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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from ‘Cotton Queen’, courtesy of Strange Bird

The rebel queen who conquered my heart: Suzannah Mirghani's 'Cotton Queen' review

E. Nina Rothe September 15, 2025

Behind what could be a simple tale of a young girl coming of age in Sudan, filmmaker Suzannah Mirghani’s debut feature weaves an extraordinary and cautionary tale of respect for one’s self and for the environment around us, which are always crucially, and importantly intertwined.

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In Film, Film Festivals, review Tags Suzannah Mirghani, Cotton Queen, Venice Critics' Week, A Strange Bird, Maneki Films, Philistine Films, ZDF/Das Kleine Fernsehspiel, ARTE, Doha Film Institute, AFAC, Red Sea Fund, Sudan, Egypt, Mohamed Musa, Al-Sit, Mihad Murtada, Talaat Fareed, Rabha Mohamed Mahmoud
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Soad Hosny and Hussein Fahmy in a still from ‘Watch Out for Zouzou’ by Hassan el-Imam

Holding up a mirror to a time of possibilities: 'Watch Out for Zouzou' opens this year's SAFAR film festival in London

E. Nina Rothe June 13, 2025

The 1972 Egyptian classic enjoys a gorgeous, brand new restoration, allowing younger audiences to discover its magic and its message, while bestowing on those revisiting the film an eerie sense of “what could have been?”

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In Features, Film, review, Film Festivals Tags Watch Out for Zouzou, SAFAR Film Festival, Hassan el-Imam, Soad Hosny, Hussein Fahmy, Khally ballak men ZouZou, Cairo, Egyptian cinema, Egypt, Red Sea Film Festival Foundation, Media Production City, Egyptian Ministry of Culture, Arab Radio and Television Network (ART), Cairo Opera House, Mohammed Ali Street, Totò, Rione Sanità, Napoli, Eduardo De Filippo, 1967 Arab-Israeli War, Taheyya Kariokka, Mohiy Ismail, Arab diaspora
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DFI's 2024 Fall Grants announcement includes projects by Youssef Chebbi, Sofia Alaoui, Mehdi Hmili and Anas Khalaf

E. Nina Rothe January 30, 2025

As well as a feature doc by Iraqi actress and filmmaker Zahraa Ghandour, a web series by Palestinian storyteller Amer Shomali, Damien Ounouri’s and Adila Bendimerad’s follow up to festival fave ‘The Last Queen’, and shorts by Qatari talents Mahdi Ali Ali and Majid Al-Remaihi.

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In Film, Features Tags Doha Film Institute, DFI, Grants Fall 2024, Youssef Chebbi, Sofia Alaoui, Mehdi Hmili, Anas Khalaf, Zahraa Ghandour, Amer Shomali, Damien Ounouri, Adila Bendimerad, Mahdi Ali Ali, Majid Al-Remaihi, Qumra, lgeria, Belgium, Denmark, Egypt, France, Iran, Iraq, Lebanon, Lesotho, Mexico, Morocco, Palestine, Spain, Tunisia, Fatma Hassan Alremaihi, Asmae El Moudir, The Mother of All Lies, Oscars, Bye Bye Tiberias, Lina Soualem, Amara, Michelle Keserwany, Camera Obscura, Viola Shafik, Rock Paper Sea, Randa Ali, The Good Spirit, Razan Madhoon, Gaza, In Memory of Times to Come, Larissa Sansour, Love-45, Minkaf, S.M. Al Thani, Plague, Selfless, Meriem Mesraoua, Tarfaya, The Joyful 1926, The Pearl, Noor Al-Nasr, Exile, Songs of Adam, Oday Rasheed, Spring Came On Laughing, Noha Adel, And Still I Rise, Djanis Bouzyani, Life After Siham, Namir Abdel, The Sixth Story, Ahmed Abd, Mother of Silence, My Armenian Phantoms, Tamara Stepanyan, Souraya Mon Amour, Nicolas Khoury, Souraya Baghdadi, Women of Sin, Noufissa Chara, Karima Nadir, Kir Mama, Kif Baba, B.A.H.R Alphabet, Sabine El Chamaa, A Lover’s Manifesto, Alfred Tarasi, Burden, Mohammed D. Fakhro, Amal Al Mutfah, Mohamed Megdoul, Valentin Noujaim, Youssef Michraf, Anissa Daoud, Maryam Al-Mohammed, Ethel Elmalik, Yassine Wahrani, Fahd Al-Nahdi, Obada Jarbi, Natural State, Men Home La Hon, Marie-Louise Elia, Julien Kobersy, Jean-Claude Boulos, Nadine, Christophe Saber, Druze, Visions of the After: Dark Cedar, Ali Hamouch, The Walled Off Hotel, Sleepless City, Guillermo Garcia Lopez, The Reserve, Pablo Pérez Lombardini, Fatna a Woman Named Rachid, Hélène Harder, Once Upon a Time in Shiraz, Hamed Zolfaghari, The Last Shore, Jean-François Ravagnan, Ancestral Visions of the Future, Lemohang Jeremiah Moses
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A still from ‘Yalla Parkour!’ by Areeb Zuaiter

