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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

COURTESY OF THE VENICE FILM FESTIVALTrine Dyrholm in a still from ‘Nico 1988’

COURTESY OF THE VENICE FILM FESTIVAL

Trine Dyrholm in a still from ‘Nico 1988’

The Venice Film Festival Diaries: Kicking Off Big with ‘Downsizing’ and ‘Nico 1988’

E. Nina Rothe February 5, 2018

Just when I think I have the Venice Film Festival figured out, La Biennale goes and changes the game on us! Instead of a grand spectacle like ‘Birdman’, ‘Everest’ or ‘La La Land’ — the three films that opened the past editions of the oldest film festival in the world, for this year’s 74th edition Artistic Director Alberto Barbera did a bit of ‘Downsizing’ — Alexander Payne’s ‘Downsizing’ that is, starring Matt Damon. 

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In The Diaries, Cinema, Festival Tags Matt Damon, Downsizing, Nico 1988, Nico, Trine Dyrholm, Big in Japan, My Heart is Empty, These Days, Susanna Nicchiarelli, Venice Film Festival, La Biennale di Venezia, John Gordon Sinclair, Christoph Waltz, Kristen Wiig, Neil Patrick Harris, Laura Dern, Hong Chau, Alexander Payne, Alberto Barbera
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COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: The Prizes, the Takeaways and ‘Till We Meet Again, Locarno

E. Nina Rothe February 5, 2018

A film festival is of course only as great as the sum of its parts, and one very important, visual and ever-present part of the well-loved and hyper-attended festival that is Locarno is represented in the figure of its Artistic Director, Carlo Chatrian. A film journalist, writer, film programmer and now as the visionary head of the festival, Chatrian has been a part of Locarno Festival since 2002, inheriting his latest role in 2013. Those attending, as well as those following the event on social media and through their informative, interactive website, will notice his infectious enthusiasm. When I caught up with him on the next to last day of the festival, after he greeted the delegations of the day’s films during lunch — an activity he calls “a pleasure, after spending so much time in the dark watching films, to see these films come to light, and meet those who have done that work” — and then did a lively TV interview, he still had energy to spare. I, on the other hand, was exhausted by then.

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In Cinema, The Diaries Tags Locarno Film Festival, Marco Solari, Irrfan Khan, Adrien Brody, Nastassja Kinski, Fanny Ardant, Golshifteh Farahani, Lucky, Harry Dean Stanton, Oscar Contenders, Piazza Grande, Kursaal, Jacques Tourneur, Ana Urushadze, Carlo Chatrian, Pardo d'Oro, Miguel Gomes, Wang Bing, Madame Hyde, Isabelle Huppert, Mrs. Fang, Elliott Crosset Hove, Winter Brothers, Yousry Nasrallah, Three Quarters, Scary Mother, Rok Bicek, The Family, Olivier Assayas, Netflix, Locarno Stepin, Michel Merkt, Open Doors, Nadia Dresti, Richard Lormand, Sophie Bourdon
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A still from Rok Biček’s ‘The Family’

A still from Rok Biček’s ‘The Family’

The Locarno Film Festival Diaries: ‘The Family’, Struggles of ‘The Poetess’ and ‘A Letter to the President’

E. Nina Rothe February 5, 2018

Away from the main competition films featured in the Locarno Film Festival are two important sidebar sections which are filled with works of art worthy of the numerous audiences who attend their screenings. La Semaine de la Critique, Critics’ Week, and the Open Doors programs offer each and separately a fresh insight into modern groundbreaking filmmakers who will be the future maestros of our times. With Open Doors that even goes beyond the films we are watching on the big screen now, but bear with me before I get to that.

