In his latest film, a crucial masterpiece titled ‘Why War’, Amos Gitai reminds us of an exchange of letters between Sigmund Freud, the father of modern psychoanalysis, and Albert Einstein, the scientific genius. If only we’d listen to these brilliant men.
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'Why War' may be Amos Gitai's most important film to date and will screen at this year's Venice Film Festival
For a man whose personal mission has been to “build bridges through cinema,” as he told La Repubblica newspaper in an interview just published this week, his latest film may prove the most important peace-making link yet.
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Venice Film Festival line up includes latest from Amos Gitai, Scandar Copti, Pedro Almodóvar, plus a series from Alfonso Cuarón, Luca Guadagnino's 'Queer' and Pablo Larraín's 'Maria'
All wrapped up with the Lady Gaga starrer ‘Joker: Folie à Deux’, Tunisian gem ‘Aïcha’ by Mehdi Barsaoui and ‘Wolfs’ starring George Clooney and Brad Pitt — talk about a festival for the stars!
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Re-evaluating the power of cinema: Amos Gitai's 'Shikun' at Berlinale
If you’d asked me a year ago did I believe cinema could change the world, I would have answered you with an enthusiastic “yes!” Now? Read on to find out…
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Amos Gitai, center, on the set of ‘Shikun’
Amos Gitai’s ‘Shikun’ promises to offer a much-needed exercise in peace
The latest film by the prolific filmmaker, theater director, architect and artist has just been announced as a Berlinale Special at the upcoming Berlin Film Festival.
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Freida Pinto and Hiam Abbass in a scene from ‘Miral’
Six films to help explain the current Gaza/Israel conflict
While festivals throughout the Region, and beyond, senselessly cancel their latest edition “in support” of the Palestinian cause, the best thing they could do would be to finally showcase cinema from Palestinian and Israeli auteurs, as well as one American filmmaker, who can collectively help explains the situation and smother the fire of warmongers with culture and education.
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“A collector of contradictions”: Amos Gitai takes us on a voyage of thinking with ‘A Tramway in Jerusalem’
“And despite the clamors and the violence, we tried to preserve in our hearts the memory of a happy sea, of a remembered hill, the smile of a beloved face.” — Albert Camus from ‘Resistance, Rebellion and Death: Essays’
As I watched Amos Gitai’s latest ‘A Tramway in Jerusalem’ with the usual anticipation I dedicate to all the works of the visionary Israeli filmmaker, I looked for the funny. After all, Gitai himself, in his director’s notes called Tramway “an optimistic and ironic metaphor of the divided city of Jerusalem”. In the synopsis of the film, the word “comedy” is used yet when I watched ‘A Tramway in Jerusalem’, more than once, I cried. Long, perfectly needed tears. The film world premiered out of competition at this year’s Venice International Film Festival.
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