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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Paolo Sorrentino by © Michael Avedon, courtesy of La Biennale di Venezia

Paolo Sorrentino's 'La Grazia' (Grace) will open this year's Venice Film Fest

E. Nina Rothe July 7, 2025

And I’ll tell you why I’m excited, plus reveal a bit of the story and where it will take place.

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In Film, Film Festivals Tags Paolo Sorrentino, La Grazia, Venice International Film Festival, La Biennale di Venezia, Fremantle Film, The Apartment, PiperFilm, Mubi, The Match Factory, Alberto Barbera, Michael Avedon, Turin, Accademia delle Scienze, Giovannino Galliari, Sala dei Mappamondi, Napoli, Parthenope, La Grande Bellezza, Toni Servillo, Anna Ferzetti, Academy Awards
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Soad Hosny and Hussein Fahmy in a still from ‘Watch Out for Zouzou’ by Hassan el-Imam

Holding up a mirror to a time of possibilities: 'Watch Out for Zouzou' opens this year's SAFAR film festival in London

E. Nina Rothe June 13, 2025

The 1972 Egyptian classic enjoys a gorgeous, brand new restoration, allowing younger audiences to discover its magic and its message, while bestowing on those revisiting the film an eerie sense of “what could have been?”

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In Features, Film, review, Film Festivals Tags Watch Out for Zouzou, SAFAR Film Festival, Hassan el-Imam, Soad Hosny, Hussein Fahmy, Khally ballak men ZouZou, Cairo, Egyptian cinema, Egypt, Red Sea Film Festival Foundation, Media Production City, Egyptian Ministry of Culture, Arab Radio and Television Network (ART), Cairo Opera House, Mohammed Ali Street, Totò, Rione Sanità, Napoli, Eduardo De Filippo, 1967 Arab-Israeli War, Taheyya Kariokka, Mohiy Ismail, Arab diaspora
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Sophia Loren in a frame from the film ‘L’oro di Napoli’ by Vittorio De Sica

Vittorio De Sica's classic 'L'oro di Napoli' is pre-opening film of 81st Venice Film Fest

E. Nina Rothe June 18, 2024

The Pre-opening film will screen on Tuesday August 27th of the 81st Venice International Film Festival of La Biennale di Venezia, on the 50th anniversary of the death of Vittorio De Sica and the 70th anniversary of the film.

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In Film, Film Festivals Tags L'oro di Napoli, Vittorio De Sica, Napoli, Neorealism, Italian cinema, 811st Venice Film Festival, Venice International Film Festival of La Biennale di Venezia, Sophia Loren, Alberto Barbera, Lido di Venezia, Carlo Lizzani, Storia del cinema italiano, Cinecittà, Aurelio e Luigi De Laurentiis, Filmauro Srl, 4K restauration, Martin Scorsese, My Voyage to Italy, New York, Paolo Stoppa, Silvana Mangano, Cannes Film Festival, Nastro d'argento prize, Giuseppe Marotta, Cesare Zavattini, Carlo Ponti and Dino De Laurentiis, Sora, Lazio, Marriage Italian Style, Yesterday Today and Tomorrow, Bicycle Thieves, The Gold of Naples, Eduardo De Filippo, Totò
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Mimmo Borrelli and Giuseppe D’Ambrosio in a still from Vincenzo Marra’s ‘Equilibrium’

Mimmo Borrelli and Giuseppe D’Ambrosio in a still from Vincenzo Marra’s ‘Equilibrium’

“The courage to hang in there”: Vincenzo Marra Talks About His Quietly Brave ‘Equilibrium’

E. Nina Rothe June 3, 2018

I have noticed that we’ve lost the ability to stand up for ourselves. But, perhaps more tragically, we’ve forgotten how to stand up for the weaker and more vulnerable in our society. I believe that’s part of the reason why we crave violent entertainment where big burly men stand up to other big burly men and win after a blaze of car chases, noisy fights and assorted fireworks. They do what we can’t manage anymore.

To paraphrase the great Nelson Mandela, courage is not the lack of fear, rather being able to work through it and triumph above it. We all feel afraid of something, somewhere, just as we all possess courage. But the ultimate question is which will win in this eternal struggle within ourselves?

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In Film, Interviews Tags Vincenzo Marra, Equilibrium, Mimmo Borrelli, Giuseppe D'Ambrosio, Venice Days, BFI London Film Festival, Nelson Mandela, Napoli
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