on the big screen. And I’ll pay to watch that.

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In Cinema, Festival, Interviews, The Diaries Tags Lucia's Grace, Troppa Grazia, Cannes, Cannes Diaries, Cannes Film Festival, Festival de cannes, Label Europa Cinema prize, Gianni Zanasi, Italy, Italian cinema, Alba Rohrwacher, Madonna, Virgin Mary, Elio Germano, Hadas Yaron, Japan, Last Shadow Puppets
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