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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Why Jafar Panahi's 'It Was Just an Accident' is a serious awards contender this year

E. Nina Rothe October 29, 2025

While the Iranian helmer’s latest film may not be his best, it has turned out to be his most crucial to date — all because Panahi is finally able to promote it.

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In Features, review, Film Festivals Tags Jafar Panahi, Palme d'Or, Cannes Film Festival, It Was Just an Accident, Oscar, Iran, France, Rome Film Festival, Philippe Martin
Comment

Dhafer L’Abidine and Yasmine Al Massri in a still from ‘Palestine 36’ courtesy of Philistine Films

The most important film you'll watch this year: Annemarie Jacir's Oscar submission 'Palestine 36'

E. Nina Rothe October 18, 2025

Why, you ask? Because if we are ever to understand the Palestinian/Israeli issues of the present, we need to go back nearly a century and wrap our heads around the crimes, struggles and mistakes of the past.

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In Features, Film, review Tags Palestine 36, Annemarie Jacir, Palestine, Saleh Bakri, Salt of this Sea, When I Saw You, Wajib, Locarno film festival, BFI London Film Festival, Suheir Hammad, Jordan, Ne'ma Hasan, Oscars, Oscar submission, Yasmine Al Massri, Jeremy Irons, Arthur Wauchope, Ward Helou, Karim Daoud Anaya, Holy Land, Arab Revolt, Hamas, Israel, Jews, Zionists, Dhafer L’Abidine, Marwan Barghouti, Curzon, Watermelon Pictures, Philistine Films
Comment

'Broken English' in Venice: The unjust unmaking of Marianne Faithfull will be undone!

E. Nina Rothe September 24, 2025

Two wondrous filmmakers, two outstanding actors and one musical legend come together to recount an icon and set the record straight. In more ways than one.

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In Features, Film, Interviews, review Tags Broken English, Marianne Faithful, George MacKay, Tilda Swinton, Venice International Film Festival, BFI London Film Festival, Iain Forsyth and Jane Pollard, 20, 000 Days on Earth, Nick Cave, The Extraordinary Miss Flower, Emiliana Torrini, Geraldine Flower, Marianne Faithfull
Comment

A still from ‘Downton Abbey: The Grand Finale’ courtesy of Focus Features

Why 'Downton Abbey: The Grand Finale' is the perfect way to end (and maybe begin again?)

E. Nina Rothe September 11, 2025

I’ve been thinking a lot lately about what makes a perfect “franchise” film and the Simon Curtis-directed 2025 gem, in theaters on Friday, September 12th, may just end up winning the prize.

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In Features, Film, review Tags Downton Abbey: The Grand Finale, Focus Features, Simon Curtis, Downton Abbey, Odeon Luxe, London, world premiere, Julian Fellowes, Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Charmichael, Joely Richardson, Alessandro Nivola, Paul Giamatti, Arty Froushan, Dominic West, Anna Robbins, Naomi Bailey and Philippa Mumford, Donal Woods, Maggie Smith
Comment

A still from ‘Cotton Queen’ by Suzannah Mirghani, which will screen in Critics’ Week in Venice

Doha Film Institute Venice-bound films include the stunning 'Cotton Queen' by Suzannah Mirghani and Kaouther Ben Hania's Competition title 'The Voice of Hind Rajab'

E. Nina Rothe August 14, 2025

Other titles supported by the respected Qatari cinematic organization include Jihan K’s personal doc on the disappearance of her father during the Qaddafi regime, Cyril Aris’ ‘A Sad and Beautiful World’ starring Mounia Akl, which will be screening in the Official Selection and Giornate degli Autori lineups, respectively, along with Sofia Alaoui’s sci-fi fable ‘Tarfaya’ which participates in the Venice Production Bridge.

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In Features, Film, Film Festivals Tags Doha Film Institute, Venice International Film Festival, La Biennale di Venezia, Qatar, Fatma Hassan Alremaihi, Cheikh N’Diaye, The Missing Camel, Tarfaya, Sofia Alaoui, Sound of Silence, Morocco, Joyce A. Nashawati, Venice Production Bridge, The Station/Al Mahatta, Yemen, Lebanon, Sara Ishaq, Mariam Al-Dhubhani, Final Cut in Venice, Yanis Koussim, Critics’ Week, Settimana della Critica, Roqia, Cotton Queen, Lana Daher, Do You Love Me, Cyril Aris, Giornate degli Autori, A Sad and Beautiful World, Memory, Chechen, Vladlena Sandu, My Father and Qaddafi, Lybia, Libya, USA, Suzannah Mirghani, The Voice of Hind Rajab, Kaouther Ben Hani, Competition, MENA region, Mounia Akl
Comment

'The Most Precious of Cargoes' is the most beautiful film you haven't been able to watch. Yet.

