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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Khalid Abdalla in a still from 'In the Last Days of the City'

Khalid Abdalla in a still from 'In the Last Days of the City'

Tamer El Said's 'In the Last Days of the City': "What do you do when the world is collapsing around you and you only have a camera?"

E. Nina Rothe April 26, 2018

I believe there are two types of films. There are those that take you on an adventure -- meaning you go through a rollercoaster of emotions and excitement while sitting in the theater, surrounded by others who share the same thrills with you.

Then there are movies which bring you on a journey, one that can last you a lifetime. Egyptian filmmaker Tamer El Said's 'In the Last Days of the City' belongs to the latter category. Once you inhabit its well-shot landscapes and meet its unforgettable cast of characters, they never, ever let go of you. And that's a good thing! More than a year and a half later, after my first viewing they continue to color my dreams and tint my emotions, but most importantly, they have changed the way I think of Cairo, Egypt and its courageous inhabitants.

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In Film, Interviews Tags In the Last Days of the City, Cairo, Egypt, Tamer El Said, Berlinale, BFI London Film Festival, Arab Spring, Netflix, Arab cinema, Museum of Modern Art, NYC, Los Angeles, Revolution, Khalid Abdalla
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