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In Cinema, The Diaries Tags cinema, Locarno Film Festival, The Family, The Poetess, La Semaine de la Critique, Open Doors program, Locarno Critics' Week, Rok Bicek, Olivier Assayas, Pakistan, Afghanistan, Bangladesh, Nepal, Myanmar, Sri Lanka, Nadia Dresti, Druzina, Slovenia, Yulia Roschina, Stefanie Brockhaus, Andreas Wolff, Saudi Arabia, Hissa Hilal, Arab poetry, Middle East, Fatwas, A Letter to the President, Roya Sadat
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COURTESY OF THE LOCARNO FILM FESTIVALA still from Rana Eid’s ‘Panoptic’

COURTESY OF THE LOCARNO FILM FESTIVAL

A still from Rana Eid’s ‘Panoptic’

The Locarno Film Festival Diaries: ‘Panoptic’, Cinematic Heroes and Dinner with a Diplomatic Legend

E. Nina Rothe February 5, 2018

It is not often that a film journalist like me gets to experience the stuff hard core news are made of in first person, up close. I mean, I’ve been privy to some great cinematic history in the making and yes, I lived in NYC at the time of the attacks of 9/11 so I watched unmentionable horror unfolding before my very eyes, but in Locarno I feel part of another narrative that will affect the world as we know it. 

I’m talking about the sudden decision by UN war crimes Special Prosecutor Carla del Ponte to quit her post, because she feels that Syria is now “a land without future”. Appointed to a three-member panel set up in August 2011 by the Human Rights Council to monitor the al-Assad regime and the unfolding civil war in Syria remotely, del Ponte represented the one slight hope for justice and yet today, that hope seems gone. Having previously sat on tribunals that investigated atrocities in Rwanda and the former Yugoslavia, del Ponte is most famous for putting Serbian leader Slobodan Milošević on trial at The Hague. And for having stood up to Sicily’s La Cosa Nostra and won, by simply walking away with her life. Now that’s a hero of a woman right there!

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Tags Todd Haynes, Wonderstruck, Villa Orselina, Locarno, Locarno Film Festival, The Song of Scorprions, Michel Merkt, Toni Erdmann, Yousry Nasrallah, Egyptian cinema, cinema, film, Panoptic, Rana Eid, Lebanon, Carlo Chatrian, Carla del Ponte, Human Rights Council, UN War Prosecutor
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COURTESY OF THE LOCARNO FILM FESTIVAL

COURTESY OF THE LOCARNO FILM FESTIVAL

The Locarno Film Festival Diaries: ‘Gemini’, the Hotel Belvedere and a Movie That Shall Remain Nameless

E. Nina Rothe February 5, 2018

My third day at the Locarno Film Festival started with the mind-blowing, wonderful directorial debut by actor John Carroll Lynch, which made me feel ‘Lucky’ all day long. It’s that good and if Harry Dean Stanton doesn’t get an Oscar nomination for playing the title character, I’ll go on a hunger strike — albeit one where I exclusively drink milk and diner coffee just like Lucky. If you haven’t kept up with the Diaries, you can read my thoughts on the film here. 

The day went from great to better when I got to interview filmmaker Nadir Moknèche and his lead actor Tewfik Jallab about their film ‘Lola Pater’ on the patio of the Hotel Belvedere — a stylish place overlooking the Old Town that required a brisk walk up a steep hill in the midday heat and humidity to access. After the initial huffing and puffing, I realized that everything which goes up must come down, and the walk back into town after the inspiring conversations with two men who simply make the world better by being in it was soul soothing. I loved being an invisible witness to Locarno daily life, the man who watered his garden unaware of my presence to the left, the band rehearsing at a club a bit further down the hill on the right. There is a wonderful human aspect to the festival and that walk back into town made me reconcile with the world, for a few precious moments.

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In Cinema, The Diaries Tags cinema, film, Locarno Film Festival, Gemini, Hotel Belvedere, John Carroll Lynch, Lucky, Lola Pater, Nadir Moknèche, Piazza Grande, Locarno, Aaron Katz, Los Angeles, Zoë Kravitz, Lola Kirke, John Cho
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COURTESY OF THE LOCARNO FILM FESTIVALDavid Lynch and Harry Dean Stanton in a still from ‘Lucky’

COURTESY OF THE LOCARNO FILM FESTIVAL

David Lynch and Harry Dean Stanton in a still from ‘Lucky’

The Locarno Film Festival Diaries: Feeling ‘Lucky’, Dame Fanny Ardant and a Cool “Chap Flick”

E. Nina Rothe February 5, 2018

Locarno is a really pleasant surprise. While Cannes may be the glitziest, Venice the oldest and Berlinale the most packed with titles, the Locarno Film Festival is a rockstar among film fests. Starting from its frontman, Artistic Director Carlo Chatrian, to the stars attending and what they are wearing, from the films shown, to how those in the media can comfortably attend mostly everything on their wish lists, Locarno stands out as the hip, cool and happening event. 