E. Nina Rothe August 5, 2025

If I have anything to do with it, Oscar-winning director Michel Hazanavicius’ animated masterpiece will soon come to US cinemas so that you too can experience this gem in all its actuality, poignancy and beauty.

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In Features, Film, review Tags The Most Precious of Cargoes, Michel Hazanavicius, Cine Lumiere London, French films, The Artist, Jean Dujardin, Bérénice Bejo, Amazon Prime, OSS 117: Cairo, Nest of Spies, Q&A moderator, La Plus Précieuse des marchandises, Holocaust, Jean-Claude Grumberg, Jean-Louis Trintignant, StudioCanal
Comment

Harvey Schein, photo courtesy of the Schein family archives

Justin Schein's 'Death & Taxes' reexamines the American Dream, all the while painting a bold family portrait

E. Nina Rothe July 16, 2025

And this documentary proves one to be watched, if you find yourself in NYC starting July 18th and LA from July 25th.

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In Features, Film, review, Interviews Tags Death & Taxes, Justin Schein, Harvey Schein, Joy Schein, Mark Schein, IFC Center, Laemmle Theaters, Los Angeles, NYC, Estate Tax, Donald Trump, Hillary Clinton, Obamas, GI Bill, US Government, Grover Norquist, Americans for Tax Reform (ATR), NY Times, Paul Krugman, James Bandler, ProPublica, Felicia Wong, Roosevelt Institute, No Impact Man, America Rebuilds: A Year at Ground Zero, Sony, Crip Camp, Higher Ground Productions, Netflix
Comment

'Modi, Three Days on the Wing of Madness' by Johnny Depp is the film that should be on everyone's watch list

E. Nina Rothe July 14, 2025

I was lucky to witness a special London screening of the film, thanks to Fashion and Cinema’s Joana Granero, featuring her Q&A with costume designer Penny Rose. And found myself falling in love with an artist whose breaking of conventions has become the stuff of legends… But I’ll leave you guessing just who that is.

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In Features, review, Film Tags Modi Three Days on the Wing of Madness, Amedeo Modigliani, Johnny Depp, Riccardo Scamarcio, Penny Rose, Fashion and Cinema, Joana Granero, Red Sea Film Foundation, Antonia Desplat, Beatrice Hastings, Pirates of the Caribbean, Jack Sparrow, Chaïm Soutine, Ryan McParland, Reclining Nude, Stephen Graham, Bruno Gouery, Maurice Utrillo, Al Pacino, Lucas Englander, Maurice Gangnat, Modigliani – A Play in Three Acts, Dennis McIntyre, Jerzy and Mary Kromolowski, Dariusz Wolski, Nicola Pecorini, David Warren, Sacha Puttnam and Steve McLaughlin, Tom Waits, Disfruto, Carla Morrison, IN.2 Film, Salome Productions, Barry Navidi Productions, Proton Cinema
1 Comment

Soad Hosny and Hussein Fahmy in a still from ‘Watch Out for Zouzou’ by Hassan el-Imam

Holding up a mirror to a time of possibilities: 'Watch Out for Zouzou' opens this year's SAFAR film festival in London

E. Nina Rothe June 13, 2025

The 1972 Egyptian classic enjoys a gorgeous, brand new restoration, allowing younger audiences to discover its magic and its message, while bestowing on those revisiting the film an eerie sense of “what could have been?”

