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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Harvey Schein, photo courtesy of the Schein family archives

Justin Schein's 'Death & Taxes' reexamines the American Dream, all the while painting a bold family portrait

E. Nina Rothe July 16, 2025

And this documentary proves one to be watched, if you find yourself in NYC starting July 18th and LA from July 25th.

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In Features, Film, review, Interviews Tags Death & Taxes, Justin Schein, Harvey Schein, Joy Schein, Mark Schein, IFC Center, Laemmle Theaters, Los Angeles, NYC, Estate Tax, Donald Trump, Hillary Clinton, Obamas, GI Bill, US Government, Grover Norquist, Americans for Tax Reform (ATR), NY Times, Paul Krugman, James Bandler, ProPublica, Felicia Wong, Roosevelt Institute, No Impact Man, America Rebuilds: A Year at Ground Zero, Sony, Crip Camp, Higher Ground Productions, Netflix
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Hasan Majuni in a still from Mani Haghighi’s ‘Pig’

Hasan Majuni in a still from Mani Haghighi’s ‘Pig’

"So I thought, I’ll make a film about this cry-baby man": Mani Haghighi talks about his latest film 'Pig'

E. Nina Rothe January 7, 2019

It’s interesting that in the same year, two prominent Iranian filmmakers made films where the idea came from the perils of social media. Of course, Jafar Panahi got the inspiration for ‘3 Faces’ from the myriad of fans who send him messages wanting to connect somehow with his talent and rotate in the moons of his celebrity-dom. Mani Haghighi instead with his ‘Pig’ found the humor within the stalking of sorts that happens on the feeds of Twitter and Instagram. And how these days we’ll do just about anything to be famous.

Of course, these two filmmakers are as different as filmmakers can be, yet their latest oeuvres are both featured in the upcoming Iranian Film Festival New York, which will run from January 10th to the 15th at the IFC Center. An event not to be missed.

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In Film Tags Pig, Mani Haghighi, Iranian Film Festival NY, NYC, IFC Center, Jafar Panahi, 3 Faces, social media, Twitter, Instagram, Berlinale, Richard Lormand, Hasan Majuni, Woody Allen, Leila Hatami, Khook, A Dragon Arrives
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Behnaz Jafari and Jafar Panahi in a still from ‘3 Faces’

Behnaz Jafari and Jafar Panahi in a still from ‘3 Faces’

Three women on '3 Faces': Jafar Panahi's latest oeuvre at the inaugural Iranian Film Festival NY

E. Nina Rothe January 3, 2019

Filmmaker Jafar Panahi has been banned by the Iranian government from making movies, for an unbelievably long while. Yet he continues undeterred in churning out one masterpiece after another. All shot in different locations, each time featuring a new cast of characters, Panahi’s films have continued undisturbed to be staples at international film festivals.

Those of us who know and love his distinct brand of filmmaking, where within his kind and well thought out delivery he still manages to packs a big punch, also follow him on social media. His Instagram alone is a pleasure for those who wish to witness a bit of his genius on a nearly daily basis. And in fact, it was his presence on social media that inspired his latest work — ‘3 Faces’. The film premiered in Cannes earlier this year and will be featured at the 1st Iranian Film Festival New York at the IFC Center in early January 2019.

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In Film, Interviews Tags Jafar Panahi, 3 Faces, Cannes Film Festival, Festival de Cannes, Instagram, Iranian Film Festival of NY, IFC Center, Iran, Iranian cinema, Behnaz Jafari, Marziyeh Rezaei, Mastaneh Mohajer, NYC, President Rouhani
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