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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Sophia Loren in a frame from the film ‘L’oro di Napoli’ by Vittorio De Sica

Vittorio De Sica's classic 'L'oro di Napoli' is pre-opening film of 81st Venice Film Fest

E. Nina Rothe June 18, 2024

The Pre-opening film will screen on Tuesday August 27th of the 81st Venice International Film Festival of La Biennale di Venezia, on the 50th anniversary of the death of Vittorio De Sica and the 70th anniversary of the film.

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In Film, Film Festivals Tags L'oro di Napoli, Vittorio De Sica, Napoli, Neorealism, Italian cinema, 811st Venice Film Festival, Venice International Film Festival of La Biennale di Venezia, Sophia Loren, Alberto Barbera, Lido di Venezia, Carlo Lizzani, Storia del cinema italiano, Cinecittà, Aurelio e Luigi De Laurentiis, Filmauro Srl, 4K restauration, Martin Scorsese, My Voyage to Italy, New York, Paolo Stoppa, Silvana Mangano, Cannes Film Festival, Nastro d'argento prize, Giuseppe Marotta, Cesare Zavattini, Carlo Ponti and Dino De Laurentiis, Sora, Lazio, Marriage Italian Style, Yesterday Today and Tomorrow, Bicycle Thieves, The Gold of Naples, Eduardo De Filippo, Totò
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Francis Ford Coppola's 'Megalopolis' Cannes "review": For the love of cinema (and America)

E. Nina Rothe May 17, 2024

If you go into Coppola’s opus without a heavy belief in romance and a huge cultural knowledge of cinema, you’ll miss the point. Once you’ve got that sorted, all you need is to sit back, relax and enjoy the show — because what a show it is!

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In Features, Film, Film Festivals, review Tags Lonely Planet The The, Francis Ford Coppola, Cesar, Adam Driver, Aubrey Plaza, Megalopolis, Studio 54, NYC, New York, New Rome, Jon Voight, Laurence Fishburne, Giancarlo Esposito, Talia Shire, James Remar, D.B. Sweeney, Nathalie Emmanuel, Dustin Hoffman, Shia LaBeouf, Napoléon vu par Abel Gance, Orson Welles’ Citizen Kane, Sidney Lumet’s Twelve Angry Men, Fairy tale, Fable, BBC, Debussy, Festival de Cannes, world premiere
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Little Edie and Peter Beard in a still from 'That Summer' 

Little Edie and Peter Beard in a still from 'That Summer' 

Göran Hugo Olsson's 'That Summer' shows us how to fall in love at Grey Gardens

E. Nina Rothe May 16, 2018

Grey Gardens. We’ve heard of the Maysles documentary, we’ve watched the TV fiction film starring Drew Barrymore and Jessica Lange, we may even have attended the Broadway musical about them. Lets face it, those Beales girls are American icons. The grand royalty of dysfunctional mother/daughter relationships yet touched by elegance and undeniable status.

But all through the narrative, Big Edie and Little Edie have somehow been made campy and unreal. Yes the original 'Grey Gardens' is a documentary, but I've never felt the true connection with its characters, even though their story shared so much of my own American history, in both time, events and place.

Now, Göran Hugo Olsson, one of my personal favorite filmmakers and an all around cool human being, has made a new film about Grey Gardens. It is new, in the sense that it will be released in the US this week, yet Olsson's 'That Summer' uses the oldest footage available of the Beales, the original film made by Andy Warhol and Peter Beard and in the process, shows us how to fall in love. Because at the center of 'That Summer' there exists a love story between the filmmaker and his muse Lee Ratziwill, a tale of summer romance with a twist bound by the grand illusion of an ambiance -- that magical moment in time when friends, location and a certain scent in the air creates the impression that everything is possible.

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In Film, Interviews Tags Goran Hugo Olsson, That Summer, Sundance Selects, Grey Gardens, Simone Signoret, Peter Beard, Lee Ratziwill, Andy Warhol, Truman Capote, Mick Jagger, The Black Power Mixtape: 1967-1975, Black power movement, New York, Studio 54, ANC meetings, Telluride, Berlinale, Edith Ewing Bouvier Beale, Edith Bouvier Beale, documentary, American icons, Maysles documentary, HBO
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