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In Features, Film, review, Film Festivals Tags Watch Out for Zouzou, SAFAR Film Festival, Hassan el-Imam, Soad Hosny, Hussein Fahmy, Khally ballak men ZouZou, Cairo, Egyptian cinema, Egypt, Red Sea Film Festival Foundation, Media Production City, Egyptian Ministry of Culture, Arab Radio and Television Network (ART), Cairo Opera House, Mohammed Ali Street, Totò, Rione Sanità, Napoli, Eduardo De Filippo, 1967 Arab-Israeli War, Taheyya Kariokka, Mohiy Ismail, Arab diaspora
Comment

Cannes Gem: A review of 'Urchin' by Harris Dickinson

E. Nina Rothe May 18, 2025

A film that, aside from its spellbinding leading man and touching crucial themes about the habits that bring us down, again and again, also begs the question: “Who do the streets of London belong to? Those who thread upon them or those who call them home?”

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In Features, Film, review, Film Festivals Tags Scott O’Donnell, Archie Pearch, Josée Deshaies, Leos Carax, Vittorio De Sica, Robert De Niro, Martin Scorsese, Taxi Driver, Midnight Cowboy, Amr Waked, Triangle of Sadness, Nicole Kidman, Babygirl, Festival de Cannes, Urchin, London, Harris Dickinson, Frank Dillane, Lisa Mustafa, Charades Films, BBC Film, BFI
Comment

Olmo Schnabel's 'Pet Shop Days', EP'd by Martin Scorsese to finally release in the US

E. Nina Rothe March 12, 2025

Starting out limited, in NYC and LA, the film is a wonder to behold and Schnabel, a filmmaker to watch.

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In Features, Film, Interviews Tags Martin Scorsese, Jeremy O. Harris, Giovanni Corrado, Raffaella Viscardi, Moreno Zani, Malcom Pagani, Renato Ragosta, Livio Strazzera, Theo Niarchos, Aimone Ripa Di Meana, PJ Van Sandwijk, Peter Brant Jr., Michel Franco, Reka Posta, Jack Irv, Galen Core, Dario Yazbek Bernal, Willem Dafoe, Peter Sarsgaard, Maribel Verdú, Jordi Mollà, Camille Rowe, Emmanuelle Seigner, Louis Cancelmi, Olmo Schnabel, Utopia, Pet Shop Days, Venice International Film Festival, Roxy Cinema NYC, Now Instant Image Hall LA, Hand of Dante, Olatz López Garmendia
Comment

Anthony Mackie is Sam Wilson, the new Captain America, in ‘Captain America: Brave New World’

Why 'Captain America: Brave New World' got me into Marvel films. Wholeheartedly

E. Nina Rothe February 21, 2025

With a dissent in popular opinion and critics seemingly agreeing this is one of the weakest installment of the franchise, I’m here to throw the tables upside down and explain why I love Anthony Mackie in the tight-fitting costume of the world-saving superhero, but also how I got into the film way more than I should have.

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In Film, Features Tags Captain America: Brave New World, Marvel Studios, Anthony Mackie, Danny Ramirez, Shira Haas, Carl Lumbly, Giancarlo Esposito, Harrison Ford, The Avengers, Captain America, The Incredible Hulk, Red Hulk, Kendrick Lamar, i, Flaunt Magazine, Lars Eidinger, Bertold Brecht, Get It Done, Blackway, USA, Black Captain America, Avengers: Endgame, The Falcon and The Winter Soldier, Disney+, Nate Moore, Julius Onah, IMAX, Gersha Phillips, Laura Karpman, Dave Jordan
Comment

Ryan Destiny and Brian Tyree Henry in a still from the film, photo courtesy of Amazon MGM Studios

'The Fire Inside' review: The true life story of a modern, strong, unapologetic and beautiful woman

E. Nina Rothe February 5, 2025

Winning doesn’t always bring about happiness and success. So the tale of gold winning boxer Claressa “T-Rex” Shields teaches us, in a new film written by Barry Jenkins and directed by Rachel Morrison, coming to UK cinemas on February 7th.

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In Features, review, Film Tags The Fire Inside, Barry Jenkins, Rachel Morrison, Claressa “T-Rex” Shields, Danielle Perkins, London Olympics gold medal women's boxing, Ryan Destiny, Brian Tyree Henry, Jason Crutchfield, American Boxing Association, Oluniké Adeliyi, Tamar-kali, Amazon MGM Studios
Comment

DFI's 2024 Fall Grants announcement includes projects by Youssef Chebbi, Sofia Alaoui, Mehdi Hmili and Anas Khalaf

E. Nina Rothe January 30, 2025

As well as a feature doc by Iraqi actress and filmmaker Zahraa Ghandour, a web series by Palestinian storyteller Amer Shomali, Damien Ounouri’s and Adila Bendimerad’s follow up to festival fave ‘The Last Queen’, and shorts by Qatari talents Mahdi Ali Ali and Majid Al-Remaihi.

