At a festival where everyone was told to avoid political statements, the juries made their views loud and clear by choosing films to award with their activists caps on.
Read MoreJafar Panahi, after his Palme d’Or win for It Was Just an Accident
Jafar Panahi, after his Palme d’Or win for It Was Just an Accident
At a festival where everyone was told to avoid political statements, the juries made their views loud and clear by choosing films to award with their activists caps on.
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The announcement of the Film Fund at the Palestinian Pavilion in Cannes, photo © Hamza Hamida
While the festival’s official stance may have been to avoid controversy and politics at all cost, or at the cost of the Palestinian people, there were a few cinematic organizations doing right by them on the Croisette. And the presence of a Palestinian Pavilion in the Marché du Film, with their just-announced Film Fund, brought well-deserved attention to their cause.
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The kind of beautiful women attending this year’s Festival de Cannes, as photographed at the Kering Women in Motion Awards dinner
Never before did I notice such a gender divide and so much incredibly superfluous mansplaining as I did this year on the Croisette.
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DFI supporting the Palestinian pavilion in Cannes this year, with Fatma Hasan Alremaihi, center, Elia Suleiman, third from left and Hanaa Issa, third from right.
And with a new upcoming international film festival announced for November 2025, the Gulf cultural organization plans to prove to the world what many of us already knew.
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A still from ‘The Mysterious Gaze of the Flamingo’ by Diego Céspedes
Everything moves so fast on the Croisette, that sometimes I imagine I’ve been here for a year, others that I landed just five minutes ago. But in that time, somewhere in between, I’ve definitely watched loads of films, met interesting people and attended a few parties. So here’s a recap of… only the last 48 hrs?! Incroyable, I tell you.
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Don’t be fooled by the official images, those trains are no longer allowed on the red carpet in Cannes
Well, I’m almost there, writing this on the flight, but the trials and tribulations have already started. And the controversies too.
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Among the new additions, Nadav Lapid’s absurdist tale, focusing on a struggling jazz musician tasked with reinventing the Israeli national anthem, taking place in the aftermath of October 7th, but also Lynne Ramsay’s latest, Kristen Stewart’s directorial debut and Lav Diaz’s ‘Magellan’ starring Gael Garcia Bernál as the Portuguese explorer.
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Starting right here, right now, I’m kicking off a podcast that brings together film and fashion in a brand new way, where you'll find yourself sitting in the room with celebrities and artists, for some cozy conversations. Cultural events and world affairs decoded, from Cannes to Venice to London and across the pond, to NYC.
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Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!
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Laetitia Ky in a still from Erige Sehiri’s ‘Promised Sky’
You have to love Spike Lee for crashing Thierry Frémaux’s insiders party at the line-up press conference… via social media of course!
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The five day event, which takes place every two years and celebrates the best of Arab cinema, will be held from 2nd to 6th April 2025 in the Swiss city.
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Now in its 14th edition, the couture festival will also feature the latest film by veteran filmmaker David Trueba and Enrique Buelo’s debut feature, along with two homages dedicated to personalities of Spanish cinema.
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Fabrizio Gifuni and Romana Maggiora Vergano in Francesca Comencini’s ‘The Time It Takes’
Cinema Made in Italy (CMII) returns to London this spring with exclusive presentations of nine new Italian feature films to UK audiences, presented by the internationally renowned Cinecittà.
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The 39th edition of BFI Flare: London LGBTQIA+ Film Festival, one of the world’s most significant and long-standing queer film events in the LGBTQIA+ calendar recently revealed its full program, with general tickets to go on sale February 27th.
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Margaret Qualley and Ethan Hawke in Blue Moon by Richard Linklater © Sabrina Lantos / Sony Pictures Classics
“Cinema helps us connect and understand each other,” says new Artistic Director Tricia Tuttle during the press conference announcing all the Competition and Perspectives titles, plus the few remaining films in their Special Gala program.
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Plus Polish director Damian Kocur won the Best Directing Prize for his Ukrainian story ‘Under the Volcano’.
Read MoreAjyal young jurors sit during a screening of a film in their section
And, while watching films during this wondrous festival, I witnessed a second miracle in the making.
Read MoreFatma Hassan Alremaihi and Her Excellency Lolwah bint Rashid Al Khater surrounded by some of the Ajyal jurors
A documentary about the students’ movement in Sudan opened this year’s DFI Ajyal film festival. And the unusual, yet super welcomed refreshing choices didn’t stop there.
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The list of cinema personalities encountering the public at this year’s festival in Morocco also includes Sean Penn and David Cronenberg, in Marrakech to receive their honorary awards, as well as persecuted Iranian helmer Mohammad Rasoulof, Mauritanian filmmaker Abderrahmane Sissako and US director-slash-artist extraordinaire Tim Burton.
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On the occasion of its 21st edition, which takes place from November 29th to December 7th, 2024, the Marrakech International Film Festival will present 70 films selected from 32 countries in its various sections: the Official Competition, Gala Screenings, Special Screenings, the 11th Continent, the Moroccan Panorama, Cinema for Young Audiences & Families, and films shown as part of the Tributes program.
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