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In Cinema, The Diaries Tags cinema, film, Locarno Film Festival, Lucky, Harry Dean Stanton, Fanny Ardant, Lola Pater, Your Skin So Soft, Johnny Cash, Ed Begley Jr., Tom Skerritt, John Carroll Lynch, Denis Côté, bodybuilders, Canada, Nadir Moknèche, Tewfik Jallab, transgender, Carlo Chatrian
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COURTESY OF THE LOCARNO FILM FESTIVALNoémi Lvovsky and Luce Rodriguez in a still from ‘Tomorrow and Thereafter’

COURTESY OF THE LOCARNO FILM FESTIVAL

Noémi Lvovsky and Luce Rodriguez in a still from ‘Tomorrow and Thereafter’

The Locarno Film Festival Diaries: ‘Tomorrow and Thereafter’ and the Elusive Adult Fairy Tale

E. Nina Rothe February 5, 2018

The city of Locarno, located on the Lago Maggiore, is reached by crossing a tunnel through a mountain that felt like it was a dozen kilometers long. It’s moments like those, in the darkness and echo of an eerie place deep into the core of a solid rock formation that I feel smallest on this earth. But also in awe of the grandness of my fellow humans, who could envision such a project before its inception and managed to dig a passageway where it must have seemed impossible. Perhaps the perfect example that even a journey of a thousand miles begins with one, single step.

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In Cinema, The Diaries Tags cinema, Locarno Film Festival, Locarno, Switzerland, Tomorrow and Thererafter, Matthieu Amalric, Noémie Lvovsky, Carlo Chatrian, film
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Eton’s SS18 campaign

Eton’s SS18 campaign

The Pitti Uomo 92 Diaries: “Boom, Pitti Blooms” Comes to an End

E. Nina Rothe February 4, 2018

As the fashion tribe is getting ready to leave Florence for Milan — Pitti Uomo for Milano Moda Uomo — amidst a 24-hour transportation strike throughout Italy, I reflect back on the great things I’ve seen in the last 36 hours. While this year’s Pitti Uomo has been truly fantastic and full of personal highlights, the last day also managed to be pretty mind blowing.

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In Fashion, The Diaries Tags fashion, Pitti Uomo 92, The Pitti Uomo Diaries, Eton, J.W. Anderson, Off-White, Yoshio Kubo
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PHOTO BY GIOVANNI GIANNONI FOR PITTI IMMAGINE

PHOTO BY GIOVANNI GIANNONI FOR PITTI IMMAGINE

The Pitti Uomo 92 Diaries: Federico Curradi’s Angelic Rockstar Cool Look

E. Nina Rothe February 4, 2018

In the biography for Florentine-born designer Federico Curradi, his extensive experience at the helm of Ermanno Scervino, as head of menswear for Roberto Cavalli. as creative director for menswear at Iceberg and various consultancy jobs including one at Dunhill are collectively described as his “unique baggage of experiences”. I love to think of life as a journey and nowhere in Florence this year — where I find myself for the Pitti UomoSpring/Summer 2018 collections — was that concept more apparent than in Curradi’s line. 

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In Interviews, Fashion, The Diaries Tags Federico Curradi, Rockstar, Pitti Uomo 92, The Pitti Uomo Diaries, Menswear, Made in Italy, Florence
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PHOTO BY GIOVANNI GIANNONI FOR PITTI IMMAGINE

PHOTO BY GIOVANNI GIANNONI FOR PITTI IMMAGINE

The Pitti Uomo 92 Diaries: Why #iamHUGO This Year in Florence

E. Nina Rothe February 4, 2018

It’s interesting how different people can view a space in different ways. I mean, this time last year at Pitti Uomo we were watching the Gosha Rubchinskiy show at the Manifattura Tabacchi — a Fascist era tobacco factory near the racetrack in Florence. Within that setting, the Russian designer presented a daytime vision of boys framed by the rundown buildings of the abandoned manufacturing plant. The look was very Pasolini, both in the style of the clothes and the spare feel of the surroundings.