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In Film, Features Tags Doha Film Institute, DFI, Grants Fall 2024, Youssef Chebbi, Sofia Alaoui, Mehdi Hmili, Anas Khalaf, Zahraa Ghandour, Amer Shomali, Damien Ounouri, Adila Bendimerad, Mahdi Ali Ali, Majid Al-Remaihi, Qumra, lgeria, Belgium, Denmark, Egypt, France, Iran, Iraq, Lebanon, Lesotho, Mexico, Morocco, Palestine, Spain, Tunisia, Fatma Hassan Alremaihi, Asmae El Moudir, The Mother of All Lies, Oscars, Bye Bye Tiberias, Lina Soualem, Amara, Michelle Keserwany, Camera Obscura, Viola Shafik, Rock Paper Sea, Randa Ali, The Good Spirit, Razan Madhoon, Gaza, In Memory of Times to Come, Larissa Sansour, Love-45, Minkaf, S.M. Al Thani, Plague, Selfless, Meriem Mesraoua, Tarfaya, The Joyful 1926, The Pearl, Noor Al-Nasr, Exile, Songs of Adam, Oday Rasheed, Spring Came On Laughing, Noha Adel, And Still I Rise, Djanis Bouzyani, Life After Siham, Namir Abdel, The Sixth Story, Ahmed Abd, Mother of Silence, My Armenian Phantoms, Tamara Stepanyan, Souraya Mon Amour, Nicolas Khoury, Souraya Baghdadi, Women of Sin, Noufissa Chara, Karima Nadir, Kir Mama, Kif Baba, B.A.H.R Alphabet, Sabine El Chamaa, A Lover’s Manifesto, Alfred Tarasi, Burden, Mohammed D. Fakhro, Amal Al Mutfah, Mohamed Megdoul, Valentin Noujaim, Youssef Michraf, Anissa Daoud, Maryam Al-Mohammed, Ethel Elmalik, Yassine Wahrani, Fahd Al-Nahdi, Obada Jarbi, Natural State, Men Home La Hon, Marie-Louise Elia, Julien Kobersy, Jean-Claude Boulos, Nadine, Christophe Saber, Druze, Visions of the After: Dark Cedar, Ali Hamouch, The Walled Off Hotel, Sleepless City, Guillermo Garcia Lopez, The Reserve, Pablo Pérez Lombardini, Fatna a Woman Named Rachid, Hélène Harder, Once Upon a Time in Shiraz, Hamed Zolfaghari, The Last Shore, Jean-François Ravagnan, Ancestral Visions of the Future, Lemohang Jeremiah Moses
Comment

A still from ‘Yalla Parkour!’ by Areeb Zuaiter

There are eight DFI-supported titles in this year's Berlinale lineup

E. Nina Rothe January 23, 2025

And at least one in each section too, including Competition and the new Perspectives for first time features.

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In Film, Film Festivals, Features Tags Berlinale, DFI, Doha Film Institute, Palestine, Competition, Critics' Week, Forum Expanded, Generation Kplus, Berlinale Special, Perspectives, Critics Week, Fatma Hassan Alremaihi, Yunan, Ameer Fakher Eldin, Syria, Ukraine, Hanna Schygulla, Ancestral Visions of the Future, Lemohang Jeremiah Mosese, Lesotho, Mohamed Rashad, The Settlement, Egypt, My Armenian Phantoms, Armenia, Tamara Stepanyan, Vigen Stepanyan, The Botanist, China, Jing Yi, Kazakhstan, Xinjiang, Yalla Parkour!, Areeb Zuaiter, Khartoum, Sudan, Anas Saeed, Rawia Alhag, Ibrahim Snoopy, Timeea Mohamed Ahmed, Phil Cox, East of Noon, Hala Elkoussi, JJ Lin (Jianjie Lin), Hippopotami, Sundance, Cannes Film Festival
Comment

Cynthia Erivo and Ariana Grande in a still from ‘Wicked’

Ariana Grande, Cynthia Erivo, Jon M. Chu & Producer Marc Platt talk 'Wicked'

E. Nina Rothe November 18, 2024

We are living in challenging times. And what comes naturally when that happens? We turn to our memories, letting nostalgia take over from the difficult present. Because everything in our past can be reworked, re imagined and beautified and that’s just what our weary soul needs. And the film ‘Wicked’, releasing this week, allows us to dream too.

