With his latest short, the Jordanian, Germany-based filmmaker proves once again that he can tackle women's stories perfectly, while also bringing a special sensitivity to them -- all the while gently educating audiences. And, last but not least, making great cinema in the process! From the MIME.news archives.
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Ziad Bakri and Maria Zreik in Zain Duraie’s ‘Give Up the Ghost’
"Choose love over fear, always": Zain Duraie talks about her short film 'Give Up the Ghost'
One of the hottest button issues for a modern woman concerns her ability to have a child. Depending on which society you are born into, it ranges from being a duty to a God-given right, with all shades of grey in between.
In her haunting, beautifully shot (by Benoît Chamaillard) and perfectly sound designed (by Israel Bañuelos) short film ‘Give Up the Ghost’, Jordanian filmmaker Zain Duraie explores the consequences on a marriage around the ability or inability to have a child.
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Actress Lyna Khoudri in a still from 'Papicha' by Mounia Meddour
“Redefine what a heroine is”: Algerian filmmaker Mounia Meddour on her film ‘Papicha’ in Cannes
I believe that if there were more women film critics, the business of cinema would be much different. There would be better films made, more communication between what audiences want and filmmakers create, and those projects which portray the truth of our humanity would receive the attention they deserve. 'Papicha' by Mounia Meddour would be one of those projects. Now let me explain what I mean.
‘Papicha’ is now streaming as part of the Virtual Cinema of Film at Lincoln Center, through June 4th. An act of courage if you read my piece!
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She put a spell on me: Najwa Najjar's bewitching 'Between Heaven and Earth'
One of my favorite films in Berlin this year is not in Competition. Actually it’s not even in any of the sidebars. You’ll find Najwa Najjar’s stunning, heartwarming latest feature at the Berlinale’s European Film Market, with a screening on the 22nd of February, at 9.30 in the Simon Bolivar Saal.
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Khalid Abdalla in a still from 'In the Last Days of the City'
Tamer El Said's 'In the Last Days of the City': "What do you do when the world is collapsing around you and you only have a camera?"
I believe there are two types of films. There are those that take you on an adventure -- meaning you go through a rollercoaster of emotions and excitement while sitting in the theater, surrounded by others who share the same thrills with you.
Then there are movies which bring you on a journey, one that can last you a lifetime. Egyptian filmmaker Tamer El Said's 'In the Last Days of the City' belongs to the latter category. Once you inhabit its well-shot landscapes and meet its unforgettable cast of characters, they never, ever let go of you. And that's a good thing! More than a year and a half later, after my first viewing they continue to color my dreams and tint my emotions, but most importantly, they have changed the way I think of Cairo, Egypt and its courageous inhabitants.
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A still from ‘Human’ by Yann Arthus-Bertrand
“Cinema with a Conscience”: Five Movies that Changed My Life
We’ve all experienced the positive power of cinema. It is that moment, at the end of a movie, right before the lights come back on and as the credits roll by, when we feel we can change the world. We feel invigorated, wish to do better, want to be better and walk out of the theater with a new spring in our step. Sometimes, if we’re lucky, that energy, the magic of the movies, stays with us in our daily lives and continues to inspire a change that can become momentous.
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