Fast forward a year, almost to the date, and I found myself once again within the same tobacco factory grounds, this time at night, and for the HUGO show. But even if the address was the same, the venue had been transformed into a hauntingly theatrical setting, a place alit with fire circles burning, lanterns hanging from a tall tree and smoke spewing out of broken windows, at uneven intervals. I expected Tina Turner in her ‘Mad Max’ costume to peek out of one of the red lit windows at any time.

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In The Diaries, Fashion Tags fashion, Hugo, Hugo Boss, Pitti Uomo 92, The Pitti Uomo Diaries, menswear, womenswear
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Raffaello Napoleone, left, with Christian Louboutin introducing Bike Polo at Pitti Uomo

Raffaello Napoleone, left, with Christian Louboutin introducing Bike Polo at Pitti Uomo

The Pitti Uomo 92 Diaries: Christian Louboutin Brings Sport and Glamour to Florence

E. Nina Rothe February 4, 2018

“Please excuse me if I will speak in English but my Italian is very tiny.” So shoe designer extraordinaire Christian Louboutin kicked off the Bike Polo tournament named after him in Florence. From early morning on Tuesday, June 13th, eight teams of three players from around the world battled for the win in the Piazza S. Maria Novella, in front of an iconic Florentine church. 

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In Fashion, The Diaries Tags fashion, Pitti Uomo 92, mayor Dario Nardella, Florence, Made in Italy, Christian Louboutin, shoes, menswear, The Pitti Uomo Diaries
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PHOTO BY ALESSANDRO CIAMPI

PHOTO BY ALESSANDRO CIAMPI

The Pitti Uomo 92 Diaries: Olivier Saillard Brings Fashion Magic to Florence

E. Nina Rothe February 4, 2018

“Presented flat, on a hanger or on an artificial bust made of wood or wicker, the garment is silenced,” but also an orphan, according to the Director of the Paris fashion museum Palais Galliera, Olivier Saillard.

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In Fashion, The Diaries Tags Olivier Saillard, Pitti Palace, Fashion, The Pitti Uomo Diaries, Pitti Uomo 92, Florence, Italian fashion, Made in Italy
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Claudia Cardinale © Archivio Cameraphoto Epoche/Getty Images

Claudia Cardinale © Archivio Cameraphoto Epoche/Getty Images

Jake Gyllenhaal, Dustin Hoffman, Emma Thompson and More: What I Learned from the Stars in Cannes

E. Nina Rothe February 3, 2018

While in Cannes, I also wanted to find some answers to my own doubts, answers on how to combat the virus of fake news, how to achieve my true self and why movie theaters can never be replaced by a computer. 

I found my answers in the stars. The movie stars. 

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In Cinema, Interviews Tags Cannes, Festival de Cannes, Cannes Film Festival, Dustin Hoffman, Tilda Swinton, Emma Thompson, Jake Gyllenhaal, Agnes Varda, Jr, Thierry Fremaux
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Abel Ferrara’s ‘Alive in France’

Abel Ferrara’s ‘Alive in France’

The Cannes Diaries: Agnès Varda & JR, Abel Ferrara and His Musicians and ‘Golden Years’

E. Nina Rothe February 3, 2018

There have been many emotional moments for me at this year’s Festival de Cannes, like hearing Dustin Hoffman talk intimately about the death of his mother in law during a press junket, Thierry Frémaux giving his speech from the stage of the Sale Debussy during the evening in honor of French maestro André Téchiné, while pointing out of the legendary actresses and actors the filmmaker has worked with in his lengthy career, and catching up with favorite filmmaker Amos Gitai about his vision for peace in Israel. 

