Why is it that films like Dolores Fonzi’s wondrous directorial venture always remind us about the forgotten history, and how condemned we remain as a human race to repeat our mistakes in the future if we don’t come to terms with our past?
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Dhafer L’Abidine and Yasmine Al Massri in a still from ‘Palestine 36’ courtesy of Philistine Films
The most important film you'll watch this year: Annemarie Jacir's Oscar submission 'Palestine 36'
Why, you ask? Because if we are ever to understand the Palestinian/Israeli issues of the present, we need to go back nearly a century and wrap our heads around the crimes, struggles and mistakes of the past.
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