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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

CemilShow27.jpg

When the acting bug hits you: 'The Cemil Show' by Baris Sarhan world premieres in Rotterdam

E. Nina Rothe February 4, 2021

In ‘The Cemil Show’ the film’s namesake leading character, played to perfection by Ozan Celik whom you may remember from ‘Sivas’ in 2015, is someone much like my friend and me — bad at acting, but still desperate to make it.

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In Film Festivals, Film, review Tags The Cemil Show, IFFR, International Film Festival Rotterdam, Rotterdam, Baris Sarhan, Turkish cinema, Turkey, Istanbul, Sivas, Ozan Celik, Basar Alemdar, B-movies, Iranian cinema, Nesrin Cavadzade, NYU film school, Big Screen Competition
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Sadaf Asgari as Maryam in a still from ‘Yalda, a Night for Forgiveness’

Sadaf Asgari as Maryam in a still from ‘Yalda, a Night for Forgiveness’

Massoud Bakhshi on his Sundance award-winning 'Yalda, a Night for Forgiveness'

E. Nina Rothe February 4, 2020

There are so many threads, themes and ideas bursting through Massoud Bakhshi’s stunning ‘Yalda, a Night for Forgiveness’ that it would take a book and not a short article to discuss them all. But within the limits of this piece, I’d like to start off by saying that the film absolutely deserved to win the World Cinema Dramatic Competition Grand Jury Prize at this year’s Sundance, where it premiered.

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In Film, Interviews Tags Yalda, Yalda a Night for Forgiveness, Sundance Film Festival, Iranian cinema, Massoud Bakhshi, Behnaz Jafari, Sadaf Asgari, Sigheh, Alba Rohrwacher, Haifaa Al Mansour, Wagner Moura, Milad Tower, A Respectable Family, Tehran, World Cinema Dramatic Competition Grand Jury Prize
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Behnaz Jafari and Jafar Panahi in a still from ‘3 Faces’

Behnaz Jafari and Jafar Panahi in a still from ‘3 Faces’

Three women on '3 Faces': Jafar Panahi's latest oeuvre at the inaugural Iranian Film Festival NY

E. Nina Rothe January 3, 2019

Filmmaker Jafar Panahi has been banned by the Iranian government from making movies, for an unbelievably long while. Yet he continues undeterred in churning out one masterpiece after another. All shot in different locations, each time featuring a new cast of characters, Panahi’s films have continued undisturbed to be staples at international film festivals.

Those of us who know and love his distinct brand of filmmaking, where within his kind and well thought out delivery he still manages to packs a big punch, also follow him on social media. His Instagram alone is a pleasure for those who wish to witness a bit of his genius on a nearly daily basis. And in fact, it was his presence on social media that inspired his latest work — ‘3 Faces’. The film premiered in Cannes earlier this year and will be featured at the 1st Iranian Film Festival New York at the IFC Center in early January 2019.

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In Film, Interviews Tags Jafar Panahi, 3 Faces, Cannes Film Festival, Festival de Cannes, Instagram, Iranian Film Festival of NY, IFC Center, Iran, Iranian cinema, Behnaz Jafari, Marziyeh Rezaei, Mastaneh Mohajer, NYC, President Rouhani
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A still from ‘Human’ by Yann Arthus-Bertrand

A still from ‘Human’ by Yann Arthus-Bertrand

“Cinema with a Conscience”: Five Movies that Changed My Life

E. Nina Rothe February 11, 2018

We’ve all experienced the positive power of cinema. It is that moment, at the end of a movie, right before the lights come back on and as the credits roll by, when we feel we can change the world. We feel invigorated, wish to do better, want to be better and walk out of the theater with a new spring in our step. Sometimes, if we’re lucky, that energy, the magic of the movies, stays with us in our daily lives and continues to inspire a change that can become momentous.

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In Film Tags Human, Yann Arthus-Bertrand, cinema with a conscience, Batman, Loving, Jeff Nichols, Moonlight, Oscar, Midnight Special, Berlinale, Richard and Mildred Loving, Civil Rights struggle, 1967, Caramel, Nadine Labaki, Lebanon, Arab cinema, Beirut, Beauty salon, Middle East, Taxi, Jafar Panahi, Asghar Farhadi, The Salesman, Tehran, Iran, Iranian cinema, I Am Not Your Negro, Raoul Peck, Oscar-nominated, documentary, James Baldwin, America, Samuel L. Jackson, Venice Film Festival, La Biennale di Venezia, Humanity
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