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In Fashion, Cinema, The Diaries Tags Cannes Film Festival, Agnes Varda, JR, Abel Ferrara, Andre Techine, Golden Years, Faces, Faces Places
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Dustin Hoffman and Noah Baumbach on the set of ‘ The Meyerowitz Stories’

Dustin Hoffman and Noah Baumbach on the set of ‘ The Meyerowitz Stories’

The Cannes Diaries: NYC Stories, Recognizing ‘Tehran Taboo’, and a Mistreated Beauty

E. Nina Rothe February 3, 2018

Every day I’m in Cannes for the Festival I deal with an internal struggle that makes existentialist wonderings seem like a trip to the ice cream shop. Should I watch films until I drop, or spend more time at the various cocktail parties that dot the Croisette every late afternoon? Is it OK to view a film on a link while sitting at my computer, or should I make sure I get to experience each and every oeuvre on the big screen, as god intended and Cannes artistic director Thierry Frémaux insists upon? Am I allowed to choose between Jake Gyllenhaal, Tilda Swinton, Emma Thompson, Dustin Hoffman, Noah Baumbach or a Nespresso? Attend a dressed-down press screening or get dolled up for the black tie gala? Oh, the choices! It’s times like these I wish I could be cloned. 

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In The Diaries Tags The Meyerowitz Stories, Tehran Taboo, Cannes, Cannes Film Festival, Dustin Hoffman, Emma Thompson, Beauty and the Dogs
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The Cannes Red Carpet

The Cannes Diaries: A Cowboy, the Courage to Dream Peace and a Fairy Tale

E. Nina Rothe February 3, 2018

Thierry Frémaux is a cinema potentate. And that’s a great thing!

While most people at the top usually usurp their power for personal gain, the director of the Festival de Cannes uses his inimitable influence for the good of cinema. It’s a vision which may eventually — if filmmakers have their way — change the world. Thanks to ones like Amos Gitai, Chloé Zhao and Bong Joon-ho to cite a few whose latest oeuvres I’ve watched these past 24 hours — change the world for the better. 

On a personal note, watching Frémaux’s elegant and welcoming presence at the top of the red carpet staircase before each of the official screenings has been a breath of style air, in a world that’s increasingly forgetting the power of modesty and class.

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In The Diaries Tags The Rider, Cannes Film Festival, Amos Gitai, Okja, Netflix, Cannes
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CLAUDIA CARDINALE Photo: © Archivio Cameraphoto Epoche/Getty Images

CLAUDIA CARDINALE 

Photo: © Archivio Cameraphoto Epoche/Getty Images

The Cannes Diaries: From Virtual Reality to Dreaming Awake with ‘Sicilian Ghost Story’

E. Nina Rothe February 3, 2018

I’m hyper aware and over stimulated as I begin this Cannes experience, after having taken a year off from the grandest film festival in the world. On my flight over, I notice everything, even the exceedingly handsome, slim and tall flight attendant in his crisp white shirt and tight black vest. The coffee taste better, and we’re talking short haul airplane coffee, the air is crisper, the sun on the tarmac, warmer. Kinder maybe...

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Tags cinema, Cannes Film Festival, Sicilian Ghost Story, Virtual reality
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5a55dc6a200000160057d53d.jpg

The Pitti Uomo 93 Diaries: Finnish Design, the International Woolmark Prize and Be Still My Gucci Beating Heart

E. Nina Rothe January 31, 2018

On the first official day of the 93rd edition of Pitti Uomo, and my second day on the ground in Florence, I found quite a lot of inspiration coming from Guest Nation Finland, the International Woolmark prize with its multicultural designers and the wonderful universe that has been created by Alessandro Michele, the creative director of Gucci. I mean, any man confident enough to wear a golden tiara is A-alright in my book. Even I am weary of those things and find it difficult to incorporate them into my daily wardrobe, so I can’t even begin to imagine how he managed. The conversation alone with himself in the mirror, that I would have liked to have been a fly on the wall for! Alessandro Michele is my fashion idol.

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In Fashion Tags The Pitti Uomo Diaries, E. Nina Rothe, Gucci, Alessandro Michele
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