There are eight DFI-supported titles in this year's Berlinale lineup

E. Nina Rothe January 23, 2025

And at least one in each section too, including Competition and the new Perspectives for first time features.

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In Film, Film Festivals, Features Tags Berlinale, DFI, Doha Film Institute, Palestine, Competition, Critics' Week, Forum Expanded, Generation Kplus, Berlinale Special, Perspectives, Critics Week, Fatma Hassan Alremaihi, Yunan, Ameer Fakher Eldin, Syria, Ukraine, Hanna Schygulla, Ancestral Visions of the Future, Lemohang Jeremiah Mosese, Lesotho, Mohamed Rashad, The Settlement, Egypt, My Armenian Phantoms, Armenia, Tamara Stepanyan, Vigen Stepanyan, The Botanist, China, Jing Yi, Kazakhstan, Xinjiang, Yalla Parkour!, Areeb Zuaiter, Khartoum, Sudan, Anas Saeed, Rawia Alhag, Ibrahim Snoopy, Timeea Mohamed Ahmed, Phil Cox, East of Noon, Hala Elkoussi, JJ Lin (Jianjie Lin), Hippopotami, Sundance, Cannes Film Festival
Comment

Freida Pinto and Hiam Abbass in a scene from ‘Miral’

Six films to help explain the current Gaza/Israel conflict

E. Nina Rothe October 25, 2023

While festivals throughout the Region, and beyond, senselessly cancel their latest edition “in support” of the Palestinian cause, the best thing they could do would be to finally showcase cinema from Palestinian and Israeli auteurs, as well as one American filmmaker, who can collectively help explains the situation and smother the fire of warmongers with culture and education.

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In Film, Features Tags The Time That Remains, Elia Suleiman, Egypt, Juliano Mer-Khamis, Julian Schnabel, Miral, Freida Pinto, Hiam Abbass, Hind Husseini, Rula Jebreal, Saleh Bakri, Ali Suliman, It Must Be Heaven, Bye Bye Tiberias, Lina Soualem, Amos Gitai, Rabin the Last Day, Yitzhak Rabin, Palestinian cinema, Israeli cinema, Israeli Hamas war, Gaza, West Bank, Omar, Hany Abu Assad, Cannes, Paradise Now, Suheir Hammad, Salt of this sea
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Khalid Abdalla in a still from 'In the Last Days of the City'

Khalid Abdalla in a still from 'In the Last Days of the City'

Tamer El Said's 'In the Last Days of the City': "What do you do when the world is collapsing around you and you only have a camera?"

E. Nina Rothe April 26, 2018

I believe there are two types of films. There are those that take you on an adventure -- meaning you go through a rollercoaster of emotions and excitement while sitting in the theater, surrounded by others who share the same thrills with you.

Then there are movies which bring you on a journey, one that can last you a lifetime. Egyptian filmmaker Tamer El Said's 'In the Last Days of the City' belongs to the latter category. Once you inhabit its well-shot landscapes and meet its unforgettable cast of characters, they never, ever let go of you. And that's a good thing! More than a year and a half later, after my first viewing they continue to color my dreams and tint my emotions, but most importantly, they have changed the way I think of Cairo, Egypt and its courageous inhabitants.

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In Film, Interviews Tags In the Last Days of the City, Cairo, Egypt, Tamer El Said, Berlinale, BFI London Film Festival, Arab Spring, Netflix, Arab cinema, Museum of Modern Art, NYC, Los Angeles, Revolution, Khalid Abdalla
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