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In Film, Features, Interviews Tags Wicked, Ariana Grande, Shiz University, Wizard of Oz, Broadway, Jon M. Chu, Marc Platt, Cynthia Erivo, Jeff Goldblum
Comment

"It's really a human story": Billy Bob Thornton on Taylor Sheridan's upcoming series 'Landman'

E. Nina Rothe November 11, 2024

‘Landman’ is a “ten-hour movie” starring a stellar cast and featuring a story we may think we know, but really don’t — Big Oil, seen from the viewpoint of the proverbial little man.

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In Features, review, Streaming Tags Billy Bob Thornton, Demi Moore, Jon Hamm, Landman, Taylor Sheridan, Paramount +, Big OIl, Love Actually, James Jordan, Yellowstone, NY Times, Kevin Costner, America, Tommy Norris, Love & Hate Tour, The Boxmasters, Ali Larter, Michelle Randolph, Jacob Lofland, ASHBA beany, ASHBA beanie
1 Comment

Peace is a co-production: Amos Gitai, Irene Jacob and Micha Lescot talk 'Why War' in Venice

E. Nina Rothe September 6, 2024

In his latest film, a crucial masterpiece titled ‘Why War’, Amos Gitai reminds us of an exchange of letters between Sigmund Freud, the father of modern psychoanalysis, and Albert Einstein, the scientific genius. If only we’d listen to these brilliant men.

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In Features, Film, Interviews Tags A, Amos Gitai, Micha Lescot, Mathieu Amalric, Venice Film festival, Israel, Palestine, Sigmund Freud, Albert Einstein, Irene Jacob, Tel Aviv, Europe, Middle East, House, Barbican, London, Jérôme Kircher, Pablo Picasso, Guernica, Shikun, Olivier Assayas’s Hors du Temps, Malaise dans la civilisation, Virginia Woolf, The Three Guineas, Susan Sontag, Regarding the Pain of Others, Un point lumière flou, Evgenia Rudenko’s & Alexander Plank, The War of the Sons of Light against the Sons of Darkness, The Jewish War, Josephus Flavius, Maurice Ravel Kaddish, Benjamin Britten War Requiem, Op. 66 / Dies Irae - Lacrimosa dies illa, Alexey Kochetkov, Lament for Yitzhak, Aurora Sonora, Late Night Impro, Ernst Bloch, Schelomo, Louis Sclavis Kyoomars Musayyebi Simon, Markus Stockhausen, La Biennale di Venezia, Venice International Film Festival
Comment

Why Karim Aïnouz's reworking of Katherine Parr's story in 'Firebrand' is the most important film you'll watch this fall

E. Nina Rothe September 3, 2024

Ever wonder why there are only male leaders and visionaries mentioned in your history books? Well, the key lies in the word itself — “his-story.” Thankfully, a film releasing this September in the UK revolutionizes the tale of Henry VIII and his last wife, by retelling the story from her POV.

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In Features, review, Film Tags Firebrand, Katherine Parr, Karim Ainouz, Jude Law, Alicia Vikander, King Henry VIII, Hélène Louvart, Elizabeth Fremantle, Henrietta and Jessica Ashworth, MetFilm Distribution, Sam Riley, Erin Doherty, Junia Rees, Patrick Buckley, Hans Holbein the Younger, Michael O’Connor, Helen Scott, Jenny Shircore, Gabrielle Tana, Ralph Fiennes, Tudor England, UK
Comment

Venice Orizzonti opening film 'Nonostante' by Valerio Mastandrea is an ode to love and loss

E. Nina Rothe September 1, 2024

It’s not often that a film changes the chemistry of my beliefs. ‘Nonostante’ which in English is called ‘Feeling Better’ is one of those films and I’m better for watching it — also after interviewing its talented filmmaker and star.

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In Film, Features, Interviews Tags Nonostante, Valerio Mastandrea, Dolores Fonzi, Orizzonti film, Venice International Film Festival, La Biennale di Venezia
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