A film worth its weight in gold, lingering on in one’s thoughts, from a filmmaker whose vision never ceases to amaze.
Read MoreNisrin Erradi in a still from Laila Marrakchi’s ‘Strawberries’ courtesy of Lumen, Atelier and Mont Flueri
Nisrin Erradi in a still from Laila Marrakchi’s ‘Strawberries’ courtesy of Lumen, Atelier and Mont Flueri
A film worth its weight in gold, lingering on in one’s thoughts, from a filmmaker whose vision never ceases to amaze.
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The film recently screened in Rotterdam, after enjoying its international premiere at the Marrakech Film Festival in the fall and I caught up with the filmmaker, his DoP and one of the actors while they were at IFFR.
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A still from ‘Cotton Queen’ by Suzannah Mirghani, which will screen in Critics’ Week in Venice
Other titles supported by the respected Qatari cinematic organization include Jihan K’s personal doc on the disappearance of her father during the Qaddafi regime, Cyril Aris’ ‘A Sad and Beautiful World’ starring Mounia Akl, which will be screening in the Official Selection and Giornate degli Autori lineups, respectively, along with Sofia Alaoui’s sci-fi fable ‘Tarfaya’ which participates in the Venice Production Bridge.
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As well as a feature doc by Iraqi actress and filmmaker Zahraa Ghandour, a web series by Palestinian storyteller Amer Shomali, Damien Ounouri’s and Adila Bendimerad’s follow up to festival fave ‘The Last Queen’, and shorts by Qatari talents Mahdi Ali Ali and Majid Al-Remaihi.
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Daniel Craig and Drew Starkey in a still from Luca Guadagnino’s ‘Queer’
As the Italian-born filmmaker heads the Competition Jury at this year’s Marrakech International Film Festival, I’m reminded of one of my favorite, count-them-on-the-fingers-of-one-hand films from this year’s Venice Film Festival and why Guadagnino will always be a beloved filmmaker of mine.
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And the film importantly holds proof that in order to understand our future, we must look at the past — the very distant, millions of years ago, dinosaurs and all, past!
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At the start of ‘Backstage’, the first feature directorial collaboration between Moroccan filmmaker Khalil Benkirane and Tunisian star Afef Ben Mahmoud, the unthinkable happens. And we, the audience, are along for the ride of a lifetime.
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