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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Jeremy Xido's 'The Bones' follows CPH:DOX premiere with Hot Docs Surprise Screening

E. Nina Rothe May 2, 2024

And the film importantly holds proof that in order to understand our future, we must look at the past — the very distant, millions of years ago, dinosaurs and all, past!

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In Features, Film Festivals, Film, review Tags Jeremy Xido, The Bones, CPH: DOX, Hot Docs, Death Metal Angola, Dubai International Film Festival, Angola, Heavy metal music, Detroit, Triassic period, dinosaurs, Gobi Desert, Bolor Minjin, Mongolia, Nizar Ibrahim, Paleontologist, Morocco, Sahara desert, Africa, South Africa, fossils trade, Francois Escuillier, France, Jack Horner, Jurassic Park, Ina Fichman, Intuitive Pictures, Fire of Love, The Wanted 18, Amer Shomali, Palestine, Sundance, Toronto, Canada, Kaveh Nabatian, Bettina Borgfeld, Johan Legraie, Claire Sanford, Étienne Roussy, Léna Mill Reuillard, Sarah Blum, Nick Taylor, Tom Randaxhe, Jacob Thusen, Boban Chaldovich, Cabula6, Ramachandra Borcar
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A still from the film © Reiner Holzemer Film

Reiner Holzemer's 'Lars Eidinger -- To Be or Not To Be' premieres in North America

E. Nina Rothe March 18, 2024

The latest documentary from the German filmmaker, whose mission appears to shoot cinematic homages to all things cool, will be shown to FIFA audiences in Montreal on March 21st.

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In Film, Film Festivals Tags Lars Eidinger, Reiner Holzemer, Lars Eidinger To Be or Not To Be, Juliette Binoche, Isabelle Huppert, Olivier Assayas, Berlinale, Flaunt Magazine, Jedermann, Hans Rothe, Max Reinhardt, Salzburg, William Shakespeare, Dying, Matthias Glasner, Dries, Philippe U. del Drago, Le FIFA, Montreal, Canada, International Festival of Films on Art
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A still from the film, courtesy of © Tanit Films, Midi La Nuit, Instinct Bleu

Meryam Joobeur on Berlinale Competition title 'Who Do I Belong To' and the injustice of visas

E. Nina Rothe March 10, 2024

The feature debut by the Oscar-nominated Tunisian-Canadian filmmaker is a cinematic painting, an ode to her ‘Brotherhood’ stars who were not given a visa to travel to the Berlinale. An injustice that seemed to go unnoticed in the midst of all the festival drama.

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In Features, Film, Film Festivals, Interviews Tags Meryam Joobeur, Berlinale, Who Do I Belong To, visas, immigration, Tunisia, Canada, Oscar-nominated, Doha, Qumra, Nadim Cheikhrouha, Marrakech, Atlas Workshops, Malek Mechergui, Rayen Mechergui, Chaker Mechergui, Brotherhood, Vincent Gonneville, Motherhood, Islamophobia, Salha Nasraoui, Mohamed Hassine Grayaa
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